Jeanskynebu the audience applauded

AniInterview Sorry, this movie sucks

Grimerlana Plenty to Like, Plenty to Dislike

Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.

Paul Magne Haakonsen Being a fan of Eihi Shiina, I sat down to watch this movie, despite her having a small role in the movie.The concept of the movie is sort of alright, but I found it very hard to immerse myself into the movie and really get into it. There was just something boring looming over the movie.Usually Japan pumps out good movies, but this one sort of comes up short. Sure there was some alright scenes in the movie, but the overall experience was sort of a let down.I didn't even finish it, I gave up about three-fifths through the movie. It was just that uninspiring.

ebossert Orthodox opinion holds that most (if not all) great movies are restricted to the Drama or Romance genres. During my exploration of East Asian cinema, I have discovered a massive amount of contradictory evidence to this commonly-held assertion: A Tale of Two Sisters (2003, Korean Horror) and Cure (1997, Japanese Thriller) being the two most obvious examples, in addition to The Legend of Drunken Master (1994, Chinese Action), Battle Royale (2000, Japanese Action), and Fist of Legend (1994, Chinese Action). This brief list is a testimony that cinematic greatness is achieved in different ways, whether it be strong dramatic elements, horrific philosophical expositions, masterful storytelling, or action choreography. The bottom line is the one thing they all have in common: REMARKABLE ENTERTAINMENT VALUE. Sky High represents another title that achieves greatness like the aforementioned films achieve greatness, albeit in its own unique way.Ryuhei Kitamura has had his disappointing films (Alive, Godzilla: Final Wars), but when he is "on his game" there is perhaps no one who delivers such a perfect combination of stylish camera-work and engaging sound. Sky High is the crème de la crème of cinematic flair. The wedding ceremony is a classic showcase that every film student should study with earnestness. Even the simplest of events – i.e., a girl crawling to her work desk after arriving late – are handled with such directorial precision that an astute viewer is immediately grabbed by the events occurring on screen. Virtually every action scene is preceded by ultra-cool character mannerisms supplemented with an excellent score. Sky High is a cornucopia of amazing images and sounds that puts most every other film to shame. This one is special for that contribution alone.The storyline is based upon a set of supernatural rules. Major decisions by the characters must first consider the consequences inherent in their respective afterlives. Killing is not simply an act to end life, but instead is used to serve a specific eternal purpose. Thus, the ones who kill in this film also bear a tragic spiritual fate that others do not possess. The originality of Sky High is obvious in that it represents the act of killing as a form of self-sacrifice for the betterment of someone else. I can't think of another film that does this. It's a very unique and breathtaking play on an old concept.Many movies have tried to bridge action and romance genres, but few have succeeded. Frequently, the action is bland and emotionless while the romance is undeveloped, but perhaps the most common (and ridiculous) flaw is that character action almost always contradicts the alleged romance of the lead characters. In Shinobi (2005) the wife promptly (and without hesitation) orders an ambush on her husband, which provides an excuse to start fighting, but at the same time nullifies any possible love that the viewer was supposed to believe existed. In The Bride With White Hair (1993) the man totally discounts the word of his alleged lover regarding a murder, which provides an excuse to start the final action scene, but at the same time invalidates their entire relationship. In other words, blending action and romance is just as difficult as creating an effective drama, and most attempts miss the mark quite badly.Sky High, on the other hand, is the perfect example of internally consistent character action that maximizes the believability of the primary love relationship. Character action is not introduced merely to start fights, but instead represents a logical decision with reference to a specific lover. The primary love relationship is developed throughout the entirety of the film and culminates in the main character's change of philosophy, of which his love for his deceased wife serves as the primary catalyst. In like manner, the primary antagonist's motivations for evil is manfested from his deep love of his comatose wife. Even the deadly assassin shows her caring for the lead antagonist in her choosing to kill for him, thus sacrificing her immortal soul for his dream of being reunited with his lost love. So here we have a film that succeeds in introducing 3 separate love relationships that are consistent with character action, while most other action/romance movies fail to produce 1. Amazing! Some have complained about the basic fight choreography. It is not kinetic, fast, or complex like Crouching Tiger Hidden Dragon (2000). Kitamura chose to ground most of the action with realistic sword maneuvers, similar to The Hidden Blade (2004), while adding a few supernatural elements along the way. Remarkably, the action is still very entertaining because of the character development behind it. The finale is exciting not because of how the swords are swung, but because a fairly normal girl has been entrusted to withstand the attacks of the lead antagonist while a demon is on the verge of escape and her husband may (or may not) be able to assist her in time. The preceding fight inside the temple is also engaging because the deadly assassin (who has easily carved her way thru just about everyone) has finally met her match. In this sense, Sky High is a different sort of action film that relies on situational excitement over choreographical complexity, and it works very well.I'm sure that I'll be criticized for giving an action/romance like Sky High a rating of 10 out of 10, but in all honestly – I don't care. Sky High is simply the best action/romance film on the face of the planet. I dare someone to cite another similar film with an equal mastery of visual/audio technical skills, an equally original take on killing, similarly effective situational fighting, and character action that is perfectly consistent with the romantic elements.Good luck to you on that challenge.

scobbah I'm a big fan of Kitamura Ryuhei and he ain't disappointing anyone with this one either, all though this one probably ain't my favorite by him. What you get here is as usual an original plot who at first, reading on IMDb, seemed a bit difficult but as soon as the movie went on it weren't hard to keep up with the plot development. I saw someone who really ranted about this piece, but I guess it was another Hollywood fan because Kitamura is, as always, bending the borders a bit and I do understand if the inveterately Hollywood fans will find this "controversial", by judging the camera work, plot, scenes e.t.c. The scenery in "Sky High" is lovely! What I perhaps lacked here was the more "diffuse" plot development, it was a bit too straight for me (yet good but I wanted more). It's a 7/10 and any Kitamura fan should see this!

suttercane Let me get this out of the way now. I am a huge Ryuhei Kitamura fan. I think I have now seen all of his movies (Heat After Dark, Down To Hell, Versus, Azumi, Aragami, Alive...... and even Battlefield Baseball, which he sort of had a hand in), and though enjoyed them all, I found Sky High to be one of his best. This definitely sits in my top 3, with Versus and Azumi.Anyone familiar with Kitamura's films will recognize his style immediately. Fantastic cinematography, digitally assisted effects, hyperkenetic fights, and story lines that at best can be described as complicated. He seems to weave a mythology into most of his work, and it all seems very new and interesting.In any case, Sky High really got to me because the world he spins here has really defined rules, and they are played to the best of their limits. We know that the death of one character will cause a chain reaction in both the living and spirit world, and that was really intriguing.The film has flaws, to be sure. It's a little long, and sometimes you can predict what's coming next, but it's still very good. This is the kind of movie that looks good enough to have a very wide theatrical release (except for the demon at the end, what was with that?) and do well once word of mouth got around.Anyway, highly recommended viewing. Can't wait to see what Kitumura will do with Godzilla: Final Wars.