Sherpa

2015 "Some Live to Climb. They Climb to Live."
7.6| 1h36m| NR| en| More Info
Released: 02 October 2015 Released
Producted By: Felix Media
Country:
Budget: 0
Revenue: 0
Official Website: http://sherpafilm.com/
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In 2013, the world's media reported on a shocking mountain-high brawl as European climbers fled a mob of angry Sherpas. Director Jennifer Peedom and her team set out to uncover the cause of this altercation, intending to film the 2014 climbing season from the Sherpa's point-of-view. Instead, they captured Everest's greatest tragedy, when a huge block of ice crashed down onto the climbing route...

Genre

Documentary

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Sherpa (2015) is currently not available on any services.

Cast

Director

Jennifer Peedom

Production Companies

Felix Media

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Sherpa Audience Reviews

Evengyny Thanks for the memories!
Protraph Lack of good storyline.
Platicsco Good story, Not enough for a whole film
PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.
realityinmind The cinematography is very good. And it is exciting that everything was caught on film (the Sherpa fighting, the rescue effort, the politically-motivated protests, etc etc). But the documentary falls flat of following through with the intended story, and instead showcases how much of grandiose liar Russell Brice is. It seems that the filmmakers started out with the intention of capturing the expedition on film, but then the tragedy occurred so the filmmakers shifted direction and documented the rescue operation. Then protests began so the filmmakers again shifted direction and wanted to make it about the plight of the Sherpa. But at the same time all of these foreigners are whining about how they can't go up the mountain because the Sherpas are complaining that a chunk of their people died. So Russell Brice and a few privileged hikers decided to stage a counter-protest by inventing this story about how a few (invisible) Sherpas are threatening to kill everyone if they go up the mountain, so they are going to withdraw from Base Camp and make all of the Sherpas suffer their wrath and learn their lesson?! I can't believe that this Russell Brice guy invented a story about Sherpas threatening to kill people, and then basically told the Sherpas that it was in their best interest if the hikers leave, and then he told the hikers that the Sherpas wanted them to leave. Appalling. THAT is the real story here, but it is glossed over and the only person in the film complaining about him lying is edited into bits and pieces to make him sound confusing.
no name given As just a documentary, the film is beautifully produced. Unfortunately, I had a very hard time trying to find a good version to watch. I suspect there is a lot of pressure to keep this out of public view. If I recall in the doc they said that climbers typically pay 70k and upward to attempt the climb and it's a 350 million dollar (?) enterprise to the nepalese. So this is a major industry in nepal that certainly a lot of people do not want to upset. Very well photographed and edited and remarkably candid interviews. While I was watching this I wondered if the owners and the climbers actually believed what they were saying. I mean in one interview a climber actually likened the sherpas to terrorists and 9/11. I was astonished that there were so many they interviewed that had a similar view. Okay so you pay 70-100k to climb but the sherpas, at least according to the doc, see very little of this money but enjoy the most risks out of those making money off the enterprise. Unfortunately the doc is very sketchy about the overall economy of the operation but probably because it's most suitable in the written word. If anyone knows if this has been documented please post. That is, it would be interesting to see how the money gets distributed to the operators, nepalese government, local businesses, and the sherpas. And the film never quite explained how the losses are handled or if the operators or their clients have insurance to cover certain events. Anyway, the climbers pay a lot of money and then expect the sherpas, come 'hell or high water' to perform despite any disasters or risks involved. Sorry but I have no sympathy for the two climbers who attempted twice but were denied when their seasons were both shut down prematurely. Lucky for them they have the money to spend on such things. Personally I'd feel lucky just to afford to get to the base camp. But, using other people, even if absolutely necessary, to reach your personal goals, considering the risks involved, deserves appropriate compensation not exploitation, and an appreciation for individual choice. Anything else shows tremendous lack of wisdom and compassion.
