Perry Kate Very very predictable, including the post credit scene !!!

Stometer Save your money for something good and enjoyable

Maidexpl Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

Borserie it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

thecatcanwait Robert Carlyle goes occasionally Begbie in this film (i.e a bit ranty and ragey, teetering on the vicious tip of violence) But mostly he's being kind and caring Robert Carlyle; a middle-aged low key loser with life seemingly finished even before it began.Where life got started up, consummated, then finished off was back in that hot lazy Summer 20 odd years ago. When he and teenage best mate Daz (Steve Evets) were swimming out at the lake, shagging their girlfriends. And then all too soon to go horribly, tragically, fatefully, wrong.Which Shaun and Daz appear to be paying for for/with the rest of their hopeless lives. Shaun has become (or has "had to become" more like) crippled Daz's full time carer. They continue to live no hope life's on the housing estate where they were brought up. They haven't gone anywhere or done anything. Only got older, sadder (in Daz's case drunker and iller) Robert Carlyle does a perfectly adequate job of sensitive, caring, introverted inadequacy; he does all the right kind of tight lipped mumbling inarticulacy to get you into sympathy with his role. But i still felt more inside Robert Carlyle acting the role than feeling genuinely engaged by the character of Shaun himself. This is the big problem of casting high profile stars in low key roles; they can never really get you away from who they are and into who they are pretending to be. Every where Shaun was i kept seeing Robert Carlyle inserting his little Robert Carlyle mannerisms and expressions. And this is another justification i have for watching foreign (non-English) films: you're seeing the actors and their acting for the first time usually, you haven't built up associations and identifications from previous films you've seen them in. Well, this is mostly true. (French films can also suffer from the same over familiarity) Anyway, Robert Carlye was OK – but somebody else – an obscure journeyman actor – would probably have been better. An actor like Steve Evetts in fact. Even though i'd seen him in that dopey Eric Cantona film – he was totally credible as foul mouthed embittered alcoholic cripple Daz. Spot on. The scene with him in the shower waiting to get washed, shouting and swearing – and then offering up his quiescent puny pale body in limp resignation – that brought a little gulp to my throat.Its possible they had to bring in Robert Carlyle to make the film a bit more of a bankable commodity. Which may have explained the anomalies going on: the actor playing teenage Shaun was about 6 ft 3! Far too big to shrink back into little Robert Carlyle as an adult. Big credibility gap there. And whats with the Scottish kid living in Lancashire? Why does he continue to have such a thick Glaswegian accent? Wouldn't that have been softened or modulated somewhat? (Btw, much of this young actors Glasge brogue is indecipherable – you're guessing at what he's saying half the time) Its possible the scripting had to be rejigged to accommodate a Scottish actor (Carlyle) Another small, but quite significant credibility bloop: the school fight scene; the director botched the camera angles on that one; the punching of the face looked totally faked and phony.It's a slow watch. Economic (with dialogue) and melancholic (with mood) The sound design and score work well to convey this mood of mourning, regretful, reminiscent, melancholy.I can see why most people wouldn't want to watch this (either at the cinema or at home) Too low key and too much like life lived like it ordinarily is: nothing much changing, without redemption, often determined by a single, tragic, throw off the dice. And nothing to be done. Except wait for life to be over with.

Chirpy_Chaffinch Shaun and Daz have been friends since School. Now, in their adulthood, Daz is terminally ill and wheelchair bound. Shaun himself is unemployed and full of frustration and anger about his life. The movie works very well with the flashbacks to their youth when they were tearing around the local neighbourhood and, sometimes, getting into trouble. Shaun develops huge problems by not being able to cope with Dyslexia and the viewer sees his life falling apart. There is also a strong sense that society (and the authorities) are letting Shaun down. This social drama has many facets but it mainly draws on the perceptions that are out there about Dyslexia and its associated problems. The performances, both by Carlyle and Evets are outstanding, the photography sublime and the screenplay is as real as it gets. Highly underrated in my humble opinion.

Jackson Booth-Millard From Scottish BAFTA winning director Kenneth Glenaan (Magnificent 7, The Good Samaritan), I didn't really know what to expect from this film, only relying on the four star rating and leading actor. Basically Shaun (Scottish BAFTA nominated Robert Carlyle) has been living with and looking after his friend Daz (Steve Evets, who I recognised from an episode of Casualty featured in Harry Hill's TV Burp) ever since his horrible accident owing to his crippling. It all happened in the summer time, and in a series of flashbacks, we see how young Shaun (Matthew Workman, Sean Kelly) and Daz (Christopher Russell, Joe Doherty, Jo Doherty) spent this time. There were happy times spent int he sunshine, and with their friend, well, Shaun's love interest as well, Katy (Bethan Davies, Joanna Tulej). But there were also bad times, like Shaun being labelled as a bully, and he managed to drag his bad luck along with Daz, and of course it all ended tragically with Daz losing his ability to walk. Shaun has to face his past as Daz is on death's door, and he is reunited with Katy (Rachael Blake) as well, but in the end, the death happens, and Shaun tries to see what his future will be like, and whether he can have a happy summer again. Caryle makes quite a good lead, and Evets has his small moments as the crippled friend, it is a subtle film, but with near enough interesting moments to keep you hooked, so a worthwhile drama. It won the Scottish BAFTA for Best Feature Film. Good!

Spikeopath Every once in a while a fabulous British independent film slips under the radar and is criminally missed by a ream of cinema goers. Summer is one such film. It's directed by Kenneth Glenaan, written by Hugh Ellis and stars Robert Carlyle, Rachael Blake and Steve Evets. Shaun (Robert Carlyle) and Daz (Steve Evets) were the rouge kids on the block, best friends forever, they were constantly getting into scrapes. Thoughts of education were the furthest thing from their minds. We find Shaun now in adulthood, and now caring for Daz who is crippled and suffering from terminal cirrhosis. From here the film is told through Shaun's eyes with flashbacks to better, vibrant times, in particular the one important summer where Shaun tries to come to terms with life, loves {Blake as the girlfriend Katy} and where fate stepped in to change things. It's through these flashbacks that we learn exactly why Shaun is so devoted to his dying pal. Structured in the way it is, basically set in three time periods of the protagonists life, Summer involves the viewers to the maximum with its characters. So much so that even with the hanging sense of doom in the air, the nagging question of why is this bond so strong makes for a fascinating, and emotionally potent, experience. The material and its central themes could quite easily been given the sledgehammer treatment by Glenaan, but he directs it in such a subtle way, the final result is all the more impacting. There's no soft soaping either, the plot is tough and realistic, these are real people reacting to real life issues. Something that is helped enormously by the first rate performances of Carlyle {one of his best ever performances} and Evets.Complementing the acting is Tony Slater-Ling's beautiful photography, particularly in the flashback scenes to the boys youth. The warm glow of the sun, the ripple of the water, the green and pleasant land, each serve as painful reminders to Shaun of his lost youth. Nostalgia is not thought of warmly, it is by definition here, a yearning that gnaws away at his soul. Hugh Ellis' screenplay also deserves plaudits, this may not be the easiest of viewings, since this is after all about wasted life and impending death. But there is always hope in the offering, and coupled with the odd flecks of gallows humour, Ellis has found the right balance for the story. It's downbeat of course, and you may feel like you have been thru the mangler come the end. But this really is excellent film making that tells a worthy and most endearing story. With Carlyle magnetic and real and Glenaan serving notice that he's a British director fit to sit alongside Meadows, Loach and Arnold. It's hoped that more people can find and let Summer into their lives. 9/10