Intcatinfo A Masterpiece!

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

groggo I think this could have been a good film, but, as others have mentioned, the split-screen 'style' (?) is incredibly annoying over 100-odd minutes of watching, or, in this case, watching TWICE. That adds up to 200-odd minutes of watching five different stories, all while distracting you with camera gimmickry.In the mid-1960s, a graphic designer from Toronto, Ontario, Canada named Chris Chapman created the split-screen idea for a short film on the Province of Ontario for the provincial government. It was a sensation at Expo '67 in Montreal, and was such a novel idea that Toronto director Norman Jewison (and others) used it in 1960s films.The idea, predictably, went nowhere. It was trendy, had flair, but was not sustainable over the length of an entire film. Jewison used it sparingly in The Thomas Crown Affair (1968), and it annoyed critics even then. And here, almost 40 years later, we have a director who thinks it would be a great idea to try it again, this time (unlike Jewison, who was far more judicious) over the ENTIRE STRETCH of a movie.I was astounded that this was done. It defies basic physical laws. The human eye just cannot catch up with a blizzard of jump cuts (and that's what they really amount to) over a feature-length. Instead of intensifying the drama, it instead made me truly irritated.Repeat: I THINK this could have been a good film. Or is that films, as in plural?

khaktus There are some movies you start watching with "oh what now?!" and at the end you thank the Providence you did...I avoid describing formal part - it's something you can discuss for long if you like after the movie and maybe it makes you watch it again "to fully understand". Whatever. Don't forget a wonderful selection of the music - at least for this reason the movie is something to see for those who are not interested for the other reasons.The importance for me consists in a topic. Let's say it simply - the mentality of a straight-male world. "Oh, they are not all the same." Of course, we talk about those who are. About the chronical misunderstanding between genders - "marry me, let's make children, build a house,..." and the other gender, that learned that "I love you!" is a good way to say "I wanna f..k you" without offending the romantic ideals of the other one. I am not a frustrated woman whose feelings were hurt. I am a gay man - who just watches this never-ending game as a third part (with insight to both sides) and has "fun". Sometimes not so funny-kind-of-fun.I'd relate it to a movie In The Company Of Men - that was told "to divide times" to Before and After. May it be so. Now perhaps again, from different continent(s) - and with more characters to watch (maybe in different times) - so the image we are served is to be much more "universal"-like. But - it's not Bolivia, it's not America - this is the slight touch to the general mentality what the masculine thinks about what their masculinity is. That men never grow up inside from the age of 15...? They are the hunters in the core? They are expected to be so? What you think? At least consider...And now time for the point - the movie is a precise composition of the images that will be burnt in your head like a CD. And if not the scenes, not the dialogs, then for sure all the feelings and tunings and small internal shame you'll experience. One of the reasons to recommend this movie is the one mentioned in the title - for me it took days to digest it - even if my opinion was similar before. It HAS A TASTE - maybe bitter - but it's more then nowadays you can expect from the other politically correct and all-is-nice or all-will-be-OK films.Enjoy it, first feel, then think, admit, then the change will come itself. Let's hope.

daniela-a-g16 it is one of the best movies i've ever seen, first of all because i saw it in a movie theater in Cochabamba Boliva, i am from Bolivia and i lived in a everyday basis watching how everything is just as the movie portrays it, not only the split screen factor is a new thing in the style of the movie, but the way of mixing two places that differ so much from one another and still teenagers have the same problems, it doesn't matter who you are where you live you can always relate yourself to the movie, i saw it and i could only think of how much truth the director poured into the movie. Finally I would like to add that not only the plot but the way the story is told gives it more dramatism and realism, it is just incredible that something of that quality was produced in my country I feel really proud to see that the international market is ready to see what Bolivia has to offer in art material

Ignacio Martinez-Ybor With generosity and patience one could appreciate this movie. However, the director's choice of using split screens throughout is an overwhelming mistake that gets in the way of everything else he is trying to do. It becomes annoying, like receiving text totally underlined and in capital letters: not everything is equally important nor do the images on one side of the screen contribute continuously in any significant way to what happens on the other side nor enhance our grasp of the whole. So, we are regretfully left with a boring and pretentious conceit of the sort that should have been outgrown in film school. Rodrigo Bellott is nowhere near being a Peter Greenaway who can manipulate aspect ratios and split screens to profound dramatic effect, thereby creating effective, well-structured wholes (e.g. The Pillow Book, a film only done full justice on a theatre screen where the diverse aspect ratios which occur throughout the film can be shown.... DVD's can't do it).Better luck next time.... and I truly hope there is a next time for Mr. Bellott. Forcing oneself to ignore his unfortunate aesthetic choice (and this is hard, for there is no avoiding it for the whole frigging movie) one realizes that Mr. Bellott may indeed have something worthwhile to say. I wish him to try again, preferably with a strong, experienced but sensitive producer at his side.