Organnall Too much about the plot just didn't add up, the writing was bad, some of the scenes were cringey and awkward,

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

paul2001sw-1 Many of us remember Spike Milligan as an eccentric, grandfather-like, universally loved old man; as the comic hero of our fathers' generation, the manic author of the Goon Show; and the precursor of more modern comedy such as Monty Python. We may also be aware that the dark side of his humour (his gravestone famously reads 'I told you I was ill!') had some basis in reality. This outstanding film manages, surprisingly for a man who spent much of his life on national television, to assemble a combination of private and public material that gives a thoughtful and revealing portrait of a sensitive but wild individual, a manic depressive, alternately a brilliant and an awful father, in a way that makes him appear very much a human being not just a performer. It's interesting both for what it tells us about Spike, but also for how we might choose to see a public figure from a certain perspective and ignore much which is hidden in plain sight. Overall, I found this an unexpectedly moving and revealing program; and although it's about more than just Spike's comedy, there are moments in the clips that will remind you of his talent and force you to laugh.