BootDigest Such a frustrating disappointment

Marketic It's no definitive masterpiece but it's damn close.

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

ma-cortes ¨Assault on the forbidden fortress¨ or ¨Sky riders¨ is an entertaining film with interesting plot , glorious Greek exteriors and with no depth characterization . Nice and agreeable thriller with a great cast , noisy action , sensational stunts , thrills and suspense abound in this fun movie . Concerning about an industrialist's (Robert Culp) wife (Susannah York ) and kiddies are abducted by a terrorist organization called ¨World Activists Revolutionary Army¨ commanded by two nasty cutthroats (Werner Pochath , Zou Zou) who even pack bazookas , machine guns and dynamite in their mountain retreat somewhere in Greece . How to get at them ? , the surprising solution results to be the following : a nearby group of hang-gliding freaks (led by John Beck) in Greece , as the woman's ex-husband called Jim McCabe (James Coburn) comes to the rescue with a plan involving hang gliders . As the valiant Jim McCabe , supported by Inspector Nikolidis (Charles Aznavour) , recruits a team of volunteers who attempt to outwit the kidnapping rioters . As the brave hang-gilders using their spectacular ¨Delta wings¨ risk it all to take on a bunch of political abducting people . They'll try anything once ... especially if it's impossible! Good and typical action movie with an amazing as well as startling finale , including a particular novelty : some impressive scenes about sky riding . Expert stunts , moving script by Jack DeWitt and Stanley Mann and acceptable acting make it a fun movie in any era . Breathtaking hang-gliding footage , emotion , thrills and gorgeous locations make up for garden-variety screenplay . And the last thirty minutes is sheer violence , mindless , mayhem and destruction . Fine acting from James Coburn in his usual laconic style as an intelligent he-man who rescues ex-wife from clutches of nasty kidnappers . This tough action well made by Douglas Hickock contains a stirring and rousing score by Lalo Schifrin , adding Greek sounds . Colorful cinematography by Ousama Rawi and Jim Freeman , shot on location in the Varlaam monastery in Meteora, Greece .The motion picture was compellingly directed by Douglas Hickox in his ordinary cold-blood style . Hickock was an expert at blazing action scenes and realizing acceptable films until his early death at 59 , being his film debut : ¨It's All Over Town¨ and his final ¨Dirty Dozen: The Series¨, TV series . Being father of directors Anthony Hickox and James D.R. Hickox . Douglas began as an assistant director and second unit director in the 1950's . Before working on feature films , he also directed hundreds of commercials . As part of a bequest , the Douglas Hickox Award is given to a British director on their debut feature . Douglas made all kinds of genres and playing them known actors , such as Drama : ¨Sins¨ (85) with Joan Collins , ¨Mistral's daughter¨ (84) with Stacy Keach ; Black comedy : ¨Entertaining Mr Sloane¨ (70) with Harry Andrews ; Monster movie : ¨Behemoth , the sea monster¨ co-directed by Eugene Lorie with Gene Evans ; Thriller : ¨Blackout¨ (85) with Richard Widmark , ¨Sitting Target¨ with Oliver Reed ; Warlike : ¨Zulu dawn¨ (79) with Peter O'Toole ; a Sherlock movie : ¨The Hound of Baskervilles¨ with Ian Richardson , Action : ¨Brannigan¨ with John Wayne , and his best film was ¨Theatre of blood¨ an ironical terror/comedy with Vincent Price .

Poseidon-3 As the old stripper in "Gypsy" says, "Ya gotta have a gimmick!" This action film's gimmick is that the only way to stage an imperative rescue is via hang glider! Culp plays an official living in Greece whose wife York and their two children are taken hostage by a sketchy band of terrorists and held for ransom atop an abandoned monastery. The remote building sits high on a pillar with only similar pillars around it and deep valleys and cliffs as the surrounding terrain. Culp works with the police (led by an almost Clousseu-like Aznavour) while York's first husband (and the natural father of one of the children) Coburn takes a different tack. He pairs up with hang glider expert Beck and his team of specialists to stage a rescue. Coburn isn't bad in his role, though he's hardly challenged by the lame script. York, whose low voice is down there with Vanessa Redgrave's at this point, hasn't got much to do but act worried and ludicrously stand up to her captors. One scene has her sliding to the floor in fear while her terrified preschool daughter lies alone on a cot! Culp tries to convey concern, but his transformation from diplomat into gun-toting savior is rather unrealistic. At least Coburn was already portrayed as a man of action from the start of the film. Even more preposterous is the presentation of the circus performers in Beck's troupe suddenly becoming firearm-trained mercenaries and SWAT-level hostage rescuers in a matter of hours! Always likable Beck has the misfortune of being shown in a silly, grey, sideshow leotard in his first appearance. (One of his gaggle includes Orsatti, best known for plummeting from a table to the lighted ceiling/floor in "The Poseidon Adventure" and appearing in numerous Irwin Allen-produced films before gaining stature as a noted stunt coordinator.) Aznavour is sometimes unintentionally funny in his role as the diminutive, but exacting police chief. Andrews, despite his billing, barley appears at all as a grizzled seafarer. Folks expecting him to figure into the story mustn't hold their breath. Notable 60's personality Zou Zou also barely appears. The chief asset of the film is the spectacular Grecian scenery and the proliferation of location shooting. Also, the shots of the hang gliders in action do provide a modicum of excitement. Unfortunately, a pervading sense of inanity hangs over the film. The opening capture sequence is ridiculously shot. The boy hilariously mouths (while the terrorists are killing virtually everyone on the estate), "They're wearing hockey masks." Since the terrorists kill everyone but the captives, why bother wearing them? They take them off anyway once they reach the monastery!! Then when the big rescue comes, wouldn't someone in charge have noticed that the escape route takes the participants DIRECTLY OVER the place they've just escaped from, thus exposing them to just as much danger as before?? This sort of stupidity goes a long way in decreasing any points the film has scored in the way of star power, interest level or excitement. Still, if one checks his brain before viewing, the film can provide a modestly entertaining diversion.

judyb6 I have been trying to find this film on video for many years because I remember it as being so interesting, with the rescue sequences by hang gliders. I disagree with another person who commented that they could not see the hang-gliding sequences, due to darkness in the film. There are not very many films that make a big impression on me but this one did and I still remember it though I only saw it once, when it was first released. I hope it is released on video or DVD some day so that I can see it again.

gridoon Utterly ordinary, thoroughly routine and totally forgettable adventure tale that's good only if you want to waste some time -although there are many better time-wasters around. There are no surprises and no attempts at distinguishing this film from dozens of similar films. As for the hand-gliding sequences, many of them are filmed at night and we can barely see what's happening onscreen!