Actuakers One of my all time favorites.

Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional

Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

shakspryn I strongly disagree with the multiple negative reviews on this film. It is a fast moving story, with the usual fine performance by Toler and good comic support from Jimmy and Birmingham. Also, this movie does not look "cheap," in any way, contrary to a frequently voiced grumble in those negative reviews. Sets are good and well dressed. Monogram did themselves proud here. This film is a jewel!

Panamint "Confucious say sleep is only escape from yesterday"- one of several good Confucius sayings that Charlie comes up with in this movie. In fact, you might notice a number of things in this movie that are worthwhile. Personally, I first noticed the intriguing title, one of the best mystery titles ever- "Shadows Over Chinatown"- a title loaded with mystery.The blonde actress who plays "Mary Conover" is very poised and is way above average in the looks department, and she does a commendable acting job. And don't you always love the "venerable old lady" (Charlie's words), the dear Mary Gordon. Look for some of the other supporting actors- there are many- and you will notice John Hamilton, a perennial in grade b and c films, obscure here before being immortalized in the "Superman" series on television. He only has a couple of lines and wears a mustache but is another example of what you can find here. Mantan Morland's comedy bits seem thrown together and rushed, but nevertheless he is entertaining as always.Sidney Toler manages a strong enough and effective starring performance, but he is not very physically active and would die just months after the film's release. It is interesting to see how he is able to summon the screen presence to still be the star while sitting down through scene after scene.While suffering from a low budget and possibly shooting schedule difficulties related to Toler's failing health, there is worth in this film if you look for it. Especially if you are a fan of the old black and white mystery movie style.

kga58 This CHAN entry is a little different from the opening. First, there is a sequence in the Missing Persons Bureau with an off-screen narrator explaining the goings on. Then the "torso killings"--shades of the Black Dahlia. I don't recall such gruesome deaths in the earlier Chans, although here they are only spoken of. The plot is pure Monogram Chan for better or worse(a scorecard would come in handy with this outing as well as most of the others). The interaction between Toler, Sen Yung and Mantan Moreland is as always fun to watch. Much has been made of Moreland's parts in these films and their supposed "racist" overtones. Maybe so, but IMNTBHO him playing a scared bumbler is no different than Lou Costello playing a scared bumbler in one of the A&C flicks---and they are both super at it. If all else fails there is beautiful Tanis Chandler to ogle! Why she never became a true star is beyond me--she's a sight.

classicsoncall Charlie Chan (Sidney Toler) is on two cases at once in "Shadows Over Chinatown", one is business, the other personal. The trail of the two investigations converge when it's learned that the missing person he is trying to locate once worked with the murder victim. Overshadowing the entire plot is an insurance fraud scheme involving the principals of an escort service. In typical Monogram fashion, the story reveals a few interesting leads that go nowhere, such as the unlucky number thirteen, the number of people on a bus headed to San Francisco with Chan's party aboard. Charlie also exposes a pickpocket without revealing his identity to the rest of those on board, a ruse that works to his advantage later in the film. We haven't seen Victor Sen Yung since the 20th Century Fox Series of Charlie Chan films, but he's back in this one as Number #2 Son Jimmy, along with chauffeur Birmingham Brown (Mantan Moreland). Moreland's screen time and comfort level progressed through the first few Monogram films, but here it seems like he's back to square one with a reduced role and not much to do except keep Jimmy company. He does get a good line in at one point when an unconscious Jimmy falls out of a closet - "Every time I open a door a dead body drops out".The pieces of the puzzle eventually come together when a phony private detective is revealed to be in on the insurance scam with the head of the escort service. Chan enlists the aid of his missing person target, Mary Conover (Tanis Chandler), who agrees to seek her former job back at the agency. It's wrapped up pretty quickly, with Mary successfully reuniting with her boyfriend and grandmother.