The Bamboo Blonde

1946 "SHE WAS THE SWEETHEART OF EVERY G.I.!"
5.8| 1h7m| NR| en| More Info
Released: 15 July 1946 Released
Producted By: RKO Radio Pictures
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Budget: 0
Revenue: 0
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Info

A pilot of a B 29 meets Louise Anderson, a singer in a New York nightclub. He falls in love with her, but he had to leave next day for action in the Pacific. He lets paint her picture on his bomber, the "Bamboo Blonde" and becomes a hero with his crew sinking a Japanese battleship and shooting down a Japanese fighter wing. Back in New York, he leaves his fiancée and engages him to Louise.

Genre

Romance, War

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Director

Anthony Mann

Production Companies

RKO Radio Pictures

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The Bamboo Blonde Audience Reviews

Lovesusti The Worst Film Ever
Wordiezett So much average
Siflutter It's easily one of the freshest, sharpest and most enjoyable films of this year.
Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
bkoganbing The Bamboo Blonde came out in 1946 just past the era of World War II when this story would still have an appeal. It's a minor league musical with one of the major league vocalists of the day Frances Langford.Russell Wade a young pilot assigned a new crew is in his last night in the states and he meets up with Frances Langford, singer in a struggling nightclub owned by Ralph Edwards. On his last night state side they have an innocent fling and he goes off to war with her picture and the reputation of a lady killer. Wade's also slightly engaged to Jane Greer.But after a run of bad luck the crew paints Langford's picture on the fuselage and the plane starts racking up zeroes with Memphis Belle like clockwork. Langford becomes a celebrity due to the Army Air Corps publicity machine. She's also quite the inspiration to our fighting men.The film is narrated in flashback by Ralph Edwards who's turned The Bamboo Blonde into a cottage industry. Some forgettable songs by an unforgettable singer. It's a pleasant piece of post war fluff.
chank46 I would listen to Frances Langford sing the Albanian phone book. Here we have Frances set in a movie that is perfect for her. Looking absolutely beautiful, appealing, sounding like the Golden voiced song bird that she is. Her voice is almost too beautiful, her delicate phrasing along with her melting pianissimo's makes the heart flutter. Of all the great female singers of the 30's and 40's Frances, all five feet of her, stands head and shoulders above the rest. Frances isn't just a 'pleasant little snack,' she's a full course meal. You keep rooting for her and the flier to get together. There is just enough mischief to keep you guessing. The movie is what it is, an entertaining, morale boosting romp, where all ends well. See this movie, by all means, and be transported into a different time and place
erikpsmith Okay, this movie isn't Citizen Kane. But it is an hour of so of zippy well-produced entertainment -- and I think you have to say it is one of the most perfectly typical movies of its time. I mean, it has every stereotypical character, traditional plot device and normal production touch you might expect in a light comedy produced during wartime. We have a fast-talking and slightly corrupt nightclub promoter. We have an adorable torch singer with a heart of gold. And we have a somewhat naive leading man who nevertheless possesses the sterling qualities that will make him a war hero. Oh, and don't let me forget -- we also have a beautiful and manipulative woman, the sort who doesn't like to lose.The plot is your basic boy-meets-girl stuff. It concerns a man who meets a nightclub singer -- very cutely, of course. They have a nice long chat over dinner and fall deeply in like. The fellow goes to war the very next day. Boy and girl secretly pine for each other, even though each of them knows they really don't have a right to do so. The girl's lovely face gets painted on the nose of our hero's B-29. The plane and crew becomes famous for heroic exploits (which consist mainly of surviving) and then hero and torch singer are reunited for a bond tour. They have to pretend to be lovers. The problem here is that the hero's rich-bitch fiancé intrudes. She doesn't love the guy at all, but now that he's a war hero, she demands that the big lunk go through with the ceremony.You can kind of guess how this one ends. Can't you? Oh, please. And there's a big twist at the end, when we find out about the fellow's family background -- but if you don't see this one coming a half-hour in advance, you probably haven't seen enough thirties and forties movies.Naturally the lovely Miss Langford has some elaborate production numbers, with a wonderful big-band soundtrack.Now, this sort of summary might make this movie sound like the oldest and tritest story ever filmed. But the fact is that every now and then someone produces a movie that so perfectly encapsulates every convention of its genre that you stop seeing a lack of originality as a flaw. Instead you can marvel at its perfection, the way you can admire a perfectly cut diamond. Nothing original about a perfectly cut stone, is there? But it sure looks purty.So of course the boy and girl fall in love. Of course they conquer all. Of course Frances Langford gets to wear skimpy outfits and sing her lungs out. No wonder Bob Hope took her on so many USO tours.I gather that Anthony Mann's involvement is one of the reasons this movie works so well. He became a noted director in the years after this film was made, and while I can't count myself as one of those who is obsessed with his work, I know that there are many who are. Suffice it to say that some directors might have made a mess of a movie like this one, but Mann keeps it moving right along, and the level of acting is pretty much what it ought to be. Okay, so maybe the critics were right when they called this movie clichéd and hackneyed. But there was a reason for those clichés: Sometimes they actually worked. Next time this one shows up on cable, put your feet up, put your mind on hold and let yourself enjoy the darned thing.
Alice Liddel As a masterclass in what a great auteur can do with trite, uncharacteristic material, 'The Bamboo Blonde' is a must see. With a bizarre mixture of war propaganda, romantic comedy and musical, Mann manages to offer a prototype of the frayed masculinity so familiar from his noirs, Westerns and historical epics (see the final third, the ritual humiliation of the amiable hero); as well as his subversive interest in signs (see especially the musical number where the heroine walks through a landscape of labelled props), and the gaping difference between their value and the reality they hide. All this AND Jane Greer, as duplicitous a nay-sayer here to American masculinity as she would be a year later in the greatest ever noir, 'Out of the Past'.