Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Calum Hutton It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

Jakoba True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Cristal The movie really just wants to entertain people.

binapiraeus A new decade has begun, Nick Jr. is growing bigger - but Nick and Nora still are FAR from being 'normal' American parents: Nick reads the horse racing news to his son instead of fairy tales, Nora prepares her husband a cocktail to 'lure' him home... But Nickie Jr. has also already developed QUITE a stubbornness: he forces his father to drink... MILK! Nick, on his part, exceeds the speed limit once again; and so they are escorted by the police to the racetrack where they were heading for - but when they arrive there, the whole place is packed with cops: a jockey has just been murdered...Of course, Nick can't resist helping poor, slow-witted Lieutenant Abrams with the case, which inevitably soon leads them to a big-scale gambling ring, which government official Major Sculley is trying to break, with the help of a brave young reporter, Paul Clarke, an old friend of Nick's an Nora's. And while Nora drags Nick to a wrestling event (!), where the gambling ring is of course also involved, Paul gets some information from his girlfriend, who's the secretary of one of the crooks, and he decides to break into his office to search for evidence - and stumbles upon his 'bad' colleague Whitey there, who's working and writing for the gangsters. A fight for the incriminating notebook ensues; and the result is that both reporters are found on the floor - Whitey shot, and Paul unconscious with a pistol next to him, as the number one murder suspect...Now, for the sake of his friend, Nick starts investigating for good, of course, and we soon get to know a whole bunch of shady types who are all more or less involved in the whole thing - but where's the notebook, and who's the head of the ring?? With the atmosphere being nicely balanced between a tough crime yarn and a hilarious spoof throughout the movie, we certainly won't get bored until Nick enlightens us in the end...This forth entry in the 'Thin Man' series (and the last one being directed by W.S. van Dyke, who died two years later) really almost equals its 30s' predecessors concerning suspense as well as fun; William Powell and Myrna Loy once again play Hollywood's most unusual couple - and by now parents, too - in a most wonderful and charming way, the plot is very clever and twisted (but not too much for those who keep paying attention!) - it could maybe be called the last 'classic' one of the 'Thin Man' movies. Not that the last two films that followed during and after the War were that much inferior, but the style definitely changed due to the circumstances and the generally changing attitudes in the American society...

ackstasis When the creators of the original 'The Thin Man' film released their hilarious movie back in 1934, they could never have realised what a successful formula they were using! Produced seven years later, using basically the same ingredients as the original, the fourth edition to the six-part series – 'Shadow of the Thin Man' – still feels as fresh and witty as ever, even surpassing its direct predecessor in terms of wit and mystery. Just as in'Another Thin Man,' there is perhaps a little more murder-mystery and a little less comedy in this installment, but this was a necessary decision in order to reach a fine balance, since, as we know from most comedic sequels, some jokes can get old pretty fast. Fortunately, of course, this is not the case for these movies, and 'Shadow of the Thin Man' still packs a deadly punch, perhaps due to the flawless chemistry of its leads and the return, once again, of the original director, W.S. Van Dyke (credited here as Maj. W.S. Van Dyke II), just two years before his suicide.A few years after the previous film left off, Nick and Nora Charles (William Powell and Myrna Loy) are living happily with their growing son, Nick Jr. (young Richard "Dickie" Hall, in his debut). Nick suddenly becomes involved in a murder investigation when the dead body of a corrupt jockey is found in the showers at the racetrack. The murders don't stop there, either, and there is a range of suspicious and nefarious characters who could have orchestrated the deaths. With his ultra-enthusiastic wife at his heels, and the playful Asta the dog by his side, Nick must get to the root of the mystery before a good friend of his, newspaper reporter, Paul (Barry Nelson, also in his debut), is convicted of murder. Rounding out a decent supporting cast are Donna Reed (in only her second film, and five years prior to Frank Capra's 'It's A Wonderful Life'), Sam Levene (reprising his role as the incompetent Lieutenant Abrams), Alan Baxter, Henry O'Neill, Stella Adler, Loring Smith, Joseph Anthony and Lou Lubin.It is Nick Charles' philosophy that if you lock a bunch of murder suspects in the same room, eventually somebody like slip up and give themselves away. Once again, this law proves the villain's ultimate undoing, and I'll confess that never in a million years would I have suspected the actual murderer! The screenplay was written by Irving Brecher and Harry Kurnitz, both new to the franchise, and the murder-plot is noticeably less twisted and convoluted than previously, allowing for enjoyable viewing that doesn't require the viewer to strain their mind quite so much. Nonetheless, it is always fascinating to see how all the pieces fall neatly into place, and how one seemingly-minor clue can prove the most significant evidence of all.Though present only during the early part of the film, young Nick Jr. – at about four years of age – allows for some excellent comedic gags. The film opens with Nick Charles and his son walking through the park, with the former offering to recite a fantastic fairy-tale that's never been heard before, only to clumsily make one up based on the horse-racing schedule he's reading. In order to coax Nick back to the house for a meal, Myrna begins using the cocktail shaker, prompting her husband – far, far away – to suddenly decide: "Nicky, something tells me that something important is happening somewhere and I think we should be there." Another particularly entertaining sequence involves Asta the dog, and how he single-handedly initiates a heated brawl between every single patron of a restaurant. Despite this being their fourth "Thin Man" mystery together, the chemistry between the two leads remains incredibly potent, and I can't help looking forward to their next great adventure.

writers_reign ... yes and no is the answer. The franchise relies on the rapport between Loy and Powell and that remains firmly intact. The world that Nick and Nora inhabit is as unreal as the Carvel of Andy Hardy and if you want to resist that rather than surrender to it why bother to see the movies. The topicality is reinforced when journeyman director Woody Van Dyke is given his military title of 'Major' in the opening credits though apart from that there are no references to the war. Arguably the longest shadow of all is thrown by Stella Adler, arguably, on the evidence of this performance, the weakest actor in the Adler dynasty - Jacob, Luther - but was inextricably linked with the Group Theater and went on to become a Player as well as a thorn in the side of Fox in her capacity as 'coach' to Marilyn Monroe. The unreal reel world of Nick and Nora is typified by Sam Levene, a police officer (Lieutenant) who allows all and sundry to be present whilst 'interviewing' suspects and is happy to play Second Banana to Nick. The name Harry Kurnitz almost always guarantees a fine script, one of the wittiest man around - a sort of backstage Oscar Levant - Kurnitz also penned detective stories under a John Doe and he's not afraid to throw in a gag about the Super Chief that would have gone right over the heads in Peoria and Dubuque. In sum a pleasant enough entry in the franchise.

estabansmythe This fourth of the six Thin Man movies is one of the most fun, most enjoyable. Powell and Loy are terrific, as always, and Donna Reed is beautiful in an early role. But it's Sam Levine as police Lt Abrams who steals the show. It's murder at the race track. Who killed the jockey? See it and find out. And enjoy!