Wordiezett So much average

Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Gary The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

johnbalance I was torn about what rating to give this as it's not without it's merits. The film works as a time capsule of late 70's Britain with real life footage of National Front protests and anti-fascist counter protesters clashing with police. The concert footage of the Clash in action is undoubtedly the highlight. As a narrative led film it's kind of all over the place. Ganges unsympathetic main character fails to hold the viewers interest. He basically wanders the film in an alchoholic haze, can in hand. His character is utterly useless in his capacity as a roadie for the band and leads to some continuity confusion when two other roadie characters are talking about him as though he's gone yet the next scene has him still there. The sub story about a group of black youths falling foul of the law which seems to have no connection to the main Clash story is puzzling as well. It appears to be a critique of police harassment of black urban youth yet the featured characters are actually portrayed as engaging in criminal activity so it kind of misses the point.

ignaciodelgado2003 Brilliant. The live footage is mind blowing. It captures the time perfectly. Ray Gange is spot on. A Clash fan must. If you don't get it, you just don't get it. I could never see this movie too many times. Joe Strummer is part Elvis, Dylan, Springstein, Guthrie. Mick Jones was the perfect composer to bring it all together. Paul Simminon was the perfect art director. Bernie (Sir Not Aprearing in this film) was the mad scientist. Topper (Bruce Lee) is one of the all time greats. Brigade Rosse. As far as I am concerned, the greatest rock movie of all time, though I do love Stop Making Sense and the Last Waltz. But once again, it's all about the live footage. It just reaffirms the complete brilliance of the only band that matters.

Joseph P. Ulibas Rude Boy (1980) follows the life of a youth who dreams about working for his favorite band THE CLASH. The band THE CLASH co-star in this picture and some of their live performances is caught on film. This movie was made before they made it big across the pond. The band is shown working on their second album GIVE THE ENOUGH ROPE. A colleague of their's John Lydon once said that the Clash didn't know how to pace themselves, they would be tired after the first four or five songs. Well, he was right. Some of the concert footage shows, the band appeared to be sluggish and tired in some of their performances. I heard that the band wasn't happy with the way they were portrayed and neither was the young man who played the wannabe roadie. I found the band to be very interesting and I became a Joe Strummer fan after I saw this movie. The film-makers also capture the turmoil that was occurring on the streets of London during this time. Their was a lot of rioting and protesting. They also capture the collapse of the Labour Party and the rise of the Conservatives. Another one to seal in a time capsule. Interesting, recommended for Clash fans.

acky This intriguing film blurs the line between documentary and reality much in the way 60's classics such as "Medium Cool" do. The story (when it's allowed to tell itself) of the drunken directionless punk is sad, charming and wild. I can see why the Clash disowned the film. It shows how they merely reflect the showbiz side of the struggles of the working class in England. When Ray attempts to tell Mick Jones how much "Stay free" means to him, he is shrugged off with a " I'm watching you." We see Ray being consumed by his own nihilstic rage while the clash use it up to the point of making good pop music with it.