Space Amoeba

1971 "An alien aiming for the Earth transforms monsters to attack!"
5.4| 1h24m| G| en| More Info
Released: 04 August 1971 Released
Producted By: TOHO
Country: Japan
Budget: 0
Revenue: 0
Official Website:
Info

When a space probe crash-lands on a far-flung Pacific atoll, the craft's alien stowaways decide to take over their new world one creature at a time. Soon, the parasitic life forms latch onto three indigenous critters -- a squid, a crab and a snapping turtle -- and transform them into colossal mutant monsters.

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Director

Ishirō Honda

Production Companies

TOHO

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Space Amoeba Audience Reviews

Artivels Undescribable Perfection
Keeley Coleman The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.
Jakoba True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.
BA_Harrison A space parasite takes control of an unmanned probe to Jupiter, steering it back to Earth. Splash landing in the Pacific, the interstellar being proceeds to take over the local marine life, growing it to monstrous proportions, starting with an octopus (Gezora), followed by a crab (Ganimes), and finally, a turtle (Kameba). The extraterrestrial's intention is to conquer the world (what else?). Trying to stop the alien and its massive monsters are a group of people planning to build a resort on a nearby island.I'm rather partial to a giant monster movie, so you would think my enjoyment would be threefold with Space Amoeba, which features not just one, but a trio of oversized kaiju. That, however, is not the case. The story is a pedestrian mix of nonsense that we have seen before in earlier Toho movies, and the monster action is uninspired: endless flailing rubber limbs, screeching, and trashing of native villages, all of which is very repetitive and ultimately rather boring.The film is also extremely ridiculous in places: Gezora walks upright on its tentacles (because making it slither would have been too difficult); the islanders conveniently find guns, explosives and gasoline in an old cabin; two of our plucky visitors decide to go diving despite the presence of a colossal killer octopus; and the naturalist in the group somehow works out how to defeat the monsters (which he correctly hypothesises are being controlled by creatures from outer space) using bats! While this silliness might be enough for some, I found the whole thing tiresome.
Woodyanders Alien spores hitch a ride on an unmanned space probe and go to Earth. The parasitic life forms crash land on an island and cause a squid, a crab, and a snapping turtle to grow to giant size. Director Ishiro Honda, working from a compelling script by Ei Ogawa, relates the engrossing story at a brisk pace, makes fine use of the exotic tropical setting, maintains a serious tone throughout, and stages a fierce climactic beast bash between the crab and the turtle with rip-roaring aplomb. The sound acting from the capable cast rates as another substantial asset, with especially commendable contributions from Akiro Kubo as likable photographer Taro Kudo, the adorable Atsuko Takahashi as the perky Ayako Hoshino, Kenji Sahara as cynical opportunist Makoto Obata, and Noritake Saito as traumatized native Rico. Moreover, the filmmakers warrant further praise for playing the wild premise completely straight, with no silly humor or an annoying subplot involving a cutesy kid. The special effects are quite colorful and impressive. Taiichi Kankura's sumptuous widescreen cinematography gives the picture an attractive vibrant look. Veteran composer Akiro Ifekube comes through with a typically robust and rousing full-bore orchestral score. A nifty creature feature.
Tarquineshetta The theme ingredients are octopus and kitsch.This is a great movie for an evening of friends, microwave popcorn, fizzy drinks (your choice), and a kitschy romp that'll make you laugh 'til you cry. If the "Iron Chef" voice-overs make you laugh, these will make you scream for mercy.Make it a double-feature: complete your evening of low-budget deadpan kitsch with a screening of "Avenging Disco Godfather."Allez Cuisine!PS: IMDb says, "Sorry, you must provide at least 10 lines in your comment. Please return to the edit window (or use the BACK option if this isn't a new window)." There! I've made my quota!
mainstay "Yog: Monster from Space" (the English title) is sort of like "Plan Nine from Outer Space" in the respect that it is a pretty bad film that is wonderfully entertaining to watch. One great example is found in the beginning. The main character is sitting in a jet reading a newspaper. We can see the headline -- 'Jupiter probe fails' (or something to that effect). At that >exact< moment, the guy looks out the window and happens to see the Jupiter probe parachuting back to earth (and he's in a jet going 200-300 miles per hour). Later, at his destination, he's assigned a photography job on this tropical island (apparently a Japanese tourist company is going to build a resort there). When he sees the location of this island marked with an "x" on the map, he says "gee, thats the EXACT SPOT where I saw the jupiter probe go down". Then there are the rubbery-looking monsters complete with Godzillaesque screeching noises, really bad special effects shots where people look like action figures, big halos around the tentacles that grab people, etc. Essentially, the movie is pretty much the same Godzilla formula: characters discover monster(s), characters meet incompetent tribal villagers, characters try to defeat monster(s). For anyone who likes Godzilla et al., or anyone who wants to laugh hysterically at rubbery stop motion monsters in a bad film, this is a must-see.