Sweethearts

1938 "America's Singing Sweethearts are Sweethearts!"
6.2| 1h54m| NA| en| More Info
Released: 30 December 1938 Released
Producted By: Metro-Goldwyn-Mayer
Country:
Budget: 0
Revenue: 0
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Info

Bickering husband-and-wife stage stars are manipulated into a break-up for publicity purposes.

Genre

Comedy, Music

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Sweethearts (1938) is currently not available on any services.

Director

W.S. Van Dyke

Production Companies

Metro-Goldwyn-Mayer

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Sweethearts Audience Reviews

Smartorhypo Highly Overrated But Still Good
Loui Blair It's a feast for the eyes. But what really makes this dramedy work is the acting.
Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable
TheLittleSongbird Having heard the song Sweethearts performed by Beverly Sills and Sherrill Milnes I was very interested in seeing this film. And while it does have its problems, I enjoyed it. The story is creaky and Douglas MacPail and Betty Jaynes are rather uncharismatic, however the choreography is nice and sprightly, the production values are absolutely beautiful with lovely costumes and sets and the photography is very good and the music is gorgeous, I just can't get enough of the song Sweethearts. The script has spark and wit, the direction is assured, and the choreography, performances and music ensure there is seldom a dull moment. Ray Bolger while perhaps underused is fun, but the real plaudits go to the leads Jeanette MacDonald and Nelson Eddy who are wonderful individually and together. Overall, a lovely film. 8/10 Bethany Cox
gkeith_1 I liked this movie. I especially liked the colors and Jeannette's fabulous blue suit against her flaming red hair. Ray Bolger as the Dutch dancer in the beginning is just wonderful and hilarious, and his athletic moves still astound. He must have been eating some powerful breakfast cereal. All of the dancers in this scene are so perfect and entertaining. I also liked the the part where the 2nd-type Nelson and Jeannette are the second leg of the tour, and where Douglas MacPhail and Betty (his wife IRL) are interspersed in their Sweethearts roles. I enjoyed seeing Frank Morgan, and marvel at his calling himself old -- and yet he was only 48 in this movie. Was this his own white hair, or studio aging? Even in his Wizard of Oz, he has white hair and appears older and yet is not. Most of all in this movie, I like the singing of Jeannette and Nelson. 13/10.
kinder-1 Sweethearts was the first color film for Nelson & Jeanette, and they, and the film are quite beautiful.They portray a married couple, appearing in musical comedy. This shows Nelson at his most playful--the "Pretty as A Picture" duet was so personal, I thought I was privy to a private moment between them. Too bad, MGM never took advantage of Nelson's self depreciating talent, but this film is most interesting, because it gives us a fascinating glimpse of what might have been.
Neil Doyle MGM spared no expense in dressing up the sets and costumes for an opulent technicolor musical starring America's singing sweethearts, Jeanette MacDonald and Nelson Eddy. They even included a witty script by Dorothy Parker, songs by Victor Herbert and a supporting cast that included Frank Morgan, Ray Bolger, Reginald Gardiner and Allyn Joslyn. But changing tastes have made this one questionable material for today's audiences.This time the stars are not in period costumes. The story is a contemporary one about two stage stars tired of appearing for the sixth straight year on Broadway in a musical called "Sweethearts" who decide to give Hollywood a try. Plot complications occur when blustery Frank Morgan uses trickery to make Jeanette believe Nelson is cheating on her. Everything is straightened out for a happy ending that reunites the two stars and has them both returning to the Broadway scene where their hearts truly lie.Fans of the famous duo will undoubtedly enjoy this one, but today's movie fans are likely to be put off by much of the humor. Acting styles and singing tastes have changed drastically since 1938. The stars are in fine voice but the songs are not among Herbert's best and, while there are a few amusing moments, the film has a very dated quality both in story and acting that makes it sometimes seem like an unpleasant pill to swallow. This is true even though both stars are photographed to advantage and are still at their physical peak here--but as a musical, despite the technicolor trimmings, it falls short of being a real winner.