Evengyny Thanks for the memories!

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

steveo122 Artists discuss the role that Native Americans have played in the development of American popular music. Very well done documentary. Deeper than expected. Undoubtedly there are those who already knew/know all this but I'll call it revisionist history because it certainly revised my history of American music. I only knew of Jim Pepper ('Witchitai-to') and Jesse Ed Davis (with Taj Mahal) before watching this. I knew of Buffy Sainte-Marie but I always felt badly because I couldn't stand her vibrato. If you have near-musicology level interest in the history of blues, jazz and rock, served with another healthy dose of delightful American cultural history, here you go.

Clift 'Rumble' - obviously named after the classic Link Wray track - supposedly tells the story of the American Natives in rock, and then shows some artists who never saw themselves as anything but musicians, and possibly Americans. And say what you will - but WHEN did Buffy Sainte-Marie ever rock?Also the movie left out the first, true rocking Native American Band; Granicus. Although with mainly Italian family names (so what - Hendrix/Hendricks is a Dutch name...), these Cleveland guys rocked when Grand Funk sucked, and their eponymous 1973 album has become a cult classic among heavy rock fans the world over. There were even talks of a reunion in 2016.

mdroel20 The heavy distortion that carries from Link Wray's iconic "Rumble" was the current that ran through every rock 'n' roll song that ever came after. His, and many other influential and musical talents, are of Native American descent, which is a traditionally overlooked culture when it comes to popular music.Native American musicians undoubtedly played a major role in the creation and influence of blues, rock 'n' roll, and pop music. Beginning with Link Wray's historic riff, to Redbone's 70s pop smash, "Come and Get Your Love," to Black Eyed Pea's rapper Taboo, director's, Catherine Bainbridge and Alfonso Maiorana, have created a wonderfully unique documentary making a sound argument that Native American's have made the most influential contributions to music. This a definite watch for any music fanatic.

Red-Barracuda This film focuses on the overlooked contributions of Native Americans on popular music. It covers the music from early blues through to hair metal. One of the findings is that being Native American was something that musicians generally hid from the public eye, publicity of this ethnicity seemed to be something that effected the chance of the music being promoted in the mainstream. There appeared to be a sense of discomfort in the American media, mixed in with a sense of collective guilt about the treatment of the Native Americans historically. The film details some of the racism that was directed their way, especially in the earlier part of the 20th century and the way that their culture was in fact suppressed to an extent. This extended to their music, which was considered to be subversive.Catherine Bainbridge has put together a film on a subject of which there really has been little focus on. It is at its most interesting and incisive when detailing the earlier stuff. For example, the early blues recordings of Charley Patton really do have a Native American sound to them with the vocal delivery and distinctive rhythms, a fact I had never noticed beforehand. And considering he was one of the key players in the early days of what was to become popular music, you have to say that the influence of his culture on modern music has to be significant. Other key players are Link Wray who developed a style of guitar music which would be a major influence on all subsequent music which used power chords, we learn of the difficulties the folk singer Buffy Sainte-Marie experienced with radio stations being pressurised into not playing her songs which were considered dangerously political and then there is Jimi Hendrix whose Native American ancestry was less promoted to the public than his black ethnicity. Later on, there is a look at the much-respected guitarist Jesse Ed Davis, Robbie Robertson of The Band, the Native American group Redbone, heavy metallers Randy Castillo and Steve Salas and hip-hop rapper Taboo. Some of the latter stuff, while still interesting, feels a little fragmented, with the actual Native American influence somewhat hard to detect at times. But overall, this certainly is a very good music documentary with much to ponder and a focus on some musicians who have not had much attention over the years. It definitely shows that the Native American influence is something that has never gotten the recognition it deserves; this film tries to readdress this a little.