Lovesusti The Worst Film Ever

Pacionsbo Absolutely Fantastic

Limerculer A waste of 90 minutes of my life

Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

daviddaphneredding In this western starring the experienced and capable actor Audie Murphy and the veteran actor Barry Sullivan, Murphy is a somewhat green Texas ranger who is reluctantly sent to bring the outlaw Jim Ford to justice in New Mexico:the setting of New Mexico is, in truth, Utah. Jim Ford is a suave, intelligent man who is, nonetheless, dangerous. In the story the two cross a long, seemingly-never-ending desert, fighting off Ford's enemies, the enemies of Seven-Ways-From-Sundown(Murphy's character's name) and fighting the Indians, who are the enemies of both men. Though Seven-Ways-From-Sundown is, again, inexperienced, he is completely determined to bring Ford back. Though the movie seems somewhat long, no one is jaded from watching it. It is slow-moving but maintains the attention of the viewer(s). A great flick.

Spikeopath Seven Ways from Sundown is directed by Harry Keller and adapted to screenplay by Clair Huffaker from his own novel of the same name. It stars Audie Murphy, Barry Sullivan, Venetia Stevenson, John McIntire and Kenneth Tobey. A UIP production in Eastman Color with music scored by William Lava & Irving Gertz (Joseph Gershenson supervising) and cinematography by Ellis Carter. Plot finds Murphy as Seven Ways from Sundown, a Texas Ranger who tracks and captures notorious outlaw Jim Flood (Sullivan). As the two men make their way back to Texas, a bond begins to form...It's another Audie Murphy Western that rarely gets a mention when the talk turns to Murphy's best Oaters. On this occasion, though, it's not because it is operating suspiciously at the low end of the "B" Western scale, or that it is boorish in the formula department, this is actually a case of it being under seen by the last couple of generations of Western fans. A shame because it has much to recommend.Film basically centres around the two (initial) polar opposite characters finding a mutual respect as they traverse the dusty land back to Texas. Along the way they encounter problems; Apache attack, bounty hunters et al, but they play cards, they fight, with both men getting ample opportunities to either escape or wound, but mostly they talk. Wonderful dialogue driven chat from the Huffaker (Rio Conchos/The Commancheros) pen. This isn't in the same league as the psychological smarts laden 3:10 to Yuma chatter between Heflin and Ford, no sir, but it's well scripted and boosted considerably by the chemistry between Murphy and Sullivan.It's an odd couple physically, especially in the early parts as Seven has Greenhorn traits to overcome, but the guy's odd friendship does become believable. When Seven says late in the day that there's no man he trusts more than Flood, we understand why, because Keller (Day of the Bad Man/Quantez) and Huffaker have done great work in bringing the characters and actors to life. There's extra spice in the beans, too, with knowledge given to us of what Flood has done with his guns and what Seven is irked by in his past, he has a calling but is it a burden?There's enough action in here to please the undemanding Western fan, with gun play, fist throws and show downs (look out for a nice stunt leap off of a wagon), while there's the odd smattering of heroism such as Audie saving a dog from a bird of prey! A potential romance angle (no not between the men) is very low key and not a hindrance, McIntire and Tobey impact nicely with their respective performances and Nevada's Red Rock Canyon forms a magnificent back drop (bravo Ellis Carter). But this is all about Murphy and Sullivan and the care and consideration afforded them by Messrs Keller and Huffaker. Far from perfect for sure, anyone will find holes in this sort of production, but forgiveness is not hard to come by when it plays out so damn well. Hey! The ending is a real beaut as well. 8/10Footnote: I viewed the film from British TV, Dave Channel. A lovely print that only makes me lament there's no widespread DVD release for this film. There is a very expensive Region 2 French DVD available from certain outlets, the quality of which I can't vouch for.

alexandre michel liberman (tmwest) This is a better than average Audie Murphy western. Murphy is a ranger whose task is to capture an outlaw (Barry Sullivan). After the capture, a certain friendship starts developing between Murphy and Sullivan.It is a dangerous relationship for Murphy. Jim Flood(Sullivan) is a killer who will stop at nothing to get his way. Murphy's hardest choice will be not to let this friendship interfere in his deliverance of Flood to justice. Seven Days From Sundown is the peculiar name of Murphy's character. He comes from a family where each one of the brothers had a numerical name. The first was called "One For The Money" and the second "Two For The Road". Directed by Harry Keller who was very familiar with westerns both as an editor and director.

telegonus Everyone should see at least one Audie Murphy western in his life. This one is as good as any. Audie's a lawman charged with bringing elegant bad guy Barry Sullivan back to town in order to have him hanged. The problem is that, for all their difference, these two men become friends; and in time good friends. Sullivan teaches Audie a thing or two about life, and Audie gives Sullivan a lesson or two in morality. These guy complement one another. The dialogue is, for a low-budget western, often quite good. Everything happens as it should. The ending, while not a shocker, truly resonates, and makes us think about what we have just seen.