Shadow Run

1998 "A hardened gangster plans to steal £100 million in 20 minutes... and take full advantage of the shadow run. All he has to fear is his partner."
4.3| 1h34m| NA| en| More Info
Released: 01 January 1998 Released
Producted By: Majestic Films & Television
Country:
Budget: 0
Revenue: 0
Official Website:
Info

Haskell is assigned a job by his boss, the aristocratic Landon-Higgins, to highjack a high security van in broad daylight while it's in the shadow run (out of radio contact with the main security firm). He assembles a team to carry out the heist, but things don't go according to plan and Haskell begins to think his boss might be double crossing him. Add to this, a teenage boarding school pupil has already witnessed some of the meetings of the team and Haskell's in real trouble.

Genre

Thriller

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Director

Geoffrey Reeve

Production Companies

Majestic Films & Television

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Shadow Run Audience Reviews

Unlimitedia Sick Product of a Sick System
Exoticalot People are voting emotionally.
StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
Kirandeep Yoder The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.
gpshovlin This film is dreadful. It could have been so good....Caine, Tim Healy, James Fox, Lesie Grantham, but it sucks to high heaven.Did Caine have a big bill to pay the year he made this? It looks like an episode of Wycliffe or as if it was made exclusively for Channel 5, but even these are too much like compliments foe what is a truly dreadful film.The credits look like they were done on an Amiga 500.In terms of the scenery, they seem to be going for the 'Inspector Morse' look, but it fails miserably. The child actors are hilariously bad....do private schools still exist like this?Total and utter dross...I know Caine likes to keep busy but maybe it is time he started taking some pride in his output.
paul-bishop-1 Like a previous poster, I availed of this film in Woolworths in Blackpool while on a trip and pretty flush for cash. I still feel aggrieved. Truly, the worst film I have ever witnessed. The plot is ridiculous, in particular the killing of the prostitute. Why? It really is an embarrassment to film making. Unbelievably dire. What was Caine thinking? Indeed what was Leslie Grantham thinking. This was his worst decision prior to the web cam episode. The kid is only likable because he is fat and ugly, and you cant help but feel that he's the type to be bullied. The choir aspect is pointless, and I struggle to recall a worse film ever! Well maybe American Dreamz.
John M Upton CONTAINS SPOILERS - NOT THAT YOU ARE MISSING MUCH MIND! There are good bad movies and there are bad bad movies. Then there are British made totally unintelligible straight to video vehicles such as this codswallop.The plot - for want of a much better word and assuming you can find it that is - basically concerns Michael Caine's dodgy violent armed robber working for an equally dodgy but well connected gentleman (played with slimy smoothness by Edward Fox) in order to lift a van load of banknote paper which we later see, appears to be transported around in the most insecure high security van I have ever seen!! The instrument by which the plot circulates around is something to do with hitting the van when it is in a radio black spot that has been amplified by some steel scaffolding on the nearby cathedral – any science student will tell you this plot device is a load of cobblers for a starter.Along the way as the film plod very slowly onwards we meet some paper thin cardboard cut out henchman including Leslie Grantham who plays the angry cockney wide boy from the east end of London who provides the muscle for the robbery – in other words exactly the same role he plays in pretty much everything he has ever appeared in so no typecasting there then…..The script is woeful, the plot almost non existent and the supposedly inter-weaved storyline about the large choirboy, his rather unpleasant mates and the girl he fancies is completely pointless and irrelevant, making up a large part of the film that should have been jettisoned at the first script read through as it would never have been missed.The clichés are free flowing pretty much throughout. Be it the hilarious meeting of Michael Caine and his employer around a picnic table in the middle of what looks suspiciously like a disused cement works in deepest darkest Surrey or Grantham's stereotype cockney villain.Along the way we also encounter an escort girl who adds nothing to the story whatsoever except she is nice to look at, some quite nice scenery and actually some decent camera work.However the heist itself which supposedly is meant to be at the centre of the story takes ages to eventually turn up, is handled badly, has huge plot holes you could drive a bus through and quite frankly the tarted up cheap and cheerful ex British Gas van is not fooling anyone! Also for such a high security cargo, you would expect at least to find a) an armed Police escort and b) a much sturdier van than the second hand rust bucket that this film's budget seemingly only just managed to stretch to.I can only assume the quite stellar cast were in desperate need of the cash, they certainly would not have done this film to win any awards except maybe a golden raspberry.And for their efforts, this rubbish that was already old and dated when it was made, lurked on a shelf unreleased for years and then went straight to a £1 DVD release in the 'Cheap Tat' section of my local supermarket!!
jhs39 Dull and frequently inept caper film is never suspenseful and often seems to make little sense. Caine is a veteran criminal who kills numerous people, seemingly for no other reason than to show what a dangerous bastard he is and to make the audience fear for the life of a chubby kid that the movie keeps cutting to. Film stars out with said chubby little boy stumbling across a van with blood dripping out of the back. Caine pops up. warns the boy menacingly that he didn't see a thing, gives him a twenty pound note and sends him on his way. The boy promptly goes to school and tells everyone he comes into contact with what he saw, but since he's prone to exaggeration and tall tales nobody believes him. Of course, since there's no indication that Caine cleaned up the crime scene and since the film takes place not in a big city but in a more remote part of England, you would think something would turn up to corroborate the boy's story. Things just get worse from there. Initially the scenes in Shadow Run seem so disconnected I thought the director was filming out of order ala Pulp Fiction. Nope. Michael Caine's character is at the heart of what's wrong with the movie: he's a vet thief that who seems to kill someone in cold blood every twenty minutes or so. At one point he admonishes a confederate in the next job for trying to figure out a way to pull off the robbery without killing any innocent people. What kind of thief wants to kill if it isn't necessary? If Caine were some twenty year old hothead you might be able to buy it, but a man in his late sixties? It hardly seems likely that Caine's character would live as long as he has or that anyone would want to work with or hire such a psycho. His character isn't believable and neither is this boring and dreadful film.