Karry Best movie of this year hands down!

Steineded How sad is this?

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Donald Seymour This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

GUENOT PHILIPPE How not to think about Sam Peckinpah's masterpiece when you seee this tremendous Japanese depserate crime movie, very bloody, brutal, sometimes cheesy, I admit, but unforgettable for me. The ending is a homage to WILD BUNCH of course, and also SEVEN SAMURAIS as well. Koji Tsuruta and Noburu Ando carry the film on their shoulders, they are here at their peak, in such Melvillian - Jean-Pierre Melville - characters relationship. Only characters and not the graphic violence which the Rue Jenner studios master street would have certainly not approved. Don't miss this Kinji Fukasaku movie.

greenwolf777 I just watched this movie and have to agree with Frankie (another movie reviewer here), it more than anything inspired Tarantino. The pacing of the movie, the sense of "coolnes" that permeates the film, the genre, everything about this film influenced gangster films for decades to come. There is the argument however, that Tarantino is derivative and irrelevant, but people see his movies and enjoy them. Even without the knowledge of his inspiration, which is varied, you can't help but like his films. But about this movie:It's about a gangster who gets out of prison and strikes up a plan to take over a city in Okinawa with the remnants of his previous gang. Unfortunately, they've never been to Okinawa, and the natives are tougher than they look. Lots of quick edits, freeze frames and groovy hippie music (with a surf beat) provide the kitsch factor. Highly recommended!!!

Frankie need I say it?...Tarantino. Kinji Fukasaku in my opinion inspired Tarantino more than any other filmmaker; De Palma, Scorsese, Suzuki among them. The dialog beats, the action beats, even the music seems all vaguely familiar to Tarantino's filmography. Fukasaku is THE yakuza director. While I'm sure most yakuza fans will opt for Seijun Suzuki who came first and who, no doubt, inspired Fukasaku, I compare it to Ford vs. Kurosawa. Ford clearly inspired Kurosawa but Kurosawa took these inspirations and combined them with his own sensibilities to make something truly unique. The same goes for Suzuki and Fukasaku. Watch this and the Yakuza Papers films which are sold together in a great box set and tell me this guy isn't the best. The narrative of Sympathy is not particularly original, it's the age-old small gang vs. big gang which can be seen in this all the way to the recent Miike films. What makes this special is the feeling of the film. The dialog, acting, music, cinematography, style all combine for an unforgettable visceral experience. It's impossible to watch this film and not be drawn in by Koji Tsuruta's performance as the ultimate bad-ass. Fukasaka is also the same man that made the ridiculously entertaining and witty Battle Royale and who died in the middle of Battle Royale II in which his son took over. Home Vision Entertainment did a great job on this DVD and I recommend any yakuza or action fan pick this up immediately.

foal This film was sitting among the "New Releases" at the videostore. Got it, watched it, liked it. Also seen enough to suit my taste. Don't need to get into Yakuza (Japanese organized crime) films along with everything else in life. BUT Sympathy for the Underdog is very good movie making and I feel fortunate for having happened on to it.If Yakuza films are anything like their predecessors, Samurai movies, the genre is huge and varied. In this one from 1971, director Kinji Fukusaki tells the story of a Yakuza boss getting out of jail. All his trappings of power are gone. All he's got are his brains and some very loyal friends.Among the Extras on the DVD I rented, there are excerpts of an interview with the Director's biographer, a man named Sadao Yamane. It's a very informative interview, where he explains the rise of the organized crime genre. Post World War II Japan began in chaos. Those who could leave the past behind and exploit the present tense could rise to power. The protagonist of Sympathy for the Underdog had been there, done that. Now he has to do it all over again.While the genre must be very formulaic, there's got to be room for fresh takes. Fukusaku's s style consists of quick takes: the dialogue is curt, information is conveyed in a multimedia of ways; the editing is very tight. And then came a big surprise for me. Towards the end, a moment of genuine tenderness poetically expressed. That's when I heard the quality of writing in this film. So let's just say Sympathy for the Underdog helped define the art of its type. If you like movies about the world of men, this one's well worth watching.