GamerTab That was an excellent one.

Mjeteconer Just perfect...

Pacionsbo Absolutely Fantastic

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

mark.waltz I started watching this with a great deal of interest after seeing several "streamlined" Hal Roach comedies and a few of his "A" budget films that were precursors to much later hysterical farces such as "Airplane!" and "The Naked Gun". With the exception of a few (the "Topper" series, "Merrilly We Live", "Turnabout"), they are not great films, but they offer enough screwball antics to give one chest pains after laughing so much. This one had some major laughs throughout, but they were further apart than the films I just mentioned as well as such 45-50 minute "featurettes" such as "Miss Polly", "The Devil With Hitler" and "All-American". To say disappointment followed is an understatement considering a cast of some of my favorite comical character actors.The storyline is set up for farce. A millionaire (John Hubbard) with a gold digging fiancée whom he is prepared to jilt at the alter is put into a mental institution for a "rest" when he starts "baahing" like a sheep after running out of the church. This sets up promise for a funny film, but it sorely disappoints. At the mental institution, he meets wacky Adolph Menjou almost by accident and they escape, only to get involved in Carole Landis's traveling carnival. Patsy Kelly, a Hal Roach regular since 1933, is present, giving her usual hilarity as a carnival woman from Brooklyn (where else would a Patsy Kelly character be from?) who is posing as a Native American selling a cure-all tonic. An actual Native American falls head over heels for her, presenting her with a portrait of himself (a stick figure) with her (a portly and obviously pregnant Indian woman). That is probably the funniest segment of the film as a recurring gag which has a typical Hal Roach payoff.Throw in Charles Butterworth as Menjou's eccentric wealthy cousin who loves riding on firetrucks who ends up encountering the carnival while Menjou is on the run. Then there is the wonderful Florence Bates in a bit role as Hubbard's social climbing mother-in-law not-to-be. Sadly, she is wasted in only the opening segment. There are some genuinely funny farcial moments towards the end with a gang of ruffians who try and break up the carnival only to find themselves surrounded by the group of wackos who have some surprises up their sleeve. Willie Best, an able black comic of the 30's and 40's, is funny as one of the carnival workers who encounters a battle with the carnival lion Hubbard has been forced to "train".I wish I could give this a higher review. It has a lot of potential to be a lot funnier than it is. I saw this years ago and thought it was funnier back then, but after recent screenings of some of Roach's other comedies of the same era have to mark it as a disappointment.

MartinHafer This isn't a comedy for intellectuals, as they will no doubt find the film too silly and full of cheap slapstick to enjoy. However, if you are not a film snob and you give it a chance (especially at the beginning), you'll probably have a few laughs and enjoy yourself.The film begins with a man (John Hubbard) about to marry. However, he's having cold feet and pretends to be crazy. During his crazy act, he overhears his fiancée say that she can't stand him and is only marrying him for his money. Before he can do anything about this, she decides, out of spite, to play up that he really is insane and has him placed in a mental institution. So far so good, though the film lags a bit in the sanitarium due to too many "crazy people" jokes.Hubbard can't get out despite his attempts to convince the chief of staff that he is sane. In this "rest home" for the rich, Hubbard meets Adolph Menjou--who isn't dangerous but certainly is rather crazy. Menjou LIKES living there but knows of a way out so they both escape together. Menjou's character is awfully broadly written at this point--laying on the mentally ill part a bit too thick, though he does settle down later in the film and is a good sidekick for Hubbard.On the run, the two men meet up with Carole Landis and her traveling carnival. Things look great except that the awfully loud and untalented Patsy Kelly is with the carnival as well, though fortunately her role in the film isn't a big one. Plus, so much of the time she's avoiding the romantic overtures of George E. Stone ("Runt" from the Boston Blackie series), that she doesn't get that much of a chance to yell her lines. Landis welcomes the pair of escapees and they all become one big happy family. Things come to an interesting conclusion when Menjou directs him to the mansion of his rather cracked nephew, played by Charles Butterworth.The film has a lot going for it other than the crazy jokes. The script is bouncy and fun, the supporting singers (The Charioteers) are amazingly fun to listen to and the film never gets dull. Certainly this isn't a great film, but it is fun--and isn't that what comedy is all about anyway?FYI--Two things to look for: Adolph Menjou's amazing hat and Shemp Howard in a small role (before joining the Stooges in films) and he's billed as "Moe"!

bkoganbing I have to agree with the two previous reviewers. I can't believe this film hasn't got more of a reputation than it does. It's a non-stop laugh from start to finish.The players in Road Show look like they're having a marvelous time in this film. Hal Roach must have kept a really loose and happy set for these people to have put in the work they did.Millionaire playboy John Hubbard gets cold feet at the altar and his gold digging bride gets him committed to an asylum. While there he meets Adolphe Menjou who's another millionaire there for a rest cure from his grabby family.The two make an escape and wind up in a carnival owned by Carole Landis and from then on it's one mad plot situation after another.Adolphe Menjou was a player of extraordinary range. In silent films with that waxed mustache he was usually villains, but in sound he played a good range of serious characters. Yet he had a funny side to him that when it was displayed could be hilarious. We saw more than hints of it in films like Broadway Gondolier and Gold Diggers of 1935. But here as the center of the film, he really explodes on the screen. I've never seen him funnier.Possibly because it did not star any of the great comic actors, just a whole lot of good players doing their shtick, Road Show does not stand out in the Hal Roach list of comedy masterpieces. That's a pity because this shows what Roach could do without people like Laurel and Hardy to star in a film for him.Don't ever miss this if it's broadcast again.

ptb-8 This is an absolutely hilarious 1941 carnival farce that is relentlessly nutty. With a roster of character actors you will recognize from every 30s/40s screwball chase/society comedy, B grade 2 reeler and a million other scenes from every other silly Hollywood comedy of the pre TV period, ROAD SHOW, like Hellzapoppin, or The All American Co Ed each made the same year, shows clearly how there must have been a turn for the completely crazy after WW2 started and these 3 films led the new post Marx Bros wave of deliberately ridiculous and risqué comedies. I was tired and not very interested in watching all of this film when I lazily slotted it into the DVD. Within ten minutes I was laughing out loud and sat up... the film actually energized me into attention and shook me awake. Read the cast list, admire the excellent production values, relish the Mad Mad Mad World level antics and just plain enjoy 70 minutes of perfectly deliberately contrived chase/Carnival/society farces the Hal Roach Studio ever put on film. In a big theater this would have been hilarious and noisy to enjoy. The firetruck chase with Patsy Kelly aloft a loose ladder as they drive thu an orchard on their way past a fire to be at an art deco circus location... well what more can I say. Shemp Howard, crooning teenage Negroes, lions on the loose, Carole Landis singing, an amorous Indian, a taffy pulling machine, fantastic Packard cars, mansions, the nut house drunk at a dinner-party with 4 chicken legs on his plate, and snazzy fashions each only party reveal the treats in store. Find ROAD SHOW and have a really delicious long laugh. Adolph Menjou's droll shyster is as funny as anything WC Fields delivered. What a hilarious film! A close cinema relative would be Million Dollar legs or a lot of the Wheeler and Woolsey comedies of the early 30s. ROADSHOW is a very funny film.