The Beasts' Carnival

1980
5.7| 1h31m| NA| en| More Info
Released: 03 December 1980 Released
Producted By: Dálmata Films S.A.
Country:
Budget: 0
Revenue: 0
Official Website:
Info

A hit man working for the Yakuza double crosses his employers and flees with a cache of diamonds from the latest heist. Injured and hiding in the mountain regions of Spain, with Japanese assassins in hot pursuit, he takes refuge in the home of a local doctor and his two daughters who nurse him back to health and hide him from his pursuers, taking drastic and murderous measures to protect him... for they have plans of their own in store for their current guest.

Genre

Horror, Crime

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Director

Paul Naschy

Production Companies

Dálmata Films S.A.

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The Beasts' Carnival Audience Reviews

Comwayon A Disappointing Continuation
Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.
StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
EyeAskance An Asian crime syndicate enlists the aid of Paul Naschy in a diamond heist, a choice they come to regret when he violently betrays them. He subsequently kills the syndicate leader, the daughter of whom he's been feigning a romantic interest. She shoots Naschy in a vengeful rage, but he escapes into the wilderness. Severely wounded with the cold hands of death upon him, he magically awakens in the personal care of an eccentric doctor and his two sexy daughters.At this point, the film switches gears, and what began seemingly as an action/crime film gives way to a disorienting hybrid of revenge thriller, lurid sexploitation drama, and gialliesque slasher mystery. The situational goings-on are quite strange, and while the film is rather carelessly paced and atrociously dubbed, it aptly manages to hold you by the throat straight up to its bizarre summation.This one takes some time to get the ball rolling, but once the stage is set, you may well be glad you stuck with it. All its inconsistencies aside, HUMAN BEASTS is a likable little dish of a very different flavor.5.5/10
ma-cortes This time Naschy is turned into a criminal mercenary who deceives ,steals and kills and goes on a murderous rampage until to terminate in the ¨Texas massacre house¨. The story starts in Japan on the lake Hakone near mount Fujiyama . Bruno Rivera (Paul Naschy) a tough mercenary is hired by an organization of fanatic idealists to carry out a hold-up on a valuable stash of diamonds. Bruno double-crosses his pregnant Japanese girlfriend and the criminal group and returns Spain. There he is located , taking place a chase and exciting pursuit nearly an old monastery . Being wounded , he is healed by the medic Simon (Lautaro Murua) and his daughters Alicia (Azuzena Hernandez)and Monica (Silvia Aguilar) . He takes shelter in their mansion but his former love interest Mieko (Eiko Nagashina) swears vengeance and is relentlessly looking for Bruno . Finally Bruno decides to escape until a creepy and surprising finale .The picture is full of perverse images , sadism , morbidness and some nudism .It packs a crossover between noir cinema , gangsters genre and horror . Also displays acceptable photography , and Nazi iconography as usual in Naschy films. The film is narrated by means of flashbacks with Bruno's nightmares , developing Japan events and actual deeds when Naschy lives in the house of the rare family. The pig scenes of Ridley Scott's ¨Hannibal¨ seem to be taken from this film .Jacinto Molina ,under pseudonym Paul Naschy turns out to be the continental Europe's biggest horror with his classic character , the unforgettable Waldemar Daninsky and frightening to viewer. He played as El Hombre Lobo for the umpteenth time . Jacinto Molina Aka Paul Naschy ,who recently passed away, was actor,screenwriter and director of various film about the personage based on fictitious character, the Polish count Waldemar Daninsky. The first film about Waldemar was ¨The mark of the Wolfman (1967)¨ by Enrique Eguiluz , after that ¨Night of Walpurgis¨, ¨Fury of the Wolfman¨ , ¨Doctor Jekill and the Wolfman¨ ,¨The return of the Walpurgis¨, ¨Howl of the devil¨, ¨The beast and the magic sword(1982)¨ that is filmed in Japan and finally ¨Licantropo(1998). After ¨The craving¨ it was such a box office disaster that Jacinto was bankrupt. He was forced to turn to Japan for making artist documentaries, as he filmed ' Madrid Royal Palace and Museum of Prado' and he gets financing from Japanese producers for ¨The human beasts¨, the first co-production Spanish-Japan and followed ¨The beast and the magic sword¨. Both of them are lavishly produced for the Paul Naschy standards. As the Atrezzo and gowns were well manufactured and exterior shot on both countries .It's a B series entertainment with abundant sensationalistic scenes and a Naif