Cubussoli Very very predictable, including the post credit scene !!!

NekoHomey Purely Joyful Movie!

Lightdeossk Captivating movie !

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

samconlan94 This movie makes me feel good. The soundtrack is the best, and Morgan Griffin is such a cute actress that is romantic. I haven't seen this in cinemas, This is one of the best Australian Comedy of all.

niutta-enrico It's a predictable and enjoyable flick, revolving around the (good) look and the (good) acting of its rising star, Xavier Samuel and his partners, Morgan Griffin in the first place.Frames are full of sun, fresh and good feelings, beer and cars (utes…): as stated in the synopsis it requires a young heart to enjoy it but it's well made, with good care for details and a general good taste.Even if you cannot refrain from asking yourself what is the point of drawing circles in the dirt with you car's wheels, its current rating on IMDb (4.5 at the time I'm writing) is too low (on my opinion). It deserves a 6. And BTW, in case you never heard Dave Baxter's 'Love Love Love' before, I'm sure you'll love it, as i did.

fluffset I don't expect too much when decided to watch this movie. I just want to know some Australian's culture and when I notice that its about ute muster or we can say run around drive, I go for this one. Its good, its really works for me. A kind of subtle love story between two character who have been friend since childhood. I really love this movie, even though maybe someone will say that its just some cliché romance story where you can absolutely know what will happen in the end. I still really love it. The feel good flow, the cute side love story between Sparrow & Mary that is really fun to watch. We can say that its a fun lighthearted movie where you can smile on your own. Its nothing much but its not a waste of time. Don't let your love run.

CineMuseFilms Australian filmmaking stands tall amongst the best in global cinema. We have so many iconic works across all genres that show our love of land and respect for its traditional owners, mock our idiosyncratic humour and explore the spirit of adventure that has driven the creation of this island nation. Disappointingly, there is not a hint of any of this in the coming of age rom-com called Spin Out (2016). It is difficult to even guess why this film was made and why it had to fall so short of our Aussie film traditions, given the resources at its disposal.The story centres on the fading outback customs of the ute muster and the Bachelor and Spinsters ball, both of which are struggling for survival against insurance costs and the social disintegration of traditional life in remote rural areas. The ute muster is a competition between ute stunt drivers who perform a variety of high risk manoeuvres in a mechanised rodeo setting, and the B & S ball is the bacchanalian booze-up that happens after the show. Billy (Xavier Samuel) and Lucy (Morgan Griffin) are stunt-driver teammates and childhood friends. After another display of Billy's immaturity, Lucy announces that she is heading for city life and leaving all of this behind. The rest of the story is about Billy's realisation that his teammate has become the girl he loves and he needs to grow up fast, a theme that is echoed amongst several of Billy's mates in their inept courting rituals. The dominant take-home memories from this film are the roaring dust storms of spinning utes and the inevitable consequences of non-stop drinking.One can only hope that anyone seeing this film overseas realises that it is a grossly exaggerated caricature of rural stereotypes and not a portrait. The dialogue is so corny starched that many scenes read like a high-school play with acting performances that scream inauthenticity. The only shining light comes from Morgan Griffin who, despite the script, fills each close-up scene with pleasing warmth and maturity. Xavier Samuel is wasted here, especially after his fine performance in Love and Friendship (2016). Otherwise, the cast is entirely young white adults without even a nod of respect for the Indigenous inhabitants of the land so ruthlessly being ripped up by white mans' machines. The humour is puerile, fixated on stunted sexual development and a variety of bodily functions that could have been rendered funny but are not. The narrative theme of young people's progression to adulthood in the harshness of outback Australia is entirely lost in a messy confusion of juvenile slapstick sketches.