LouHomey From my favorite movies..

InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Murphy Howard I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

ganymede_901 This is a beautiful and daring adaptation of a classic piece of Hungarian theatre. The play was originally written as "The Tragedy of Man" and to this date is regarded as Imre Madách's masterpiece. The first time I read the play, I was amazed by the breadth and scope of it and actually thought "This will never make it to screen - it's too big."For more information on the play, see: http://en.wikipedia.org/wiki/Imre_Mad%C3%A1ch - warning, the Wiki article contains spoilers.I now own a copy of it and enjoy it every time I watch it. The movie adaptation can be a bit daunting for those who have not read the play, so in my opinion, reading it is defiantly recommended.I only have two issues with the movie:1) Only ten of the original fifteen acts are included.2) The entire cast is children. An interesting conceit, but not really necessary as the original protagonists were written in standard mode, ie: kings, nuns, soldiers, etc. were portrayed as adults.Overall, a very good movie with terrific locations, photography and acting from it's young cast.

drjamesaustin Every now and then I read a book or see a movie that leaves me increasingly puzzled, even frustrated - until suddenly, towards the end, everything comes together and it all makes sense (the first time I remember this was John Irving's "A Prayer for Owen Meany"). This movie is just such a creation.The plot idea is superb: Adam and Eve, having succumbed to Lucifer's temptation, are cast out of the garden of Eden. Adam holds Lucifer to his promise: "You said I would know everything!"; so Lucifer, in return, grants Adam a dream of the world to come. And what a bizarre dream: Adam becomes Miltiades in Athens; a knight called Tancred in Byzantium; Kepler in Prague; Danton in revolutionary Paris; and a nameless suitor in industrial London. All of the episodes end in tragedy, and all involve a man separated for ever from his true love.Other critics have commented on how the episodes become increasingly surreal and confusing, and by three-quarters of the way through the movie I was as bewildered as anyone. But it is when Adam awakes, and Eve tells him that she is carrying his child, that it all starts to come together. Adam has seen his descendants create a world that spirals into madness; and he has also seen that in his misguided attempt to stay forever with Eve, he has condemned all his descendants to separation, whether by death, deceit, adultery, or even misguided piety. His heartfelt plea to God as he clutches his pregnant wife's abdomen - "Lord, shall my kind progress, or like cattle in the treadmill stay within the circle?" - is a challenge. Have we progressed, or have we fulfilled Lucifer's vision of a self-created Hell? The movie is beautifully filmed, with little bizarre touches weaving a dream-like milieu. There are some fine performances, particularly from the eerily beautiful Lucifer. All-in-all a weird and thought-provoking movie.

thinker1691 The Annunciation is a film which you should watch when you have nothing better to do on an otherwise humdrum day. From the first to last this movie is a kaleidoscope of images, created to mesmerize the mind. Director Andras Jeles uses child actors to weave a visual tapestry of Godly virtues and human weakness intertwine with historical events. Somewhere between the Creation of Man and his Redemption, the viewer is set adrift in a sea of spectral images, who' purpose is known only to the director or to Pablo Picasso. Despite some provocative moments such as baring all with a nude Adam and Eve, the collage of words and historical settings the film overwhelm the viewer and destroys what little message the director intended to impart. From a Western point of view this film is far too complicated to be easily absorbed and thus fails to be recognized as anything but an art form gone mad.

Lord Runningclam A downbeat, hypnotic retelling of Mankind's story from Adam and Eve to the present, played entirely by children. But don't expect a romp -- these kids are deadly serious as they tackle issues of mortality, religion, and the struggle of class against class. Brilliant photography enhances the deliberate pacing, yet the film is never boring. Literary sources include Emily Dickinson and William Blake, and every line is delivered with full conscious intention. Especially effective is the Byzantium sequence, where a single syllable (homousios, or homoiousios) means the difference between life and death. Seldom has the narcotic influence of religious power been so effectively portrayed. The use of a cast composed entirely of children is a conceit that lends itself to preciousness, but here it succeeds without the least trace of "cuteness". In sum, a daring, challenging, and ultimately worthwhile experiment.