Mjeteconer Just perfect...

FeistyUpper If you don't like this, we can't be friends.

Teringer An Exercise In Nonsense

Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Scott LeBrun Novice actress Shula Roan plays the title character, who as a 12 year old had butchered her parents while they were having sex, and then set a fire to try to cover up the crime. Because of her age, and the "crime of passion" nature of her misdeed, she's declared not guilty. But now, at age 20, she's in the care of a psychiatrist, who urges her to purge herself of her nightmares in a symbolic way. Along the way, she encounters Lucifer (played by screenwriter Herb Robins) and artistic types such as painter Lennie (Ted Roter) and actor Mark (Gary Kent).One of cult filmmaker Ray Dennis Stecklers' ventures into adult cinema, "Sinthia the Devil's Doll" is not the kind of thing that this viewer can easily write off. It is true that it's going to bore some people, despite the expected plethora of skin. In fact, this plays like a bizarro mix of skin flick and arthouse picture. It has just enough weirdness and atmosphere to make it passably interesting, plus it has a "performance art" aspect to it, with characters spouting dialogue as if they're always on stage, acting in a play. Definite credit should go to Steckler, who served as his own cinematographer, and lights props, sets, and actors in colourful ways, as well as Andre Brummer, who composed the original music.Ms. Roan acts her little heart out. Even if she wasn't a professional, it's hard to deny the deep commitment of her performance (Sinthias' main character flaw is severe daddy issues). The rest of the cast, including B picture mainstay Kent ("The Thrill Killers", "Satan's Sadists") and the sexy Diane Webber ("Mermaids of Tiburon", "The Witchmaker"), are fine.Even at 77 minutes, this is pretty slow-paced, and it won't maintain the interest of all audience members. Still, it's not just the typical trash movie, and that's worth noting.Six out of 10.

ChumLum I understand how one can judge this as a bad film, I myself felt this was the case for many years. Actually I've felt this way about many of Ray Dennis Stecklers films only to return, because somehow these films have some sort of magic to them i.e. a mysterious staying power. I've criticized all the usual things one would criticize because I too was conditioned to judge film by traditional standards, but somehow find myself coming back to these films, again and again. I now appreciate the very things I had criticized because they're really part of the film as an organic whole. That these films don't conform to the golden rule of creating and maintaining an illusion is irrelevant, because this was not Ray's objective. His approach is more auteur based, where you experience the presence of the filmmaker him/herself behind every frame, in what becomes a multi faceted experience of how a filmmaker expresses oneself and their subject matter. A more idiosyncratic sensibility emerges as one film merges such conflicted influences of the French new wave, classic Hollywood, B movies, home movie aesthetics, Cinema Verite, Antonioni, to what is his own invention in what has come to be seen as Camp or Pop Art. One can certainly discern this from film to film, in addition to his interviews/commentary tracks, where he himself acknowledges, this. That he in part made films about films.I thought of Sinthia the Devil Doll, as I mentioned earlier, as a bad film, ONLY to find that there is much that is memorable and redeeming about it. Cinematically you'll find Ray experimenting quite extensively with super-impositions, gestural hand held camera-work, editing and expressionistic lighting that, like Munch, portrays dissonance in what is the tortured psyche of a troubled woman. What I most appreciate was how Ray, through these various means, had created and sustained a unique atmosphere, that is at once eerie and dreamlike. It is to such a degree that one experiences the film as a literal transcribing of the character's mind/psyche/thought processes. It's more of a subjective approach that is similar to certain, 'experimental' films, such as those of Kenneth Anger. I recommend that one watch this film as it's own complete vision. To do so, I urge the viewer to see beyond the confines/ prejudices/ conditioning over what is considered 'good' or 'bad' in film, because while they're some flaws, (particularly the interludes between the girl and a psychiatrist, scenes Ray was forced to add), there is much the low budget adds to the nightmarish quality. It's the claustrophobic sets, non glamorous casting, amateurish acting that lend the film it's own surrealistic identity.

