Alicia I love this movie so much

KnotMissPriceless Why so much hype?

Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

jarrodmcdonald-1 SOULS AT SEA was a rather popular film in its day. So popular in fact that Laurel & Hardy spoofed it in their comedy reworking of the original story, called SAPS AT SEA. So it's a bit unfortunate that this Paramount classic from the late 1930s seems to be slipping into gradual obscurity. It is certainly worthy of repeat viewings and on-going appreciation.The great thing about this production is that the executives at Paramount decided to put two of its biggest male stars at that time into the lead roles. And in fact, it would be the only time that Gary Cooper and George Raft ever appeared in a movie together. They are superb. Meanwhile, Virginia Weidler fans will enjoy seeing her corner the market on tomboys, singing and telling stories– some from books, mostly fibs. And the rest of the supporting cast, particularly Henry Wilcoxon, also help make this an outstanding film.

dbdumonteil I've never seen a bad movie by Henry Hathaway.It was the third time Gary Cooper had worked with this director after two classics "Lives of a Bengal lancer" and "Peter Ibbetson" ."Souls at sea' is perhaps not in the same league but it's an absorbing movie from start to finish.A long flashback,during a long trial,it casts George Raft against type as a romantic sailor who finds redemption by sacrificing himself.Cooper ,when he first appears is not as nice as in his other movies:working on a slave ship where the unfortunate prisoners are whipped to keep them from singing.But further acquaintance shows this:Cooper portrays an educated sailor who quotes Shakespeare ("to be or not to be" isn't it the question the slaves ask themselves?)and who remembers Homer ("beware of Greek presents" ).Can such a man be a slave trader? And can he sacrifice the others' life in order to save his own life during a wreck?;yes the movie includes a "Titanic" in miniature in which the violin plays on.Like in "Bengal lancer",Htahaway does not seem interested in the female character who is decorative,no more,no less.

ROCKY-19 Here is a film that inexplicably has been given little exposure to modern audiences. Paramount threw in a lot of its top talent to tell a good story with drama, humor and lots of action.Nuggin Taylor (Cooper) has waged a one-man war against slaves ships in the 1840s. His best friend Powdah (Raft) has been a slaver, if a half-hearted one, for years. The two board a packet from Liverpool to America in a plot to undermine the slave shipping lines, but also on board is their main nemesis and his sister. Naturally Taylor has a "thing" for the sister. When a tragic accident befalls the ship, Taylor must take drastic action to save passengers and is ultimately charged with multiple murders.Cooper again plays the aw-shucks persona he perfected but here combines it with the literate, committed character of Nuggin. Note that in the lengthy opening sequence he says nothing, but is the center point of every word. Raft, who was always at his best for Henry Hathaway, gets crimped hair and an earring and the package works for the uneducated, footloose Powdah, who is ironically terrified of water. Raft's trademark unblinking stare is used to great effect and even humor. Copper and Raft, who sing together so pleasantly here, remained good friends after making this film.The picture took three photographers. Estimable Charles Lang split the cinematography duties with Merritt Gerstad. Gordon Jennings was in charge of the special photographic effects in the climactic ship disaster. Their decisions were mostly excellent. Especially effective were the constant tilted angles aboard ship. The black-and-white filming offers up rich tones and texture, instantly setting the stage with the slave cargo sequence. The action scenes are outstandingly photographed and executed.In period pieces, Hollywood tends to go overboard with layers of decorations. In 'Souls at Sea' art directors Hans Dreier and Roland Anderson are magnificently restrained and very accurate. That and A.E. Freudeman's interior decoration make the film seem really in Philadelphia, really in Liverpool and really on board a ship in 1842.This is a great example of Hathaway's work, weaving appropriate humor into the human drama and relationships. There is an amusing montage as Taylor is scouring Liverpool for Powdah, and that relationship's integrity is maintained throughout.This is a classic well worth making the effort to find.

bkoganbing Paramount was not a studio particularly known for making social commentary in its product. Souls at Sea is an unusual film to come from that particular studio, let alone any studio for very few dealt with the slave trade as an issue.In The Films of Gary Cooper book it mentions that as elaborate as this production was, Paramount had budgeted Souls at Sea for a lot more. Apparently whole sequences involving Cooper's original rescue by the slave ship, a ball at Queen Victoria's court, and some scenes involving capturing slaves were left out. In some lists both Alan Ladd and Ward Bond were listed in the cast and their scenes were edited out.What they left though is both a rousing sea saga and a story about the immorality and inhumanity of the slave trade. It begins in a courtroom where Gary Cooper is on trial for murder on the high seas. A verdict is about to be handed down when George Zucco interrupts the proceedings as a representative of the British government. He tells the court Cooper's real story and the film unfolds in flashback.George Raft is surprisingly good here, usually he's not when he's not either dancing or being a gangster as Cooper's friend. Frances Dee is one pretty Victorian heroine and sister of British officer Henry Wilcoxon who has an agenda all his own.I wasn't surprised to learn that Boris Morros's score for Souls at Sea got an Academy Award nomination. It is particularly lovely and poignant.The climax of the film is a shipwreck at sea and Cooper's actions therein. He has to make some grisly choices, some of the same ones as was previously pointed out that Tyrone Power made in Abandon Ship.The beginning of the film has Gary Cooper seizing an opportunity to save some Africans from becoming slaves. The climax has him saving some other lives in a shipwreck. The point that Director Henry Hathaway was trying to make is that as human beings all of them had an immortal soul and none deserved to be the property of another. The lives saved at the beginning and the end were just as valuable.Souls at Sea holds up well today as good action entertainment with a profound message.