FuzzyTagz
If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
Curapedi
I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
BallWubba
Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.
Christina
Personally I really liked this movie . I enjoyed it as much as I enjoyed ringu and ringu 2 . First of all the acting was really good , especially the lead female Ishihara Satomi but also the rest of the characters . Secondly the plot was really interesting just like the previous 2 movies . The only thing I didn't like was the butterflies and Sadako's form but they are rarely seen so it is not a problem .And most people complain about the special effects but honestly I didn't even notice them . I really don't understand why people say these negative things about the movie and I really enjoyed it and can't wait to watch the sequel .
youtubemisticaluser
We live in times where VHS tapes are quite unpopular and idle, so of course a premise which focuses on a cursed VHS tape would not work anymore, as in scaring people who spend most of their times on their tablets, IPhones, Blu-Ray, Netflix etc. Then, through an insane worshiper, the curse reaches Internet, whereby Sadako's ghost searches from a supernaturally gifted host to occupy and live once again. This greatest plot ever thought to upgrade the "Ringu" premise is, unfortunately, misused in "Sadako 3D", which is surprising coming from the J-Horror genre full of such great films, "Ringu" itself included, that left Hollywood jealous and out of attention, forcing them to remake several Asian films. "Sadako 3D" has a plausible plot for this high-tech times, but is visually absurd and spends most of its length focusing more on action and abusing of 3D effects, forgetting the new kind of thriller the story should provide. Basically, it turns out too much violent and noisy for a "Ringu" (or a J-Horror) film. Hopefully, this is an isolated case and won't happen to upcoming films, otherwise, be sure Japanese horror itself is cursed.
Fangbanger3300
Sadako 3d is definitely really different from the other Ringu movies. But when I watch movies, I don't want every single one to be the same. I'm glad they did what they did. I have to say, when I first watched it, I hated it because I just didn't see Ringu in it. But after a day I started thinking about the movie and I actually liked it. After a few months I decided to watch it again. I'm glad I did because it really is a good movie. The frog looking things though were very creepy. I wouldn't want one of them attacking me. Haha. They also could have had better deaths, because they weren't the best at all. I'll be watching the next Sadako movie here soon and I hope it's good.
Jordan
The Ringu franchise gets a 21st century update in this fourth instalment of the classic horror series. Coming over a decade after Ring 0, Sadako 3D was a real chance to kickstart the ailing series and give renewed life to Koji Suzuki's classic story. Sadly, although the film starts well and manages to update key elements of the Sadako folklore, it is ultimately let down by a bizarre finale and its completely pointless use of 3D. We are left to wonder whether Sadako should have perhaps stayed down the well.The film begins with the suicide of a disgraced artist, broadcast via webcam to a handful of people on a video sharing website. Although the video is promptly deleted, it soon becomes notorious throughout Japan as "the cursed video" after rumours emerge that all who watch it take their own lives shortly thereafter. The legend is particularly popular among teenagers, who scour the net 24/7 trying to find a working link among the '404 not found' error pages.The film's protagonist, Akane, is a high school teacher drawn into the legend after one of her students apparently commits suicide while watching the clip. As more and more of her class expose themselves to the danger, Akane learns of a connection between the suicidal artist and the notorious Sadako legend from a decade earlier. Could Sadako be behind this latest cursed video? If so, what does she want this time? And how can she be stopped?For fans of American horror, Sadako 3D is to Ringu what Scream 4 was to Scream: a reimagining of the original story, transferred to a modern setting with modern technology, and with characters who are aware of the previous films' events. Where Scream 4 failed was in trying to merge the original premise – of teenagers being isolated and stalked in a small town – with the modern setting, never really answering the question of how a 21st century teenager can ever be 'isolated' in an era of smartphones and mobile internet. By contrast, the writers of Sadako 3D recognise that the original film's premise would seem dated today, and use advances in technology to their advantage. For starters, Sadako no longer needs a television set to wreak her revenge: the creepy long-haired girl appears from smartphones, laptops and even electronic advertising boards. It's a useful ploy that means characters are never really safe wherever they are, and it works well. What also succeeds is the uncertainty of the 'cursed video': instead of a tape that characters either watch (and be damned, exactly seven days later) or don't watch (and be safe), the video is an online stream that moves about the internet, appearing at random on computers or smartphones that have previously searched for it. This means you are never really sure when (or if) a character will be next, giving a breath of fresh air to what could have been considered, by now, a tired concept.All of that, though, is completely undermined by the final act, where the director (for some inexplicable reason) decides to crossover a decent paranormal ghost story with a creature feature – with predictably terrible results. Without spoiling the full details in this review, nuances from the Sadako legend are reduced to Silent Hill-like zombie creatures, almost leaving the viewer unsure if they're still watching the same film. Of course, genre crossovers are popular in Asian cinema and can be done successfully (see, e.g., Spellbound), but this just fails miserably. Things do get back on track somewhat for the ultimate finale, which satisfies to a point, but the damage has already been done by that stage.Mention must also be made of the 3D effects. Although often a gimmick at the best of times, the extra dimension serves no purpose whatsoever here, being restricted to shots of Sadako's hand emerging from screens of various sizes – and that's about it. Moreover, since most of the (modest) budget appears to have been spent on the 3D apparatus, the film looks decidedly low-budget when watched in 2D, with some truly laughable CGI effects. I appreciate that the 3D 'gimmick' may have been required to get this film made at all, but I do wonder whether the final act would have strayed so far from the Ringu folklore had the director not being able to cheat his way out of proper storytelling with the cheap, gimmicky effect.Ultimately, then, we are left with the feeling of what could have been. With its decent overall premise and its intelligent use of technology to update the original story, this could have been the refreshing reboot needed to kickstart the Ringu franchise. As it is, Sadako 3D is a mere curiosity; worth a watch (for the first hour at least) if you enjoy the original films, but more likely (in the final act) to alienate existing fans than win over new ones.5 out of 10 – disappointing.