Draconis Blackthorne I recently had the opportunity to view the second feature on the Satanis DVD entitled "Sinthia: The Devil's Doll", which is easily probably the worst movie I have ever seen, even with the nudity included! Adding more skin and sex would perhaps have been its saving grace, but alas...A young girl with a serious father-fixation comes upon her father and mother engaged in marital affairs, and proceeds to stab them both, burning the house down afterwards, subsequently being committed to an asylum until an evaluation can be held upon reaching legal age to determine whether or not she should be released into society. At the evaluation, a psychotherapist regresses her, launching her into a Jungian dream-world of orgies, a "Luciferian sex cult's" Bachannal, various mother-father projections, as well as a lesbian scene. The Lucifer character proclaims that "no matter where she goes, the servants of Lucifer will always follow." That she would eventually return and join the cult. Her "initiation" consists of a flogging while all present laugh at her pain, torment, and misery. It seems that she squeals "mommy, daddy!" at least once or twice every ten minutes, which does become rather tedious, thus losing its professed fetishistic appeal. On a couple of occasions, she materializes upon a beach where she must choose her path, is pursued by a red-faced mime, losing her clothing in the process.The Psychotherapist eventually snaps her out of her hypnogogic trance as her self-projection is on the verge of a breakdown, informing her that the only way to be rid of all frustration, confusion, and guilt, is to essentially relive the event of origin but change the outcome - that she would have to kill herself instead of her parents. So she enters the dark subconscious once again, committing suicide in that crucial moment, thus altering her memories. She awakens relieved and seemingly balanced. She thanks the Doctor and proceeds to step outside by an automobile driven by none other than her father! As she plants a deep kiss on him. {I presume this was done for shock effect, for he of course was murdered}.Rating: 1/5. Despite the pretty nude girl frolicking in the forest. Overall, this way out the street for mine! __________________In a section entitled "The Altar":* Supernatural TrailersThe Devil's Hand, House of Exorcism, Mark of The Devil: Part II, Meat Cleaver Massacre, Witchcraft '70.With the obvious exception of Witchcraft '70, which contains actual Satanic Rites conducted at The Black House along with an interview segment with Dr. LaVey, these consist of various previews of horror-themed presentations. * Satanic ShortsBritish Black Mass: In Britain, a film crew is supposedly "allowed" to witness a "Black Magic ceremony" through the window, because the "evil forces" conjured therein would strike the crew dead were they to set foot within the unhallowed grounds. Ring around the rosy commences, coupled with a supposed slaughtered chicken whose 'blood' is dripped upon the naked flesh of a nubile acolyte. Obviously, this is completely staged made for grimly piquant entertainment.My Tale Is Hot: A fella gets paid a visit from Old Scratch as he sits down in his living room easy chair to watch some innocuous program, which is "interrupted" by a salacious performance from a sexy young stripper, which is much more preferable in this writer's estimation! Sex Ritual of The Occult: Beginning as a three-part documentary-style film about "Witchcraft", a troupe of play actors "re-create" various traditions:1. Lapsing into ceremonial orgiastic practices under the guise of a "Black Mass", including a girl in a coffin with surrounding undulating naked bodies.2. Two homosexuals encounter each other in a misty dream-like setting {apparently on a park bench} - what this has to do with the Occult is rather unclear except that at the time this was released, homosexuality was still relatively "taboo" in mainstream society - probably included here for shock value.3. A supposed "Voodoo fertility rite" to regain the fecundity of a young warrior, which predictably erupts into an orgy. The most gratuitously amusing part of it all is probably "The End"...* Gallery of Sexploitation Ad Art with Exploitation AudioAn extensive and priceless slideshow of magazine covers and stills from various multimedia sinemaerotic productions. Quite an amusing perusal overall.

Coventry "Sinthia the Devil's Doll" was my first acquaintance with the oeuvre of Ray Dennis Steckler, whose other horror movies do enjoy a modest cult reputation. Nobody claims that titles like "The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies", "Rat Phink a Boo Boo" or "The Thrill Killers" are masterpieces of the genre, but supposedly they hold some kind of irresistible charm and entertainment value. This is NOT something that can be said about this film, however. Maybe it's my own fault and I should have chosen a Steckler movie where he actually uses his own name on the credits instead of an alias, or maybe – and most likely – it's just a seriously retarded film; period. The best aspect about the entire movie is the play upon words in the title. The lead girl's name is actually Cynthia, but Sin-Thia is pronounced exactly the same, so there you go. Clever, huh? "Sinthia, The Devil's Doll" is a typically late 60's Sexploitation movie without anything that even remotely resembles a plot. To compensate for the lack of substance, Steckler attempted to insert wannabe controversial themes (a teenage girl in love with her father) and psychedelic hallucination footage (an orgy with the Devil himself). The finished product is far from exciting, just plain boring and irritable. The film opens with a flashback of young Cynthia killer her parents and setting fire to the house (off-screen, obviously) because her beloved daddy treats her too much like a daughter instead of a mistress. Fast forward to six years later, when the adolescent Cynthia visits her psychiatrist who intents to find out what exactly happened that night. From then on, "Sinthia" is one long and incoherent hallucination sequence that does not seem to end. She endlessly wanders over secluded beaches, descents into hell and has sexual conversations with Lucifer himself. For all you cult-fans out there: Lucifer is depicted by Herb Robins, who also co-wrote the script (what script?!?) and went on to directed the oddball 70's flick "The Worm Eaters". The sex footage is beyond dull and Shula Roan – in her first and last major film role ever – isn't even attractive or voluptuous or anything. Personally, I fell asleep multiple times during this short movie but I couldn't even be bothered to rewind and see what I missed. One to avoid, there are so many better exploitation trash movies out there to discover.