Shallow Grave

1995 "What's a little murder among friends?"
7.3| 1h33m| R| en| More Info
Released: 10 February 1995 Released
Producted By: Figment Films
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Info

When David, Juliet, and Alex are searching for a fourth roommate for their flat, they settle on the aloof Hugo. However, they soon find Hugo dead, with a large sum of cash being among his belongings. The three friends decide to keep the money, dismembering and burying Hugo's body. However, their newfound fortune begins to corrode their friendships, with each roommate resorting to manipulation tactics to scam the others out of the money.

Genre

Thriller, Crime

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Director

Danny Boyle

Production Companies

Figment Films

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Shallow Grave Audience Reviews

Moustroll Good movie but grossly overrated
ThrillMessage There are better movies of two hours length. I loved the actress'performance.
Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
Taha Avalos The best films of this genre always show a path and provide a takeaway for being a better person.
bowmanblue First of all, I'll address what seems to be the primary criticism about 'Shallow Grave,' i.e. the three main characters are as shallow as the graves they dig for their victims. Even the usually charming Ewan McGregor is as nasty and spiteful as his two flatmates, played by Christopher Ecleston and Kerry Fox.So, if you're looking for a film where you can truly identify with a bunch of nice, loyal, brave heroes, then Danny Boyle's first film probably isn't for you.But, if you can put up with the deliberately dark tones of the film, you should enjoy it. The three stuck-up friends come into possession of a suitcase-load of money (courtesy of a forth flatmate - now deceased). They - naturally - think they're entitled to it and set about having a jolly good time.If the film really did contain such unlikeable characters as some people seem to hate it for, then I doubt it would ever have been considered the classic that it is. I think we tolerate these selfish individuals because we know that, once they've decided not to turn the money over to the proper authorities, then retribution is never far from their door.It's not as stylish as Trainspotting, as Hollywood as A Life Less Ordinary, as action-packed as 28 Days Later, or deep and aspiring as Slumdog Millionaire, but it is a great and raw flick from undoubtedly one of Britain's finest modern film-makers. Definitely worth a watch.
SnoopyStyle Juliet Miller (Kerry Fox), David Stephens (Christopher Eccleston), and Alex Law (Ewan McGregor) are three flatmates looking for someone to rent the fourth room. They are all sarcastic, sharp-tongued, and generally mean-spirited. They agree on the charismatic Hugo (Keith Allen) but don't know his criminal activities. When they discover his dead body, they also find a suitcase full of money.Before Danny Boyle's breakthrough movie 'Trainspotting', this is his first big screen debut. The leads are not likable. They are all unlikeable selfish untrustworthy jerks. It's dark. It has three amazing performances. And it has a great Hitchcockian style. It is sharp and brilliant. It has some funny moments especially as they skewer the roommate interviews. It builds up to great tension. It's just good dark fun.
blanche-2 "Shallow Grave" is a film by Danny Boyle from 1994, starring Kerry Fox, Ewan McGregor, and Christopher Eccleston. The three stars play roommates looking for a fourth, who put applicants through a bizarre series of questions and then laugh themselves sick afterward. They're three crazy, silly kids, McGregor is Alex, a reporter, Eccleston is David, an accountant, and Fox is Juliet, a doctor.Finally, with Fox's encouragement, they choose a fourth roommate, Hugo (Keith Allen), who is found dead in his bed. Underneath the bed is his suitcase, filled with more money than any of them have ever seen. Unbenownst to them, two men are torturing a third asking where Hugo is, and it's clear they'll stop at nothing until they find Hugo and the money.Alex decides it's best if they chop the body up and bury it sans hands, feet, and teeth. David gets the short straw and has to do the chopping, and Juliet brings the hands and feet to the hospital and disposes of them there. They roll the car into the river.At that point, the friendships begin to change, and most of all, David begins to change, and the story takes on much darker elements.Absolutely bizarre film, definitely not my type of thing, so I may not be the best person to comment on it. Boyle does a fabulous job, as do the actors, of depicting a life-changing, friendship-changing moment and the danger and terror that follows, not to mention the lack of trust and strange behavior.Extremely interesting film if you can stand all the violence. It doesn't all make sense but boy, it keeps you engrossed. I saw Danny Boyle's Frankenstein on the stage. He's a master with a fresh point of view.
Tony Bush Danny Boyle's directorial debut remains a satisfying, stylish and twisted little black comedy thriller. It features fledgling wannabes Kerry Fox, Christopher Eccleston and Ewan McGregor as yuppie flatmates taking in a new lodger to share the bills. It isn't long before Hugo the lodger is found dead in bed from an overdose and the three smug and selfish twenty-somethings find themselves in possession of a suitcase full of loot.Naturally, they want the money, but what to do about Hugo? Then there's the little matter of the two gangland killers who are looking for Hugo and the dough.The scene is set for a grisly and wicked ramble through the intricate highways and byways of body disposal, murder and duplicitous double-crossing.Part thriller, part jet black satire on the corrosive dysfunction characterising Thatcher's self-centred and greed-obsessed 90s babies, Boyle has a keen eye for social comment and a scalpel sharp sense of morbid humour.There is much to enjoy, notably Eccleston's mental devolution from straight-laced and OCD accountant to paranoid and murderous loft dweller, Fox's moral dissipation to ruthless femme-fatale using sexual promiscuity to get what she wants, and McGregor's persona downturn from confident, wired and irresponsible journo to nervy and fearful potential victim in line.It's great nasty fun, with pleasingly reverent nods to Hitchcock, and the payoff (if you don't know it) is a wry little cracker.A deliciously cruel gem of a movie.