eddie_baggins A stunningly shot and emotionally engaging Australian backed documentary, the BAFTA nominated Sherpa as directed by filmmaker to watch Jennifer Peedom and her willing crew is one of the years must see docos as well as must see films perse thanks to its well-constructed looked at both the almost indescribable appeal of climbing the world's most famous mountain Everest and the oft-unsung heroes of the successful climbs, the Sherpas.Focusing her attention on Phurba Tashi Sherpa who at the time of filming this documentary had successfully climbed to the Everest peak over 20 times, Peedom captures some otherworldly and magnificent images of a landscape filled with beauty, allurement and potential death and backed by the ever good musical ruminations of acclaimed Animal Kingdom and The Rover scorer Antony Partos, Sherpa has a polish and sheen not often found in home-grown documentaries or documentaries of any heritage at that matter and from the film's opening minutes through to its last important stanza Sherpa will gripe the viewer and not let go.Becoming one of those film crews that were there at the right place and at the right time, Sherpa's initial focus shifts as the film draws on and tragedy strikes the mountain, a tragedy that in many ways reshaped the way business was done and is to be done on the mountain that draws so many people to it each year often at exorbitant prices.Sherpa's who have long been the smiling and gracious whipping boys to Everest's various tourists and wannabe heroes, are here given airtime from both the new to the old (an interesting aspect to the film is the look back at Sherpa Tenzing Norgay) and Peedom and her team shine a light on these often fearless climbers and guides that would risk their lives dozens of times per season to make sure those that have paid to have their experience are given every chance conceivable to make the trek successfully, even if some of the Sherpas here aren't overly affable.Hot off the heels of the good if not great Everest feature from last year, Sherpa is an outstanding documentary that is one of the highlights of Australia's recent output in the medium that includes the must see All This Mayhem and That Sugar Film and Peedom has once again marked herself down as a real talent to watch, while those adventurers looking for an insightful look at one of the world's natural wonders owe it to themselves to watch this eye opening film experience.4 ½ yaks out of 5
CineMuseFilms Everyone knows that documentaries tell the truth. Well, at least somebody's version of the truth. On the one hand there are participative documentaries like Fahrenheit 9/11 (2004) starring its interventionist director Michael Moore, and on the other hand there are observational documentaries like Sherpa (2015) where the camera is the chief story-teller. Unlike movies, the doco aims for a higher social purpose and in Sherpa it is to show the world how the real glory of climbing Mount Everest belongs an exploited ethnic group in the mountains of Nepal. As historical gatekeepers for the Himalayas, their existence has depended on risking their lives so that Westerners and others can experience what it feels like "to conquer Everest".Australian filmmaker Jennifer Peedom starts out asking why the traditionally friendly Sherpa guides turned aggressive towards tourists in the 2013 climbing season. The widely reported brawl was triggered by a single swear word directed at a Sherpa, igniting tensions that were simmering since Hillary was Knighted for his 1953 ascent while Sherpa Tenzing received lesser credit. In the middle of filming the brawl story, a massive avalanche claimed 16 Sherpa lives. Suddenly it is about the politics of an ethnic group demanding respect, no longer prepared to risk lives for meagre wages from an industry hosting thousands of tourists each year and charging summit climbers $75,000 – $100,000 for the privilege. The camera becomes a witness to tragedy, then grief that turns to anger and political activism. Audiences become judge in a case involving ethnic discrimination and the commercial exploitation of people who have been used as cheap mules. It's a complex dilemma with no easy solutions because the same commercial interests have done much to improve the lives of Sherpas.The film shows political sensitivity in telling the story from the Sherpa viewpoint. Its great strengths lie in extraordinary cinematography and sound recording under the most chaotic high-altitude conditions a filmmaker can ever experience. The camera works skilfully across the visual pleasures of vast mountain-scapes to angry grief stricken Sherpa faces and frustrated tourist climbers, with a soundtrack of howling wind, crunching ice and hammering stakes that viscerally creates a 'being there' feel. Peedom lets the story tell itself without manipulative editing, and it is highly engaging while being informative about a world that few of us will enter. It is beautifully filmed and teaches much about Sherpa life and their struggle for recognition.