Rodan

1956 "Born from a volcanic crater, the crimson monster bird Rodan tramples the Earth"
6.2| 1h12m| PG| en| More Info
Released: 26 December 1956 Released
Producted By: TOHO
Country: Japan
Budget: 0
Revenue: 0
Official Website:
Info

Mining engineer Shigeru investigates the disappearance and death of his fellow coworkers when prehistoric nymphs are discovered emerging from the mines. After an attack on the local village, Shigeru heads deeper into the mines only to make a more horrifying discovery in the form a prehistoric flying creature. Soon a second monster appears as the two converge in Fukuoka.

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Director

Ishirō Honda

Production Companies

TOHO

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Rodan Audience Reviews

Stometer Save your money for something good and enjoyable
Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.
Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.
SnoopyStyle Following atomic tests in the Pacific, mother Earth unleashes a devastating response. There is unease in the Japanese mining village of Kitamatsu. Something is haunting the dangerous shaft #8 which is going deeper than any other. Men are dying and some go missing. A bullet proof prehistoric insect attacks the village. The army is called in but it's engineer Shigeru Kawamura's bravery that buries the monster. He is haunted by a nightmare of swarms of insects and a giant egg. There is the supersonic flying Rodan, another prehistoric creature, that attacks the Pacific region.This is very much a 50's monster B-movie. The insect monsters are rudimentary but effectively campy and a little bit scary. Rodan is a passing shadow for the first half of the movie. The acting is stiff at times especially when the scientists talk. The last third has Rodans battling an army of miniatures while destroying a world of miniatures. This movie has some good camp value and campy destruction.
utgard14 Japanese miners are killed by giant prehistoric insects awakened by nuclear testing. After dealing with the bugs, the military discovers an even bigger threat has been awakened by the tests. Yup, it's Rodan, a pterodactyl-like monster that flies at super-sonic speeds. Soon another Rodan shows up and the two wreak havoc. What in the world will Japan do?Great Japanese giant monster movie with anti-nuke message; a classic of its type. Not on the level of the original Godzilla (or Gojira, if you insist) but better than many of the cheesy sequels that came out later. It's cool that it was filmed in color. The special effects and action scenes are lots of fun. Love the music. It's a good way to pass the time.
gavin6942 When a village is besieged by giant caterpillars, a more horrifying discovery is made in their underground home... a giant flying creature that resembles a prehistoric pterodactyl. Soon after, a second Rodan appears and the two monsters begin to destroy Japan.I turned this movie on for a little cheese to enjoy after dinner. I find that films in the Japanese monster genre tend to be short and are easy to watch casually, with very little need to focus on details. A monster shows up and destroys things. And the reason is connected to atomic bombs.I found this to be a bit better than average. It had a slower start, with the caterpillars not being particularly interesting to me. But once the Rodans showed up, all heck broke loose. Is Rodan better than Godzilla? Possibly so. Certainly he seems to be more powerful and is more mobile. I look forward to seeing more of them on screen together.Oh, and George Takei lends his voice to the American dub.
TheUnknown837-1 "Rodan" was one of the few Japanese monster movie classics that were not only heavily altered for its release into the United States, but was re-edited with respect and care for the original vision of its director Ishiro Honda. As a result, even though the Japanese and English versions are different, both are highly stimulating and tremendously enjoyable monster mashes and it's no surprise why "Rodan" was such a big hit in both countries. This is one of the most purely enjoyable, yet complex and captivating science-fiction films ever made and also boasts some surprisingly grand special effects sequences, a commendable music score, and fantastic directing by Ishiro Honda.Rodan, a popular pterodactyl-like monster, had his debut in this 1956 film, although he does not even make an appearance until the movie is nearly over. The picture starts out with a local mining village being placed under attack by giant clawed insects crawling out of the caverns in which they harvest coal for a living. After the prehistoric arthropods brutally slaughter seven people, an investigation is conducted and a more horrifying truth is discovered. Something other than giant bugs may have resurfaced sometime after the testing of the H-bomb and at the same time, an object capable of flying at supersonic speed is spotted attacking aircraft all over the world.It's the complexity of the story and the plot that I still find really captivating about "Rodan." If it weren't for the title, we would assume that Rodan is not even in the movie at all. We'd think it was about giant bugs. Sort of like a Japanese equivalent of "Them!" the great James Arness flick with giant ants. Rodan does not make a full-fledged appearance until the movie is nearly over and when he does show up, it's with tremendous awe and presence. The fact that Rodan is also created with some surprisingly grand special effects is another key element to his interesting qualities as a movie monster. Instead of plodding through miniature buildings like Godzilla, Rodan whips across the screen with dazzling speed and produces hurricane winds and shock waves to devastate his foes and victims. The audio track is pumped up with earsplitting shrieks as Rodan breaks the sound barrier and his trademark cry here is really a very disturbing and spine-tingling noise. Sequences such as Rodan attacking a plane (inspired by the infamous Thomas F. Mantell UFO incident) and fighting jets in a supersonic dogfight are truly exhilarating. Furthermore, we've got a cast of characters who are worth caring about. The great Japanese actor Kenji Sahara plays the titular role of Shigeru Kawamura, one of the miners who stumbles upon one horrifying event after another. And he has connections with the other characters, most notably with Yumi Shirakawa. Their relationship and chemistry is almost as fascinating as the monsters.When the movie was distributed into the United States, like with the first Godzilla pictures, changes were made. Unlike however with that film, the changes here were more considerate and honorable. As long as you can forgive the hammy, sometimes irritating narration by Keye Luke, you can respect the distributors' decisions such as improving editing changes and addition or re-arrangement of musical cues. As an overall movie, the Japanese version feels more complete, more wholesome, and is a better picture. But its English counterpart is very nearly on par with its kinetic energy and confidence.The cast is in terrific shape. Kenji Sahara is a truly talented actor and those who say otherwise (that no Japanese monster movie can have good acting) just look at his expression as he tries to overcome amnesia and try to say that again with a straight face. Yumi Shirakawa is also terrific as his love interest, Akhiko Hirata is once again convincing and commendable as the obligatory scientist wanting to learn the truth, and Akio Korobi not only has the physical appearance of a police chief, but plays one with presence."Rodan" is an unfortunately overlooked monster movie masterpiece. Most people who know it are only so because the Rodan character would later become affiliated with the Godzilla franchise. Now that the original Japanese version has been nicely given a DVD release in the U.S., I hope people can truly appreciate how great this genuinely spectacular science-fiction classic is. It is complex, well-written, drawn-out, and the ending of the picture is surprisingly moving.