Stellead Don't listen to the Hype. It's awful

BallWubba Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.

ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

Ariella Broughton It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

JohnHowardReid Director: WALTER LANG. Screenplay: Joseph Schrank and Robert Pirosh, Robert Ellis and Helen Logan. Photographed in Color by Technicolor by Ernest Palmer. Film editor: Rby Simpson. Art directors: Richard Day, Joseph C. Wright. Set decorator: Thomas Little. Costumes designed by Gwen Wakeling. Make-up: Guy Pearce. 2nd unit director: Orro Brower. Technicolor color consultant: Natalie Kalmus. Associate Technicolor consultant: Morgan Padelford. Technical director: Hilo Hattie. Assistant directors: Bernard Carr, Fred Fox (2nd unit). Sound recording: E. Clayton Ward, Roger Heman. Producer: William LeBaron.Songs by Mack Gordon (lyrics) and Harry Owens (music): "Blue Shadows and White Gardenias" (Grable); "O'Brien Has Gone Hawaiian" (Grable); "Sing Me a Song of the Islands" (Grable, Hattie); "Down On Ami Ami Oni Oni Isle" (Grable, Hattie); "What's Buzzin', Cousin" (Oakie); "Hawaiian Drinking Song" (Hattie). Choreographer: Hermes Pan. Music director: Alfred Newman. Copyright 13 March 1942 by 20th Century-Fox Film Corporation. New York opening at the Roxy: 11 March 1942. U.S. release: 13 March 1942. Australian release: 4 November 1943 (sic). 6,716 feet. 74 minutes.SYNOPSIS: Tycoon's son falls for beachcomber's pretty daughter. COMMENT: Everyone knows that 20th Century-Fox had the best sound department in the business. Everyone, that is, except the industry's own sound supervisors, technicians and engineers. How often did Fox carry off Hollywood's most prestigious annual award for Sound Recording in the golden years from 1929 to 1976? Just eight times, would you believe? Wilson (1944), The Snake Pit (1948), Twelve O'Clock High (1949), All About Eve (1950), The King and I (1956), The Sound of Music (1965), Hello, Dolly! (1969), and Patton (1970).You'd never learn from this list that it was actually in musicals of the 1930s and 1940s that Fox's sound department really excelled. Take 1942, for example, a good year because each studio was able to nominate one movie. What was the Fox selection? "This Above All"!Okay, so in addition to its magnificent sound track, what does "Song of the Islands" have to recommend it? Nothing much except sprightly performances (even Victor Mature is quite personable), a witty script, catchy tunes, lavish production values and gorgeous Technicolor.What more do you want? Free admissions would be nice, but we've got that now with TV. Admittedly, we pay for it by sitting through myriads of dastardly advertisements, but you can't have everything!

MartinHafer Jeff Harper (Victor Mature) has been sent by his father to bargain for some prime cattle land....in Hawaii. While the cattle industry was big on some of the islands, why folks from the continental US would want a piece of this action is confusing. Regardless, Jeff arrives on the fictional Hawaiian island of Ahmi-Oni with his friend, Rusty (Jack Oakie). The first thing Jeff sees is Eileen (Betty Grable) and he's hooked but thinks (??) that she is a native and doesn't understand English (despite being VERY blonde). Soon he's in love and seems to have forgotten about his business...and soon Dad arrives to try to get talks back on track. Who will win out in the end? The love-struck son or the business-minded dad?This film is a pleasant and lightweight bit of entertainment. The songs are mostly a distraction as big production numbers seem to have nothing to do with island life...but so it was in the 1940s! The romance is also cute but the best part is the grouchy gather, as George Barbier as one of the best supporting actors of his age when it came to playing old grouches! Enjoyable but slight.

raskimono I kinda liked this movie. The plot is not much to write off and is questionable if it will have any appeal to adults because it involves full grown men and women acting like ten year olds. Set on the Hawaii Islands it has something to do with some millionaire rancher's son who falls for a enjoy-life goodnik loafer on the Islands. Romance, fighting, with some will they or will they not get together? That is a typical Betty Grable picture. Gable who couldn't really act but was always charming with a nice smile and is always fun to watch because the woman approached all her roles with gusto. It didn't matter the role; she played as if it were Scarlett O'Hara. Poor Victor Mature suffered in being cast in light tripe like this where he practiced how to take pratfalls and sound dopey and goofy before better things and dramatic roles elevated out of this parts. The popular radio star Jack Oakie provides much needed support and has many scenes where his sub plot line dominates the movies. This I have to mention because this is sorely missing in Hollywood movies, today. Let's take a recent hit like "Hitch", Kevin James gets no scene without Will Smith on the phone and in the background and it's a credit to him that he still finds a way to steal the movie. Gable too was not a very good dancer but again you forgive because she lights into it with so much pep and determination and that can be said for the whole movie. It is poorly written, obvious with no surprises but everybody plays it to the utmost fullest that makes you enjoy the whole silly farce for what it's what.

Schlockmeister Great 1940s World War II Pacific island fantasy movie. The colors are so bright they almost can't be real. Victor Mature and Jack Oakie head to an island where Betty Grable lives in tropic splendor with her father (Thomas Mitchell - Gerald O'Hara from "Gone With The Wind", same Irish accent too by the way...). The music is just fantastic, Harry Owens and his orchestra are incredible, the classic Hula Comedienne Hilo Hattie is on hand as Palola to provide comic relief in her attempts to land Jack Oakie (Jack is afraid of Palola's Cannibal uncle however...). Gloriously non-politically correct in the way that only classic movies can be. Betty Grable in a grass skirt, (wow!) no wonder all the G. I. s you speak to from that time were crazy about her!