ThiefHott
Too much of everything
Stellead
Don't listen to the Hype. It's awful
Afouotos
Although it has its amusing moments, in eneral the plot does not convince.
Bea Swanson
This film is so real. It treats its characters with so much care and sensitivity.
romanorum1
Famed middle-aged Parisian detective Henri Cassin (Steven Geray) takes his first vacation in eleven years. He needs it badly. While Henri is relaxing at a small village inn known as The Black Horse (Le Cheval Noir), he meets the innkeepers' daughter, Nanette (Micheline Cheirel), who is thrilled to make the acquaintance of such a famous person. Before long Henri and Nanette fall in love. A complication is that Nanette is supposed to be betrothed to a local farmer, Leon, a jealous man (Paul Marion). Although Nanette is much younger than Henri, the two become engaged as Nanette is excited to be moving to the glamor of Paris. Although her mother strongly approves of the relationship, the father deeply objects and favors Leon. Leon becomes more vocal and threatens Henri; then the bodies begin to pile up. First a hunchback sees Nanette found dead in a river (strangled). Then the hunchback finds the main suspect, Leon, deceased in a shed. Shortly after, the body of Nanette's mother is discovered in the kitchen. The only clues are a footprint and notes written by the killer. So the detective has more work instead of a vacation, and tries to obtain some help from Paris. Before the end there will be another casualty. Although the culprit's name is not provided in this review, note that the suspect list is rather short and the psychological ending is a little surprising. The photography and mood are fine, although the budget is very low. The unknown French cast is about average, while the script is a little weak. Actress Micheline Cheirel appears far too old for her part as Nanette while the stars are not particularly appealing. This is a "B" movie all the way.
dougdoepke
A Paris detective encounters mysterious murders while on vacation in the French countryside.Some day when I have absolutely nothing to do I'm going to count the number of window shots in this film. I hope I can count that high. Actually, all that imagery pays off with a richly symbolic final shot. The movie itself has a rather sumptuous look for a cheap second feature, a credit to the art department and director Lewis' visual imagination, I suppose. Anyway, it's an interesting little noir with an ironical ending, even if it doesn't reach the suspenseful heights of My Name Is Julia Ross, Lewis' previous movie.I wasn't sure where So Dark was going since it begins in rather leisurely fashion. However, once the apparently motiveless murders occur, the plot thickens into a mystery. Still, the screenplay doesn't really play up the whodunit potential, which it could have. Then too, stronger lead performers, I think, would have helped. Steven Geray made a notable career as a waiter or maitre'd in upscale night spots, but as a detective, his presence is a little thin. Also, I agree with the reviewer who thinks Cheirel a shade too old for the ingénue role.Anyway, Lewis' visual talent is on vivid display, making this a very watchable 70 minutes, even though I'm canceling my next visit to the French countryside.
muddlyjames
Really not much to keep you locked to the screen here. Cassin is not exactly charismatic or intense enough for you to believe his role in that twist (or is it wrench?) of an ending and the supporting cast is as two dimensional as the "French countryside" backdrop. The only thing of interest is how Lewis attempts, somewhat perversely, to employ noir conventions and build suspense in a sun-dappled bucolic landscape. Hey, at least the guy was always mixin' it up! 5/10.
Daniel-56
Joseph H. lewis was a great director who could do wonderful films with little money. Maybe that was why Columbia's president Harry Cohn gave him so much freedom to work. So Dark is the Night is an almost noir entry about a French detective on vacation in a little town near Paris who investigates some murders which he was somehow involved. A short and objective cheap movie that does not hide the director's talent and gives Steve Geray a great role. People who want to make unexpensive movies should know this gem.