Linkshoch Wonderful Movie

ActuallyGlimmer The best films of this genre always show a path and provide a takeaway for being a better person.

Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Raymond Sierra The film may be flawed, but its message is not.

TdSmth5 A mute girl named Karma infiltrates a Russian sex/strippers/drug mafia in Canada to look for those responsible for her sister's death. In flashbacks we see how her sister ended up there. She met some woman in Russia who offered her work and opportunity. She's transported to Canada where suddenly things turn much uglier than promised.It takes a while for things to turn violent but eventually Karma pretends to be a stripper to entice one of the mobsters and then she kills him. Little by little she moves up the mobster ladder but then she's grabbed. But she also meets some agent who helps her out. Eventually she meets the big boss and suddenly there's a neat twist that comes out of nowhere.This is a B revenge flick that hinges entirely on the lovely Shera Bechard. She does a great job, looks stunning, and does her action stunts well, too. It must be a dream of lazy filmmakers to write a mute main character but it doesn't do much for the audience. The surprise twist came out of nowhere but really worked well. Given the themes and Bechard's attractiveness, there should have been more nudity. Action too is a bit subdued. But overall a decent attempt.

BA_Harrison The last few years have seen many an attempt at emulating the 'grindhouse' style of the 70s and early 80s, with the aid of retro graphics, editing and music, plus computerised filters applied during post production to give that cheap, grainy drive-in look and feel. Sweet Karma employs none of these fancy tricks, and yet it proves to be one of the more satisfying exploitation experiences in recent memory: the film-makers tell their cool revenge tale with the requisite levels of sex and violence, but without any of the artificiality or pretension that has spoilt many a similarly themed movie. For once, this feels like the real deal rather than an OTT tribute or parody.Playboy playmate Shera Bechard plays the titular character Karma, a beautiful mute Russian girl who goes looking for her sister Anna (Patricia Stasiak), who travelled to Canada in search of work only to find herself forced into Toronto's underground sex trade by ruthless criminals. Using both her brains and her scorching hot bod, Karma sets about dispatching the low-life thugs, sparking a gang war in the process, and it's not long before Toronto is knee deep in dead scumbags. This plot clearly owes a lot to classic exploitation films such as Ms.45 and They Call Her One Eye, but it still manages to carve its own identity, helped by some believable performances, well executed brutality, and a few unexpected plot turns, including a cool twist ending that genuinely caught me by surprise.

BibbyWoo83 I caught this film at Fantastic Fest in Austin, during a sold out screening. Clearly the reason the screening was sold out is that the lead actress was in attendance, days after winning an award for Next Wave Best Actress, so everyone wanted to know what the fuss was about. I won't bother going into the details about the plot since it's covered here by others, but I gotta say this was a cool little film. It's a nice modern take on the old style 70's revenge film. It's got a great energy, an engaging story, some bad-ass, albeit low-rent kill scenes, and yes, the performance from the first-time lead actress is a knock-out. She owns the screen. From the reaction of the audience, and the fact that almost 3/4 of them stuck around for the Q&A, I'd safely say that most others would agree with me. A perfect film? No. But a solid, must-see piece of entertainment? You bet.

Frank Gore I saw the world premiere of this movie at the 2009 Fantasia Movie Festival in Montreal. I went in with an open mind, not necessarily hoping or dreading anything. But I have to admit, my initial thoughts were that the "rape revenge" thing has been done to death. It seems like an easy way to have sex and violence in your movie and draw the most typical movie-watching crowd (ie. an easy way to make a fast buck).Sweet Karma surprised me. Right off the bat, the movie has a very dark and gritty feel to it that draws you in. Shera Bedard is awesome as Karma, avenging the death of her sister. Having the "heroine" be a mute added a great dimension to her character. She does a great job of expressing emotions and intentions through her eyes and body language. She's really believable as a shy young woman who has nothing left to lose and forces herself to take out her anger on those who're responsible. This also adds an unexpected complexity to the movie, since Karma can't tell her story herself. There are sporadic "flashback"-type scenes early on which help to clarify things, and these do a great job of helping us understand what's going on.Most of the rest of the cast is great too. The Russian accents don't sound forced or fake. The main "bad guys" are especially despicable, and I found myself wanting Karma to succeed in her self-appointed mission. One exception is John Tokatlidis, who was neither believable nor very interesting. In fact, when his character is focused on about halfway through, the movie's quality goes down a couple notches. He manages to bring it down all by himself.One of the big draws for me about Sweet Karma is the fact that it's a purely Canadian movie. The story is based in Toronto, and it was entirely filmed there. Everything was financed by the crew, apparently with no outside help. Unfortunately, it seems like the story could've happened anywhere just by changing a few words in the script. There were almost no recognizable Toronto landmarks, and very few Toronto-specific scenes except maybe the airport. There's a scene near the beginning of the movie where the bad guys are joking about forming a hockey team, but it feels tacked-on and out of place. Almost like someone said "Hey, this movie doesn't feel Canadian enough, let's add some hockey dialog!" Despite this, it's great to see a purely Canadian production that's so engrossing and entertaining. Maybe the fact that it doesn't really "feel" Canadian is a good thing since the movie can appeal to a bigger audience outside the country... if they cut out that scene with the hockey dialog.Obviously, sex and violence were portrayed. But not in an over-the-top way, only in a realistic way that fit with the theme of the movie. This definitely isn't PG-13 stuff, but it's not gratuitous either.The rest of the audience really seemed to enjoy the movie too. There was loud applause after the credits, and the questions that people asked the crew during the Q&A session showed a lot of interest.I'm really glad I went to see Sweet Karma, it's an excellent take on the old "revenge" theme. For me, nothing will ever beat High Plains Drifter as the best "revenge" movie, but Sweet Karma comes close, and ranks right up there as one of the best movies I've seen recently. For a purely independent film, the production values were really high, even matching or exceeding some of the stuff coming out of Hollywood these days... especially the ones that pretend to be "nitty gritty".