Stray Cat Rock: Wild Jumbo

1970
6| 1h24m| NR| en| More Info
Released: 01 August 1970 Released
Producted By: Nikkatsu Corporation
Country:
Budget: 0
Revenue: 0
Official Website: http://www.nikkatsu.com/movie/21222.html
Info

Wild young people kidnap a wealthy woman and she becomes attracted to one of them. When she tells the man that she is the mistress of a religious leader, he and his posse make plans to rob her partner.

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Director

Toshiya Fujita

Production Companies

Nikkatsu Corporation

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Stray Cat Rock: Wild Jumbo Audience Reviews

Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.
Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
Hattie I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.
Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
alexandrepdo after you watch the first one, maybe you thought that the second is going to be as good as the later, but no. I'm watching following the realising dates and this movie is so f***g boring that i couldn't watch till the end. as somebody said, they have connections, but this doesn't mean that they all have have the same theme. I'll continue and try to see if the followings are good as the first.
zetes The Stray Cat Rock series was a group of five films made by Nikkatsu in about a one year period, between 1970 and 1971. The first was called Delinquent Girl Boss. Wild Jumbo is the second in the series. Apparently, the five films have nothing to do with each other narratively, though they do share some cast members. I think they're all about youth gangs. This one involves a gang which calls themselves the Pelican Club, which consists of four guys and a gal (Meiko Kaji of Female Prisoner Scorpion fame). The best known actor among them is Tatsuya Fuji, who would go on to star in Oshima's In the Realm of the Senses and Empire of Passion. The boss of the gang falls in love with the mistress of a rival gang leader, and convinces the Pelican Club to steal their money. That major plot line only comes up near the end. Most of the film is just about the Pelican Club's adventures. It's entertaining, and the music in particular is awesome. It ends quite tragically, though. I really liked it. Director Toshiya Fujita would go on to make the Lady Snowblood movies with Meiko Kaji.
random_avenger After the popularity of the first Stray Cat Rock movie Delinquent Girl Boss (1970), Nikkatsu Studios were quick to cash in on the hype and produced several sequels that were all released in the same year as the original, except for the last one which came out next year in early 1971. The second movie in the series is called Wild Jumbo (don't ask me why) and remains a very entertaining entry in the rocking franchise.To me Akiko Wada was the most central actress in the first movie and it is a little disappointing to see she only appears in a tiny cameo in the sequel (reportedly archive material from the first movie), but soon the new actors take the stage with such energy that the past needs not be reminisced any longer, although some actors from the first movie return in different roles. Meiko Kaji (C-ko) and Tatsuya Fuji (Ganishin) are probably the most notable actors of the bunch, but I liked Takeo Chii (Taki), Yusuke Natsu (Jiro) and Soichiro Maeno (Debo) a lot too despite their lack of acting experience at the time.Storywise Wild Jumbo is a heist film: a group of five friends, also known as the Pelican Gang, spends time hanging out in the city, driving around in their all-terrain buggy car and listening to psychedelic jazz fusion when one of them is approached by a mysterious horse-riding girl named Asako (Bunjaku Han) who suggests they rob 30 million yen from a religious movement called Seikyo Gakkei. The Pelicans – C-ko, Taki, Ganishin, Jiro and Debo – accept the challenge, but things are not as easy as they may initially seem.The visuals of Wild Jumbo are pronouncedly less psychedelic than in Delinquent Girl Boss and the setting is less urban in general. Instead, a large part of the runtime is spent on a sunny sandy beach surrounded by steep tree-covered mountain slopes. The mood is also more leisurely and comedic than before; the heist plot only gets going in the latter half and at points the movie resembles a carefree beach party flick. Not that there's anything wrong about that, I really liked the gang's antics and the general atmosphere. In spite of a lighter mood, the ending is actually very wistful and sad, as opposed to the more hopeful conclusion of the first movie.The series has been said to reflect a new direction for the Nikkatsu Studios, which is easy to understand while watching Wild Jumbo. The soundtrack is just as groovy and awesome as before and many unconventional cinematic techniques, such as fast-forwarding, speech bubbles, freeze frames and inverted colours, are utilized at one point or another, evoking allusions to the French new wave. The trickery never feels out of place though; certain aggressiveness in the shooting style is something of a trademark of the series after all. Looking past the surface, the movie doesn't try very hard to ponder the justifications of the gang's plan although it is fleetingly mentioned that Seikyo Gakkei deserves to have their money robbed. Maybe some more substance could have improved the movie a bit, but it is certainly highly watchable as it is now too.As with so many franchises, the Stray Cat Rock sequels are generally not as well respected as the first film, but in my opinion Wild Jumbo is in no way less entertaining than Delinquent Girl Boss. Both have their strengths (urban grittiness in the first movie, laid-back atmosphere in the second) and personally I enjoy both a lot, so anyone who dug one should give the other a chance as well. The whole franchise would actually deserve more popularity among film aficionados anyway – hopefully the movies can somehow find their way to new viewers.

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