Wordiezett
So much average
Neive Bellamy
Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
Kaelan Mccaffrey
Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
TheMarwood
IndieVest shot themselves in the foot by putting this dud out as their first release. With their membership based business model of anyone funding a film, Saint John Of Las Vegas killed that platform after opening theatrically without so much as a whimper.This is an unwatchable, amateurish disaster overloaded with quirk and just limps from one disconnected non sequitur to the next. How this pile of nonsense attracted Spike Lee, Stanley Tucci and Steve Buscemi as producers is more bewildering than the final product. This is an awful picture, that had the support of people that should have known better.
zif ofoz
enjoyed this short movie - (just under 85 minutes) - because the actors are in full character start to finish. and the strip club scene is a great laugh with the wheelchair bound stripper and buscemi playing her on!once you meet the characters they are consistent and do not vary. malco is so good in his wacky and slightly mean insurance investigator role you have to like him. and buscemi is perfect as the 'forever looser' you just feel sorry for him. and casting dinklage as the insurance company owner was just genius! and silverman is always easy to like.the story is easy to follow until the junk yard scene near the end with the gun shots! at that point with buscemi escaping and calling the cops (watch it) i became confused as to exactly what just took place in the plot line. that is the only reason i am rating it 2 stars short of a 10.if you enjoy indie films pick this one up!
wlee08
Steve Buscemi holds this one together, the other main characters are impossible to identify with - either because they don't say much or they are mysterious and mean. There are a lot of bizarre situations that are thrown in which don't really further the storyline but show off a type of artistic creativeness. They definitely had a lot of good ideas here, and perhaps the movie would have been more interesting if they simply abandoned the tired story line and went from one hypnotic scenario to the next (Like Fear and Loathing). But the main story (the story about the insurance fraud) progresses in the background without momentum and when it is finally resolved it feels anticlimactic. But there is another story here, perhaps more important - the one concerning Steve Buscemis past. This could have been developed into a compelling and meaningful drama but it is only used to further the comedy (and to tack on the Confucious ending) There are a few laughs along the way here and a good deal of cute/quirky ideas. Could have been improved with a bit of storyline editing beforehand.
siderite
I've seen a lot of interpretations on Dante's Inferno: the guy enters hell. From here to saying any movie about someone's falling is an interpretation is a stretch. And I know the writer and the director thought they were being smart doing a modern adaptation from a story no one really cares about and basically replacing everything, but I was the one watching, and I didn't find it smart, interesting or even good.Steve Buscemi is one of my favorite actors, and he did play the part well, but the plot was simply a boring, useless, close to horizontal, descent into a hell that few people could have related to. The funny parts were not funny, the smart parts were obtuse, the action parts not existent. Oh, wait a minute... it was MY descent into hell, when I realize I've just wasted an hour and a half of my life for no good reason. I see now... really smart.Bottom line: Sorry, Mr. Buscemi, sorry sexy Sarah Silverman, the film just sucked for me.
