Ring of Fire: The Emile Griffith Story

2005
7.5| 1h27m| NA| en| More Info
Released: 20 January 2005 Released
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Country: United States of America
Budget: 0
Revenue: 0
Official Website:
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A story of violence, love, sex, politics and media centered around the life of Griffith, a six-time world welterweight champion.

Genre

Documentary

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Director

Ron Berger, Dan Klores

Production Companies

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Ring of Fire: The Emile Griffith Story Audience Reviews

Linkshoch Wonderful Movie
Laikals The greatest movie ever made..!
Gutsycurene Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.
InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
dtucker86 I am a Sergeant in the Army stationed in Korea and was unable to watch this amazing film when it premiered on TV. I think they had an inkling of just how amazing it would be because they showed it without commercials. This is a heart-wrenching story not only of boxing but of society as well and how we have changed over the years. The movie opens the fatal night of March 24, 1962 with Don Dunphy announcing the fight between Emile Griffith and Benny "Kid" Paret with the title at stake. The two had already fought twice splitting the victory between them. They were sort of the Ali-Frazier of the middleweight division. Paret had cruelly taunted his challenger before the fight calling him "maricon" (faggot). This was a shocking slur the press didn't even report at the time. Griffith had to be restrained from attacking him at the weigh in. This fight will always be one of boxing's most infamous because it was the first time a nationwide audience saw a man killed before their eyes. Ironically, even before this fight Griffith had not been known for being savage in the ring or a hard puncher. His record going into the fight was 28-3 with only 10 knockouts. However, in Round 13, he pinned Paret against the ropes and delivered the most savage beating you will ever see a boxer give another. In less then ten seconds he delivers over twenty devastating blows to the head. The referee did not stop the fight in time and Paret dies ten days later. There were so many far reaching aspects of this tragic night in 1962. Many hypocritical politicians called for the abolishment of boxing. It was years before fights were ever televised again. Referee Ruby Goldstein, who had had a distinguished career otherwise, never called another fight. However, the most devastating consequences that night were for poor Emile Griffith as this documentary makes painfully clear. Today, there is no big deal about a celebrity admitting their gay. It seems you cannot have a hit TV show, for example, without a character being gay. We put people like Ellen DeGeneres up on pedestals and make them icons of our culture. However, in the world of 1962, an admission of this was career suicide especially in the manly sport of boxing. How could a champion be gay? Griffith's personal life is his own business, but its heartbreaking watching this film and how the tragedy basically ruined this poor man. Griffith fought another fifteen years and became a six time champ. He was never the same fighter however. He fought another eighty bouts after March 24, 1962 but only scored twelve knockouts. He relied on his superb boxing ability rather then brute force to win. He admitted he was terrified of killing another. What shocked me is that champions of his era made nowhere near the outrageous purses of those today. Gil Clancy, his trainer, pointed out that it was common for even a champion to get only $50,000 for a fight. Like so many, Griffith stayed in boxing long after he should have retired. He lost twelve of his final twenty three fights. Today Griffith is a broken old man who requires full time care. He suffers from pugilistic dementia and also from nightmares still. I think the most touching moments of this film are the end where Paret's son embraces the weeping old champion and tells him he is forgiven.
zelley-1 As an amateur boxer in the Sixties, it was always great to watch some of the great boxers in action, and Emile Griffith was a Champion of Champions.It was also sad for Emile to be part of the burden of the tragedy in1962.OVER THE YEARS IT WAS GREAT TO WATCH HIS BOUTS WITH THE LIKES OF Joey Archer and many others.Watching the Emile Griffith story was like a trip down Memory Lane with a positive ending. To see Emile and Benny Paret Jr. together in the closing scenes was like seeing some dark clouds being gently blown away by a breath of fresh air.Throughout the show it was great to see old faces from the past such as Gene Fullmer, Gaspar Ortega, Jose Torres, but most of all to see Griffith in action within the ring and his life beyond the limelight.A river of tears,teardrop by lonely teardrop, can never wash away the pain and sorrow for the Paret family and their loss. But, to have Benny Jr. join together with Emile Griffith in their meeting was the highest and brightest moment of movie magic.I can't rate or compare Ring of Fire: The Emile Griffith Story to any other movie, TV show or slice of history. It stands alone as a unique treasure with endless value.
deecee822 try doing the whole story for real much was left out of Griffith's life,Many parts missing and credit given where none is due.How do you interview a wife who only stayed for 5 months what did she know? Nothing and a grown man trying to get passed off as an adopted son please give me a break wake up and smell the coffee.Is everyone punch drunk?Get the real story thats worth telling.Much was missing from this mans life his mother was the driving force behind him and the only mention she got was did Griffith remember when she died? Emile was in the hospital for one month ask who was with him every day morning and night?When i hear the whole story then I will rate that story and not until then.
Greg Couture I'd probably never have known about "Ring of Fire: The Emile Griffith Story" had a friend not told me about it, nor would I have been inclined to watch it were it not for my being able to consistently trust his recommendations.Despite its subject matter (which I would normally find less-than-intriguing), I thought it was extraordinarily well-done. The contemporary music selections and newsreel clips were well chosen and added immeasurably to the mise en scene. And that final reconciliation scene between Griffith and the son of the boxer who died after fighting Griffith packed a well-earned emotional wallop.Griffith is a sad case - certainly not meant for the career that ultimately pretty much destroyed his life. He seems a person of genuine charm and a certain gentleness - not what many might associate with the personality of a champion professional boxer. I was surprised how, in the final sequences, the makers didn't shrink from discussing the gay aspect of the story, even while Griffith seems to still be disavowing that he's actually gay.The widow of Benny "The Kid" Paret was quite a camera subject, very expressive, and Sadie Griffith, Emile's left-behind wife, is still quite a dazzler - what a smile! (Though that close-cropped hairdo wasn't very flattering.)Previously I knew nothing about Griffith and his story and was certainly grateful that the USA Network chose to show it uninterrupted, since I suspect that I may not have stayed with it had it been constantly cut into for the usual number of commercials.I have a complaint about the title, though. "Ring of Fire" has been used a number of times, including for an Andrew and Virginia Stone potboiler from 1961, released by M-G-M. (IMDb erroneously says the aspect ratio is 2.35:1, but I saw it in a theater and it was not a widescreen movie). It starred the then-popular David Janssen and was filmed in Metrocolor in and around Vernonia, Oregon, not too far from where I now live. I thought the documentary makers ought to have come up with something more original and, perhaps, a trifle more appropriate to Griffith's sad story.I understand, from the Message Boards on this film's IMDb title site that the story may be filmed by Paramount (in conjunction with the USA Network) as a major motion picture. They should leave well enough alone, especially since I can imagine the rap "star" or some other currently "hot" black personality who'll probably get the title role. Sean "P. Diddy" Combs, perhaps. Puh-LEEZ!