Someone at the Door

1936
5.8| 1h12m| NA| en| More Info
Released: 28 September 1936 Released
Producted By: British International Pictures
Country:
Budget: 0
Revenue: 0
Official Website:
Info

When Sally inherits a country house, her young brother Ronald, an aspiring journalist, hits on a sensational way to make his first big scoop: Sally will 'disappear', and he will be arrested for her murder! At his trial she will reappear, his acquittal will follow, and he will be able to supply his paper with an exclusive story. Sally and her fiance, Bill, fall in with the scheme. However, there are complications which they had not foreseen.

Genre

Comedy, Thriller

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Director

Herbert Brenon

Production Companies

British International Pictures

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Someone at the Door Audience Reviews

ThiefHott Too much of everything
Pacionsbo Absolutely Fantastic
Nessieldwi Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.
AnhartLinkin This story has more twists and turns than a second-rate soap opera.
drednm SOMEONE AT THE DOOR is one of those comedy thrillers that were so popular. This one boasts a gorgeous print and excellent set design (creepy old country house with hidden passageways, etc.) but the plot just doesn't come together. Billy Milton and Aileen Marson play siblings. He's a hack writer looking for an angle and she's just inherited said spooky old house in the country. With a pal in tow (John Irwin), they go down to the house to hatch a plan. Believe it or else, the plan is to fake her murder and get him arrested so he can write some "my confession" stories and make some money. There's a surly butler (Edward Chapman), a bumbling cop (Charles Mortimer), and a visiting businessman Noah Beery) in the mix. There's also a missing missing servant and a cleaning woman (Hermione Gingold in her second film). Directed by Herbert Brenon from a play by Campbell and Dorothy Christie. Milton is quite brash. Marson gets a lot of loving close-ups. She made 16 films in the 1930s and died in childbirth in 1939.
wilvram A somewhat uneven spoof of the familiar ingredients of crime thrillers and mysteries of the day. Aileen Marson, who was to die tragically young, plays Sally Martin, who visits an isolated country house she has inherited, accompanied by her journalist brother Ronald, and her fiancée, Bill. This trio are straight out of Agatha Christie and Ronald comes up with an eccentric publicity stunt; Sally will go into hiding, and he will then act suspiciously and be falsely accused of her murder. Enter a gang of jewel thieves - every other quota quickie seemed to feature stolen jewellery somewhere along the line - only one of whom knows the exact location of the loot, buried somewhere in the vicinity of the house.All the stock situations - the lonely house with secret passages and hidden chambers - and characters - the plucky ingénue, the dim-witted local copper and truculent double-crossing crooks with a 'surprise' leader, are knowingly presented. There's also an American gangster type, played by Noah Beery in one of a string of British films he made in the mid Thirties. It becomes more of a straight thriller for a time towards the end, including Beery menacing Marson, threatening to blind her with a cigarette, before the more farcical elements come to the fore again.
malcolmgsw Penniless brother and sister go down to an isolated country house that they have inherited.They are joined by the sisters fiances.They do not know that a gang of jewel thieves are using it for the location of the secret place where they keep their haul.The brother and sister decided with the journalist that the sister should hide in a hole in the cellar.Her boyfriend ,who is a journalist will firstly headline her disappearance and then get a scoop when he finds her.Unfortunately she is hiding where the loot is located.There are a couple of murders and a predictable ending.Even the introduction of Noah Beery into the proceedings cannot get the proceedings going.It is just too predictable and no cliché is let unturned.