CheerupSilver Very Cool!!!

Claysaba Excellent, Without a doubt!!

Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

JasparLamarCrabb Private eye George Maharis is hired by wealthy Peter Lawford to find out all he can about future wife Carroll Baker (a poetess with a very mystery bio). Maharis finds a slew of lurid details about Baker ranging from rape to prostitution to blackmail. Director Gordon Douglas and scriptwriter Sydney Boehm have Baker climb from a Dante's Inferno of nightmares before achieving respectability. Maharis encounters one loony character after another. There's blowzy Ann Sothern, sassy showgirl Nancy Kovack, sleazy Edmond O'Brien, and ex-prostitute Joanne Dru. Also in the mix is saintly librarian Vivica Lindfors and not so saintly transvestite pimp Paul Gilbert (as Lola Diamond). It's all fairly silly as opposed to compelling with Maharis making a dull leading man. Baker does not have the carriage to be particularly convincing as a poetess! There is a great music score by David Raskin and stellar cinematography by Joseph Ruttenberg. Aldo Ray, Val Avery (as one of Baker's unlucky johns) and Lloyd Bochner (as a very brutal john) are in it too.

dbdumonteil The movie begins well enough and we think we will deal with some Preminger-like mystery ("Laura" "Bunny Lake is missing" "Anatomy of murder") or even a Mankiewicz extravaganza ("the barefoot comtessa").One of the first scenes in the library with Viveca Lindfords is intriguing.The books play a prominent part and there's a strange children's omnipresence.Then the accumulation of melodramatic elements and the abuse of flashbacks end up wearing thin .Interest only occasionally comes back:Ann Sothern's barfly act,her entry in the posh restaurant ,for instance.Carroll Baker only appears in flashbacks in the first hour which preserved her mystery charm.Then,when the private meets her,it peters out.And it's not hard to guess the ending.

savoir This movie deserves a high rating because of the issues it addresses and the quality of acting. The cast is first rate. As a devotee of "Route 66" I idolized the role of Maharis. His character was the chief attraction of the series. In subsequent roles he did not achieve the aura that he had projected in the series. However, in this movie he plays a middle of the road detective to perfection. The issues discussed make this a movie that one can see over again without boredom. The supporting cast is a Who's Who of Hollywood of the era.

kylerkl Sylvia is a well developed film, from cast to direction. It was far ahead of its' time. The plot is slow in the beginning but quickly moves to a steady pace. Sylvia confronts difficult issues few movies can handle with any lasting credibility. The characters are rich and diverse in their perspectives. Carroll Baker delivers a superb performance as the female lead. Carroll Baker's supporting actors and actresses enrich the weave of the emotional undercurrents of the film. Sylvia is also complemented with the use of vivid symbolism and well formed dialogue.