Platicsco Good story, Not enough for a whole film

CommentsXp Best movie ever!

Taraparain Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

Cheryl A clunky actioner with a handful of cool moments.

Luis Angel Gonzalez Not the best film directed by Juan Jose Campanella, but it is unquestionably a good offering. The thematic of love is present and, as opposed to his other efforts, where love occupies a place in the plot, but it is actually not the main theme, here it represents the core of the film and functions as the main subject.The story centers on two people, Jorge and Laura, who will eventually fall in love after some time of knowing each other. Laura would, however, find it difficult to start a relationship with Jorge, as she already had a compromise with another man who had traveled to Uruguay, but had not heard a word about him since his departure. With this in her way, she asks Jorge for time and, if she decided that it was right to start a new relationship over his current one, she would give him a call. She then, in fact, decides to let go of the past and goes on with her new relationship. They will encounter many difficulties on their path, just like all relationships, and eventually will arrive at a point of problematic situations that may cause the breakup.Regarding character background, we find that Jorge is a devotee of writing; he really is passionate about it, but the company for which he works does not appreciate what he writes, so he pretty much ends up writing for himself and refuses to write what the company would have him do. One of the main reasons why Jorge is infatuated with Laura is that she actually is the only person that appreciates his art and interprets it differently from the average folk. Laura, on the other hand, is an enthusiastic, friendly, sympathetic woman who aspires to be a professional painter and that is able to appreciate art in general.The atmosphere of the film is occasionally sustained by dialogs, whose only purpose is to simply make you laugh. Dramatic scenes do not get left behind; they are also important pieces of the film. The camera-work is nothing of great complexity nor is it and essential part of the film; it only aims to portray the story. Finally, the acting does not stand out and it actually sometimes seems forced and dull; nevertheless, it does not deter the film from being appreciated.In conclusion, the film is highly recommendable for those who like Argentinian humor and romantic movies. Likewise, fans of the director should not hesitate to give it a try.My Score: 8.6/10

jotix100 I'm not sure I liked this film by the talented, and versatile Argentine film director, Juan Jose Campanella, as much as his other pictures and television work. On the one hand, this is a love story between Laura and Jorge, seen through about twenty years of history of the country. They meet, they fall in love, they break up when Laura finds out about Jorge's betrayal. Then years go by and they are reunited for what appears to be for keeps. It is a love story that takes the viewer through different periods of recent Argentine history that sometimes has nothing to do with what the lovers are experiencing at any one of those turbulent times.For a moment, we thought this was going to be another account of the "dirty war", but lo and behold, it is basically not so. The story takes place at the headquarters of a magazine, with a format much like the New Yorker. Jorge contributes short stories that blend well within the content of the publication. It is a left of center periodical with a political slant, something that probably was not appreciated by the military regime, in power at the beginning of the story. Basically it is the tale about two young people, that loving each other so much, it's inconceivable how their romance fizzles. Jorge, a struggling writer, has a lot to say, but unfortunately, he is not given the opportunity to do so. Laura eventually finds her own voice and goes on her own after the traumatic breakup.Juan Jose Campanella is a director that works well with his leading man, Ricardo Darin, one of the best actors from that country working in films today. Director and actor clearly understand what is demanded from each other and the film is a tribute to their collaboration. The screen play owes a lot to both Mr. Campanella and Fernando Castets. The cinematographer, Daniel Shulman, has worked with the director before. His take of Buenos Aires is a city that comes alive after dark. The soundtrack by Emilio Kauderer is pleasant and blends well with the action.Laura Villamil, who plays Laura, is a gorgeous creature. She projects intelligence and wit. Under the director's guidance she gives a good performance. Same could be said about Ricardo Darin, a welcome addition to any film. This actor makes us think his Jorge Pellegrini is real. Eduardo Blanco has worked for Mr. Campanella before. His Roberto is kind of a goofy guy with the heart in the right place. The late Ulises Dumont gives a marvelous reading to his tragic Marquez. Others in the cast are Rodrigo Dela Serna, Alicia Zanca and Alfonso DeGracia, among the supporting roles.

daniel Carbajo López Jorge is a famous Argentinian writer, but famous means that he is know but has no money, so has to live by writing short love stories in a magazine for young people. One day he knows one women and they fall in love, but life is hard and during 20 years, we can see how they manage to survive in the difficult days they spend in Argentina. A precious acting, really, really good of all the actors, specially Ricardo Darín, one of the best actors I've seen. The story is very touching and it quickly catch you, unfortunately, it has a low rhythm, so, sometimes, can result a little boring, as things happen so slowly... Despite that, this is a good film, recommended for those who want to see great actors in scene.

algut A new star is born. Campanella offers in El mismo amor la misma lluvia an artwork full of sensitivity and love. Most american directors should learn from Campanella the characters he makes, real and tender and the script. Nothing to see with the big american productions, Campanella gives a lesson of how to make a love story interesting and absolutely unartificial. Very good!!! (8 out of 10).