style.The movie has a bit of ridiculous gore with loads of blood similar to tomato and is occasionally an engaging horror movie full of slashing, beheading, and several other things. This time Paul Nashy/Jacinto Molina exhibits little breast but he was a weightlifting champion . Pretty slow going and some flaws and gaps , but hang in there for the incredible and unexpected ending . In the picture appears habitual secondaries from Naschy films as Luis Ciges , Pepe Ruiz , Rafael Hernadez and other known supporting cast as Tito Garcia and Ricardo Palacios .Good cinematography by Alejandro Ulloa (Horror express and The return of the Wolfman )is accompanied by a correct remastering and filmed in Japan , Madrid , Valley of Lozoya and surroundings . The motion picture is professionally directed and played by Jacinto Molina , a slick craftsman and mediocre actor.The flick will appeal to Paul Naschy fans and terror genre enthusiasts. Rating : 6, passable and entertaining.
BloodTheTelepathicDog The incomparable Paul Naschy, horror film icon of Spain, lends his talents to this entertaining if not scattershot film. What begins as an action flick ends up a horror story. All I can say is just sit back and enjoy the ride.Paul Naschy plays a cold-hearted hit-man hired by some shady Japanese diamond hunters (one of which is his flame who is carrying his child) to swipe a cache of diamonds from a Belgian businessman. When the deed is done, the allure of the diamonds is too tempting for Paul to dismiss so he kills his Japanese cohorts. His girlfriend, whose brother Paul killed, vows revenge and chases Paul through the forest, shooting him up and leaving him for dead. However, Paul is found by an egghead with two horny daughters and brought to his estate to recuperate.At the estate, the two daughters, Silvia Aguilar and Azucena Hernandez, fight for Paul in his weakened state, with the busty Silvia Aguilar determined not to lose out to the sweet and prim Azucena. But things get hairy for Mr. Naschy who begins to see the ghost of the daughter's long dead mother on the estate grounds. Couple this with the Japanese lass looking to finish the job of killing Paul and he gets pulled from two sides.STORY: $$ (The story goes a number of ways and doesn't fully satisfy. The script builds up a fight for Paul between the daughters but Silvia, whose character seems assertive and volatile, simply lets Azucena win in the Paul Naschy sweepstakes without putting up a fight. Personally, I would have preferred the ghostly apparition story to the revenge seeking of the Japanese woman)VIOLENCE: $$$ (You get gunplay, a blown-up babe and pigs eating some poor schmuck alive. Gore hounds will not be letdown with this Naschy flick).ACTING: $$$ (Paul Naschy, as always, is fun to watch but he does spend a bit too much time in bed recovering from his wounds. Starring with him again are the luscious Silvia Aguilar and the beautiful Azucena Hernandez, who teamed with Mr. Naschy in the little gem "The Craving." Both girls do a fine job).NUDITY: $$$ (You get very brief glimpses of both Aguilar and Hernandez but they are strategically placed, keeping the naught bits covered. Full nudity is supplied by the two lesser appealing actresses: the Japanese woman chasing Paul and the African maid that works for Silvia and Azucena).
Woodyanders Ruthless mercenary Bruno Rivera (Paul Naschy in peak nasty form) betrays his pregnant partner/girlfriend Meiko (well played by Eiko Nagashima) in order to have exclusive dibs on a fortune in stolen diamonds. But Meiko manages to seriously wound Bruno before he gets away. Bruno winds up in the swanky chalet of kindly rich doctor Don Simon (a fine performance by Lautaro Murua). He also attracts the attention of Simon's two hottie daughters: the fiery Monica (luscious Silvia Aguiler) and the sweet Alicia (nicely essayed by the lovely Azucena Hernandez). However, Bruno soon realizes that something is very amiss about the isolated place and plans to escape as soon as he can. Meanwhile, the bitter Meiko tries to find Bruno so she can exact her revenge on him. Naschy, who wrote and directed as well as stars, concocts one of his strangest, most twisted and perverse horror vehicles ever with this little seen oddity. The offbeat plot and mysterious atmosphere become more weird and unnerving as the story unfolds, eventually leading to a genuinely startling surprise downbeat ending. This film further benefits from occasional moments of graphic gore (watch out for the memorable sequence with one poor guy being devoured alive by vicious flesh-eating pigs!), Alejandro Ulloa's slick cinematography, and a decent sprinkling of nudity and soft-core sex. Good supporting turns by Roxana Dupre as sassy maid Raquel, Pepe Ruiz as amorous playboy Don Serafin, and Julia Saly as the deranged Teresa. A pleasingly grim and worthwhile shocker.