Swordsman III: The East Is Red

1993
6.1| 1h33m| NA| en| More Info
Released: 04 August 1993 Released
Producted By: Film Workshop
Country: Hong Kong
Budget: 0
Revenue: 0
Official Website:
Info

A royal official accompanies a Portuguese warship to the Black Cliffs to see the site of the defeat of the evil Invincible Asia, who attained supernatural abilities by following the sacred scroll and castrating himself.

Genre

Action, Romance

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Swordsman III: The East Is Red (1993) is currently not available on any services.

Director

Raymond Lee Wai-Man, Tony Ching Siu-Tung

Production Companies

Film Workshop

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Swordsman III: The East Is Red Audience Reviews

Lovesusti The Worst Film Ever
CommentsXp Best movie ever!
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
unbrokenmetal Since Asia the Invincible (Brigitte Lin) seemingly died at the end of part 2, several impersonators try to rule in her name. When a Spanish conquistador and a masked Japanese warlord attempt to conquer the land during this chaos and confusion, the real Asia returns with a vengeance. It seems at first that a villain of the previous part turned hero for this sequel, but Asia's rage is not under control, she says love is gone and hate is all that remained."Swordsman III" is - even more than "Swordsman II" - a celebration of Brigitte Lin, larger than life, a goddess of war. You find less sense of humor than before in the final part of the trilogy, but a stunning lesbian love scene involving Joey Wang from "Chinese Ghost Story" - actually it's about a woman pretending to be a man with a man pretending to be a woman... read that twice - is thrown in for compensation. The European version is about 10 minutes shorter than the Asian one, and probably one scene was cut for blasphemy when Asia humiliates the Spanish priest, forcing him to worship her instead of their catholic god. I voted 8 of 10 for each part of the trilogy, because on one hand, they all have too many little narrative flaws to get near a perfect 10, but on the other hand, they are all highly entertaining and equally recommendable.
bornenasty Having missed any preceding films, I knew from the genre that this was going to make little to no sense to me at points, but right from the off I was confused...Making no attempts to explain itself, it gets straight into the action. Fantastical fighting and some incredible wire work really do make this film a visual spectacle, but the absence of continuity at times does hinder it.Certain scenes appear to have been either cut completely, or just parts of them left in, which again doesn't help the mix. If you watch the trailer you'll see that Jet Li is in it... but when you watch the film, you realise he has been left on the cutting room floor...! Overall it makes for a very enjoyable, if not inexplicably odd/hard to follow film - but it's certainly made me want to watch the earlier instalments!!
winner55 I like everyone connected with this movie, cast and crew - but I don't like the movie.It's not that I can't follow the plot. The problem is that the whole story is symbolic fantasy - or what they called in the Middle ages 'allegory' (i.e., an allegory for the loss of Chinese inner power with the arrival of foreign colonialists). They only recent film that comes close to this in structure is from Japan, Toyko: the Last Metropolis. The most recent western film to approach this kind of story is, possibly, Terry Gilliam's ill-conceived Baron Munchhausen movie. But I liked the characters in those two movies; I don't like any of the characters in this one. Which may be the point, but not any reason to watch the movie again.I should remark that these three movies are all extremely well-made, and all dishwater dull.I'm afraid film is not a medium conducive to allegory. Film seems to work best when the characters remind us of people we've met - or are likely to meet - even if we don't like them much. When actors stand in for metaphors, they can't stand in for people. In which case, why should we care?
sadie_thompson ...and that's just in this review!!! Seriously though, this movie is warped. There wasn't a minute where I wasn't completed floored at something or other.I watched this after watching "Swordman II." I am a huge Brigitte Lin fan, and this movie was made to capitalize on the success of her character, the freaky Master Asia the Invincible. (That is the most pompous name any character has endured. Catchy though, ain't it?) Master Asia, as we learned from "Swordman II," is a man that has become a woman (sort of) as a side effect from studying a sacred martial arts scroll. Pro--Asia can decimate whole armies by making simple hand gestures. Con--Serious gender-bending. You're never really sure what Asia is. He looks and sounds like a woman, but acts like both depending on the situation. For example, in "Swordman II" he developed an unfortunate crush on Jet Li's character. In this film, we are treated to a confusing sex scene. I must elaborate on this one, because it deserves the attention. Bear with me.Snow, a former lover of Asia's, has decided to carry on the tradition by dressing up as Asia and killing people. One night she/he decides to sleep with a concubine that we would assume is a woman. So that's two women--something is missing. This isn't the sort of thing shown in this type of movie, so you automatically wonder what's up. This movie must have some ulterior motive in showing two women making love. Anyway, they start by indulging in some opium to heighten the mood, I suppose, and all of a sudden we are whooshed (for lack of a better word) into a flashback. Now we have Snow and some person kissing. There is no warning that there's been a time shift--it just happens. The other person is Asia himself of course, played by Brigitte Lin. So, if you're keeping score, that a sex scene with three women. One is a woman pretending to be a man, one is a man pretending to be a woman, and one is a man that is becoming a woman. Confused? Good--you'll be in that bewildered state for the rest of the movie.This movie defines the phrase "over the top." You know you're in for a wild ride when people start using cannons as hand-held weapons. (The guy just picks it up and fires it off, just like a regular cannon, only he's holding it like a battering ram. That would knock the bewhickers out of any normal person, you know.) Another great sequence is the ninja that hides by holding a fake moon up in front of the real one and hiding behind it. Upon his being discovered, a pigeon flies out of his mouth. Brigitte Lin enters one scene riding a swordfish, sings a song while disguised as a lethal gambling prostitute in a Japanese camp and later appears as a samurai dressed in red. Sewing needles are common weaponry to those endowed with supernatural wonderfulness, and people are used as bloody marionettes. (Devil May Cry, anyone?) This movie is everywhere all the time. I was constantly floored by the sheer insanity of it. Add a large volume of blood and the needle on the weirdo meter goes wild.In short, I enjoyed this movie, simply because of its marvelous ability to entertain. You may not be awed by the scenery, or moved by the plot, but you should be entertained.