KnotMissPriceless Why so much hype?

Reptileenbu Did you people see the same film I saw?

Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Isbel A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

ElMaruecan82 Coluche's acting in "Tchao Pantin", or "So Long, Stooge" was so pivotal in the film's success that the title became a well-known trope defining a comedian's dramatic breakthrough. Coluche became an actor's school-case firmly establishing what his stand-up routines made attentive eyes suspect: he was more than a clown. And as pump attendant Lambert, he let his proletarian roots and street-smart humanity operate as naturally and poignantly as if he'd played these roles for twenty years. He was only 39 but could look ten years older with these eyes that always seem at loss and a heart that whatever used to drive it probably stopped to exist. What an irony for a man who literally 'fuel' people to be trapped in such a desperately static life.Lambert is a total mystery but not in the way 'mystery' can be used to trick viewers, the directing of Claude Berri doesn't care for effects or twists, that's why saying the revelations that come near the end were predictable is missing the film's point. The story couldn't have been more linear and straightforward; whether it's a deliberate stylistic approach or not, Berri cares more for his characters who have all in common a sort of entrapment in a condition whose gravity isn't valued until violence raises its ugly head. It's a bit like staggering down the same disreputable and dangerous street every night to go home knowing that one night, you'll have pushed your luck one time too many. Nothing can come good from these dark and deserted streets sublimated by Bruno Nyutten's cinematography, as inky and shadowy as Gordon Willis' closed-doors shot in "The Godfather".Indeed, in this masterpiece of sobriety, it's literally to the French hearts of darkness that we're plunged, in a journey that never surrenders to cheap emotions, you'll never see a tear running on Coluche's cheek or his brief friendship with Bensoussan starting with predictable antagonism, sometimes the best about human relationships is as hazardous as casual as the worst and maybe this is where the poignancy lies. Many things happen but we never take then for bad luck, they seem to be dictated by a Karma, a sort of immanent presence that decided the likes of Bensoussan, a small-time drug-trafficker, are the kind of natural outcasts who won't find their place no matter how hard they try. As the half-Arab, half-Jewish thug, Anconina gives one of his greatest performances, he's a man lacking the social skills because he obviously lacked something in his life, whatever it was, he found a parcel of it in Lambert's empathy.Their interaction builds the whole first act and the dialogue is powerful without trying, when they talk, you can hear the hidden messages, the performances make you grasp the unspoken truths about their lives and it's so subtly done that you know the journey won't end with a happy ending. The rest of the cast involves a worn-down cop played by droopy-eyed Philippe Léotard and a punk prostitute played by Agnes Soral, needless to say that these characters aren't archetypes in the strictest sense of the word. Bensoussan sees Lola as the pretty blonde and the perfect trophy girlfriend, to bang and brag about it the day after, while Bauer first strikes as a little pebble in the shoe until he reveals, like Lola, more complexity. Society makes archetypes, not movies, and this is what "So Long, Stooge" is about, going into the depths of natural misfits in the crisis-stricken France of the early 80's.Because "So Long, Stooge" is also a powerful time capsule of the dark and shady France, sung by Renaud or drawn by comic-book artist Frank Margerin, it's a universe made of black leather jackets, motorbikes and guns, without the romantic and rebellious spirit of the 50's, more of the disillusioned post-Oil crisis days we'd find in Kassovitz "Hatred". But even as a product of its era, the film resists the test of time because it's a vivid, lucid and poignant friendship story and an unforgettable descent into the soul of a man whose greatest revelation doesn't involve his past, but just the fact that, despite the shocking factor, he's just a nice guy. To a certain degree, Lambert is perhaps the closest French character to Travis Bickle and he's certainly not a pale copy, Coluche would win the French Oscar for his performance.Sadly enough, he wouldn't have time to prove his value again as he'd die in a tragic motorbike accident in 1986, giving an eerie dimension to one of the most tragic moments in the film. Coluche like Bourvil didn't have time to be a late bloomer on the field of drama and left one of the most memorable performances of French cinema. And yes, it was so good "Tchao Pantin" isn't just used to describe the turning point of comedians but also their Holy Grail, their hidden desperation to be taken seriously at least once, Jean Dujardin, José Garcia or Franck Dubosc all wait for their "Tchao Pantin". Well, in 1983, Yannick Noah was the last French tennis player to win Roland Garros and Coluche the last comedian to have transitioned successfully to drama. Maybe today's cinema tends to overplay emotion, to emphasize the sleaziest aspects of the story such as gore and sex, while "So Long, Stooge" has its share of graphic moments, it's only in the peaceful and serene moments that we can measure what a tragic loss for cinema Coluche was.And you can see in "So Long, Stooge" a rebirth of a grittier and more realistic form of filmmaking that had also one merit, to take Franch cinema out of that 'New Wave' rut and start to reflect its time and tell compelling stories that don't just rely on existential torments, but on actions, too, paving the way to the new generation: from Luc Besson to jean-Jacques Beineix. Definitely one of French cinema's most relevant movies.

Kirpianuscus a film noir. it is the most easy definition for a film who escapes to a clear verdict. because it is one of the films who, after the final credits, becomes a state of emotions. sure, the great merit has Coluche. but he is part of an impeccable story, simple, honest, touching, bitter, about friendship and errors of past, appearances and love, justice and purpose of a broken life. a film like a confession. about yourself and about the others. and about the need to escape from yourself doing the right things in the right manner. a story who becomes a state of soul. this is the most important thing for this film. and the basic motif for who it is different. special. a sort of masterpiece out by ordinaries rules.

senilebiker Classic dark French psych thriller featuring Coluche, better known for his stand up comedy dressed in blue and white striped dungarees - Andy Pandy style. His acting as the sad middle aged loser Lambert should have earned him an Oscar.Having lived in the area where the film is set, (and worked in an auto repair shop)the atmosphere and the photography are spot on. Very sad, complex and entertaining.If you like this, watch Subway and Diva. The title derives from the area where the film is set - Pantin, a working class quarter in North Paris, and should be with first letter in caps.

thegreatswan Lambert is alone. He drinks every night, working at a gas station by night, barely speaking to anybody. One night, Bensoussan, a young dealer, half-Jew, half-Arab, runs into his life. In spite of Lambert's drug hatred, a kind of friendly bond begins between them, even a father-son like relationship. But although we learn more and more about Bensoussan, we still have no clue about Lambert... Soon, Bensoussan's drugs are stolen. As he can't refund his boss Rachid, he's killed by Rachid's henchmen in front of Lambert's. Then, Lambert changes in front of us. While he's on the trail of Benoussan's murderers, killing every one of them, we finally know who he is...err, who he was. But this revenge will be both his own redemption and his fate...The title may be odd : "Tchao" is a mispronunciations of "ciao". "Pantin" means both "Dummy", "Idiot", but Pantin is a small Paris' north suburb town too. Anyway, even French people can't explain the real meaning of the title... I'm writing this as the movie is played on M6... Coluche died 20 years ago and for us, it seems like it was yesterday. We will always see him as a clown, as a nice funny guy, but "Tchao Pantin" is here to remind us that he was an actor, a real great one. Anyway, you can't be disappointed with that film : the storyline isn't very original (revenge), but the characters are so touching and pathetic that they made the movie one of the best French movies of the 80's. Sad but excellent.