Cubussoli Very very predictable, including the post credit scene !!!

Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.

SanEat A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

Adeel Hail Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

Sid Unrau (Mild spoilers) This is a movie that has good ideas, but is poorly acted, filled with plot holes, and is unbelievable all the way around (especially if you're LDS and know anything at all about missionaries). Nevertheless, the movie had it's (intentionally) funny moments.The cowboy "investigator" seemed too insider to truly be an investigator - and his desire to be baptized coupled with the dialog, only a few minutes later (in the same scene) about how the bishop had spoken with one of the fake missionaries' fathers is too inconsistent for the weak plot to reconcile. My only concern is that non-Mormons might get the idea that anyone can just "fake" being a missionary (why one would want to is beyond me), because Mormons are too stupid to catch on.

sthayn I found this movie to be wonderful family movie that is a pure delight. It was nice to see an LDS movie that can be funny without trying to capitalize on the eccentricities of the minority of LDS people. It was also refreshing to see a film with a good story that has humor as opposed to other films that try to tie their humor together with a weak story. Aside from the "real" missionaries, there was nothing stereotypical about the characters, LDS religion, or story. Even though the outcome is generally predictable, I didn't mind. The journey was worth it because the characters are so well developed and played. There is nothing offensive to young or old and I believe it would be enjoyed by people of all faiths; although some humor may be lost on those not somewhat familiar with the LDS faith.

Believer06 I don't know. There's not much to say about this film. It's probably one of the better films Halestorm has released (aside from the excellent "Best Two Years") but, let's be honest, that's not really saying much.It's a nice premise that goes astray with one dimensional characters and, again, overplayed jokes taking prominence over story. The soundtrack isn't half-bad but that's not why you go and see a movie.Two questions: 1) What's the deal with the lady in the airplane - she's pointless? 2) How many paint ball battles are we going to have to subjected to in Mormon films? Like "Mobsters", a good concept led astray by poor execution on the script.

dargojunk The best by far of the movies released through Halestorm--possibly because it wasn't written by a Hale. The Hales, of course, do a fine job of catering to their Mormon audience (as is indicated by the success of all of their recent movies, INCLUDING "the hometeachers". If you've seen it, you'll know why it's so surprising that the movie has turned a profit.) This movie, however, addresses its niche market (Mormons) while still telling a STORY! No joke, a real, honest-to-goodness story, with emotional ups and downs, humor, pathos, interest, the works. It's NOT just a vehicle for a bunch of cliché Mormon jokes with a moral duct-taped to the end. (Again, I refer you to "the hometeachers", "the RM", etc. etc.) Although it doesn't quite approach the depth of emotion of some of Dutcher's movies, this is an excellent film. For those of you who want a summary: We start out in the Mojave desert, at what is apparently a camp for juvenile delinquents. Don't lose it here. About fifteen minutes in to the movie I was about to assume this was going to be a horribly dull movie, and I place the responsibility for that primarily on the general, who's not nearly funny and one-dimensional enough. (He's a stock character, find someone who yells...) Two young men escape from the camp, steal a truck and head out, only to have their truck break down. When two missionaries stop at the same rest-stop, the escapees hop into the car and are able to pose as missionaries for the next several days while the real missionaries struggle through the desert. Hilarity, of course, ensues. Some of the acting leaves a bit wanting (the real Elder Johnson and the fake Elder Talbot are both excellent, though) and some of the plot-lines don't seem necessary (why is it so important that Justin, the fake Elder Johnson, is the son of a Senator? Why is there that crazy old woman flying the plane around all the time?)I give it an eight for its great addition to a niche market. (I don't say others can't enjoy it, but I do think the film makers did an excellent job by identifying and targeting their market.)