Exoticalot People are voting emotionally.

SnoReptilePlenty Memorable, crazy movie

Sexyloutak Absolutely the worst movie.

MusicChat It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

sdjnyc "The Appointment" is confusing (the opening scene has nothing to do with the rest of the movie), slow and boring. I watched this movie four times, the first three times I fell asleep. I finally got through the entire movie the fourth time. After the movie ended I wanted to know one thing: What was that (the movie) about? Like I said, the opening scene (a girl getting snatched out of nowhere by an unseen force--the only interesting part of the movie) has nothing to do with the rest of the movie. The rest of the movie is about a spoiled little girl who gets upset with her father because he cannot make it to one of her "concerts." So she decides to kill him using supernatural powers. At least, that's what I think it's about, but I'm not really sure. As I stated earlier in my post, the movie is confusing and makes absolutely no sense at all.

rsoonsa Lindsey Vickers, who scripts and directs this enigmatic film, offers a viewer just enough information to raise questions, at the same time presenting enough plums in the pudding to warrant an alert audience wishing for answers in return, but providentially style triumphs over substance. Vickers constructs an unquestionably suspenseful tale of predestination that revolves about a talented young violinist who manifestly possesses significant preternatural powers, more than sufficient to drastically affect those about her. Action opens with a three year flashback scene as we view a 12 year old girl carrying her casebound violin while walking from her school toward her home, traversing a secluded coppice, Crombie Wood, wherein she is suddenly seized (in a highly eerie scene) by a baleful force that slaughters her. Three years after, Joanne Cameron (Samantha Weysom), a 14 year old student at the same school, and also a violinist of a high order, is seen approaching a now abandoned Crombie Wood (fenced to discourage any who might otherwise trudge through it) where she speaks at the barrier to someone or something unseen just within the enclosure. Joanne's affection for her father Ian (Edward Woodward) is obsessive, and when he cannot attend her solo examination recital because of a business appointment, the child's paranormal facility is apparently utilized in the service of evil, thereby raising nocturnal havoc with Ian and Joanne's mother Dianna (Jane Merrow), as the married pair have nightmares in union that share numerous dire elements. In the morning following the tandem bad dreams, Ian drives to his business appointment in a loaned automobile, as his is being serviced, and it is soon apparent that vital auto related components from within the nightmare are being enacted during the light of day, and a powerful perception of upcoming danger is fashioned through the script. It is this premonition of dread that securely establishes the tension marking the film from its opening scene, a viewer wondering specifically how, or if, Ian will be victimized consonant with the display of frightful events that comprised a large portion of the mentioned dreams. Well-wrought and intense domestically flavoured episodes mingle congruent with scenes of suspense, according credible shape to the whole. Helping to nourish a viewer's interest are nicely conceived passages showcasing visual and aural synchronicity, based for the largest part upon the dream sequences, while a gripping atonal score by Trevor Jones and resourceful camera-work from Brian West provide intensive underpinning to a film that never retreats away from the plot line perception of Vickers. Especial note shall be made of a solo car crash occurrence that is shot and edited in a highly persuasive manner. Acting honours are to the expressive Merrow for her turn as a decisive pivot between her husband and daughter. Filmed to a large extent within scenic Snowdonia National Park of North Wales, this undervalued film had but infrequent theatrical showings before being released to video and has not since emerged in a DVD format.

Aaron1375 This movie reels you in right from its opening scene where a girl is sucked into some bushes. Then you watch expecting something else creepy like that first scene, but do you get it? The answer to that my friends is a resounding 'No'! This is a very dull movie, and if there is one thing I can't stand a horror movie to be it is for it to be dull. A bunch of dream sequences and this and that and then an event happens the next day where there is a car wreck and then the payoff. The main problem is I do believe this premise was stretched out a bit too much. This might have been a rather good short story, but there was just not enough stuff here for an hour and a half movie.

Brian-140 This film is unique - the horror of the situation derives more from what is implied rather than what is seen. A young girl violinist who is has an insatiable need for attention from her father invokes a dark force to eliminate her rival, thus granting her the star spot in the orchestra. But when her father informs her that he cannot attend her performance due to an "appointment" - she invokes the mysterious force against him.The visual/audio effects are incredible: some very Hitchcockian touches throughout, especially the "invasion of the house" and the "restaurant" scene. The car crash scene is a masterpiece of surrealism. The film wisely does not plunge us right into the bizarre but slowly draws us in - until it is too late to escape.Only one flaw: why is the dark force invoked against the mechanic? Her father would have left for the appointment in any case. And why the missing part on the roadway? Worth seeing though.