Crwthod A lot more amusing than I thought it would be.

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

Calum Hutton It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

Isbel A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Michael Ledo Katrina Skinner (Emily Barclay) was accused of killing her father and she is free. This is the story as to what really happened told as a flashback. Katrina is very manipulative. She loves her brother Danny (Laurence Breuls) almost in an unhealthy way. She wants to get money for an appeal for a murder he committed. She has a daughter which she pawns off on everyone, yet wants to be with her when she wants to be with her. She uses her raw sexuality to get what she wants, although she never seems happy.Cult film. "dark comedy" Guide: F-word, sex, nudity (Emily Barclay).

movieman_kev Katrina (Emily Barcley) is a sad, pathetic, utterly narcissistic young unwed child neglecting mother. The only true love of her life, her brother, has been sent to prison for beheading some poor convenience store attendant, and she's angry about that. Angry enough to do something drastic.This film was competent enough and kept my interest, but the main characters are so completely devoid of likability or sympathy that it's too hard to empathize with them. There for I didn't get invested in them, much less give a toss about what they were doing. It's marginally well acted and all that, but I just didn't care.Eye Candy: Emily Barclay provides the T&A My Grade: C-

Philby-3 This film, directed by Paul Goldman ("Australian Rules", "The Night We Called it a Day"), is not so much Pulp Fiction Australian style as pulp faction; first-time scriptwriter Alice Bell has cobbled together a story inspired by the real-life murder of her father committed by 19 year old Belinda van Krevel in suburban Wollongong (though the film was shot in Newcastle). Cyclone Katrina, as another reviewer accurately calls her, is indeed an elemental force, unrestrained by social conventions and morality. She has a hopeless passion for her brother Daniel (Laurence Breuls) who is locked up early in the movie for taking the head off a convenience store clerk with a samurai sword during an ineptly executed robbery. Katrina is determined to get him out, and the need to get money for Danny's appeal drives her to organizing her blameless father's murder. In the meantime she drives furiously, has sex with practically every young tradesman in the district and neglects her baby, fortunately largely cared for by her loyal boyfriend Rusty (Michael Dorman), who likes to think of himself as the father.Whatever production defects this movie may have, it passed the watch test. It really is hard to take your eyes off Emma Barclay as Katrina. Kat is vulgar, rude, lewd, and driven largely by emotion, yet she radiates sexuality, the kind that a well-brought up male feels guilty about acknowledging. She knows what men want; hence the long string of "admirers". Interestingly she tends to adopt the superior position during sexual congress, no doubt to stay in control, for she is a controlling sort of person.Her environment is standard suburban wasteland (well-off blue collar boring) but it is not obvious why she and her brother have turned out to be such poisonous personalities. Mum, it seems, was a drug addict banished years ago from the family home, but Dad (Robert Morgan) is a decent caring person, a builder by trade and maybe not very perceptive. Perhaps Dad was too indulgent and a firmer line with the kids might have avoided disaster, though his girlfriend "Auntie" Dianne (Genevieve Lemon) puts it all down to genes – Grandma and mother both having been mad.There is an obvious parallel with "The Boys" of a few years ago, which was no comedy but did explain how a truly monstrous crime originated. This is a lighter piece though what Katrina brings about is still pretty nasty. Justice is not done either, which is disturbing.Even so, whatever is driving Katrina, Emily Barclay makes her totally believable. The rest of the cast are rather overshadowed, but Steve Bastoni is effective as an intimidated policeman and Michael Dorman convincing as Rusty, a moth to Katrina's candle, or rather blowtorch. We know via the mockumentary sections what is coming up, but we still get a surprise. Katrina does rather better than her real-life counterpart, but someone like her is not likely to enjoy a quiet life, or a very long one either.

kbandxs Katrina is 19 with a neglected toddler, a lipstick-smeared pout and a bad attitude. Her brother's in jail for murder and her dad's fed up with her bludging off him to finance a life that revolves around the beauty salon, bourbon and blow jobs. Soon she, too, is plotting a murder, which may or may not involve her sweet mechanic boyfriend Rusty or her brother's best mate, Kenny, a dropkick with a sadistic streak. In fact, every man she knows becomes a drooling idiot as soon as she unzips her micro-mini denim skirt. It's a juicy role and Emily Barclay attacks it with relish, making this vile steamroller of a sexpot almost likable. But her brash performance is also the movie's fatal flaw: Hurricane Katrina has it all her own way. Everyone else is too stupid or too nice to stand up to her. We've seen this character before, but Dede Truitt in The Opposite Of Sex and Suzanne Stone in To Die For weren't just bad to the bone, they were better written. Still, like that other wild ride through westie wasteland, Idiot Box, this is a bold, blackly funny picture of the Australia most of us live in, full of noisy energy and visual flair, and for that it deserves a big thumbs-up.