Cubussoli Very very predictable, including the post credit scene !!!

Jeanskynebu the audience applauded

Listonixio Fresh and Exciting

ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

piker-5 It's a minor film indeed Paul Henreid, a boring lead But Hans Conried? I'd watch him read!This is the kind of movie that happens if you are running an assembly line. Sooner or later everybody gets a little slap-happy and and stops taking the enterprise seriously. The story, and I suppose there is one, takes place in that fuzzy movie middle-east, the one that never existed. It clearly is set before the onset of electricity but after the invention of brightly colored fabric dyes. Henreid plays a womanizing, swashbuckling magician with a girl in every, uh dune. This is the light-hearted breezy Paul Henreid. If anything, it shows he had a wider range than you thought. His pal/companion/assistant/whipping boy is the glorious and goony Hans Conreid. Somehow bandits "steal" all Henreid's dancing girls, and in getting them back he has to fight a corrupt Caliph and his evil assistant. The Caliph, incidentally, is dubbed by voice powerhouse Paul Frees. Can't imagine why but it's great to hear him.Given this tired setup it's not too surprising that the enterprise just goes over-the-top goofy. They throw in film in-jokes, anachronisms, and magic tricks that would be more appropriate in a Las Vegas showroom. You're a little disappointed that Hope and Crosby don't wander in for a cameo, but they'd have to cross studio lines to do it.I'll put it this way. If you watch too many old movies, it's pretty fun. If you never seen an old movie, this might put you off them forever.

bkoganbing Siren Of Bagdad is a rather broad satire from Columbia of all those Arabian Knights Maria Montez films from Universal. Even after Maria died young those sets got a good dozen years use over at Universal International for such people as Rock Hudson, Tony Curtis, and Jeff Chandler.Playing the title role is Patricia Medina the beautiful daughter of the deposed sultan. Against her charms the witty and sophisticated Paul Henreid, magician and head of a traveling entertainment troupe doesn't have a chance. His troupe of dancing girls plus his assistant Hans Conreid get involved in the politics of Bagdad as they help Medina kick out the usurper. That magician's magic box meant to entertain never saw quite the service it saw in this film. Came in quite handy.Also coming in handy are those dancing girls. As usurper Charles Lang is seeking to replenish his harem the girls provide a wonderful entrée into intrigue.This is a decent enough satire, don't try to take it seriously, just relax and enjoy.

MovieKonOSur While many have panned this film, the dancing and theatrics were excellent entertainment. Costuming and sets were well done and while the plot lacked a lot of depth, the mirth and special effects were interesting and ahead of other offerings from the mid 1950's.Casting was done with relative unknowns that worked diligently at coming across as middle eastern while obviously actually being from Mexico or South America...(distinct Spanish dialect in the accents).Dancing and magic was fun and believable. Sit back and enjoy, but don't expect any surprises...

phil_sexton Siren of Bagdad is quite a strange Paul Heinreid film for me. I'm familiar with him from Casablanca (who isn't?) and things like Watch on the Rhine, where he is deadly serious and somewhat ponderous. In Siren, produced by Sam Katzman, who threw together cheap B movies for many years (think East Side Kids), Heinreid is virtually winking at the camera as magician Kazah the Great, trying to rescue his dancing girls after they are kidnapped by... well, no one really cares who, exactly.No one seems to take the plot seriously at all, but do have fun camping in a sandy oasis (I'm sure the beach was just behind the dune), doing vaudeville-type magic tricks, and jumping on barely hidden trampolines when they fight ruffians, then chasing through a lot of sets with gold and primary colors while wearing yards of colorful fabric. There is very much the atmosphere of a Three Stooges short of the late 40s going on here. Hans Conreid plays magician Henireid's manservant Ben Ali who mugs his way through the film. I'm not sure if it's just the print that TCM showed, but the color and print quality are kind of poor for a Columbia film. The grain is noticeably different on the Columbia logo than on the print, and the day-for-night photography is pretty poor, mostly just a blue gel and under exposure for the effect. Interior shots are strangely lit, and very flat considering the scope of the (cheap) sets; I suspect that this is because they were playing things so broad, no one really knew where the actors would actually be during a shot. Kinda fun and very fast moving, which helps cover the silliness of the film.