Cubussoli
Very very predictable, including the post credit scene !!!
ThiefHott
Too much of everything
SnoReptilePlenty
Memorable, crazy movie
BigBobFoonman
The plot summary on this website for this film is a bit off--a struggling rock musician does NOT head into a studio with his band--he heads into the studio with 2 hot blondes after scoring, in a non-musical way, with both of them.Great showcase of pre-digital studio reverb processes, as the focus of the film was on a tiled room that was actually used very effectively back in the day to put reverberation on a track. The technical details of the tiled room, and the digital processes of recording shown in the film may have left an audience a bit in the lurch as far as understanding what was going on in the film. However, two hot, leggy blondes, gasping sex on a couch, gallons of blood and evil voices panned left and right on the soundtrack probably would carry the day.....Very original filmstory, and I liked that....sadly, as is typical of much new millennium music, the "songs" featured in the film really sucked....
brad-765
I'm not usually a big fan of horror movies but i was dragged along by my braver wife of all people. This movie really scared me,I'm not familiar with Eitan Arrussi's work - although I saw Harry on the Boat and remembered it as comedy, though i feel he's more comfortable with horror. I found the plot very compelling and original I was really absorbed in the story-line. It gets really intense at times and the soundtrack was superb especially as it's a low budget movie. It reminded me of The Shining and will hopefully become the British cult equivalent. The best British movie i've seen in a long time - would have given it a 10 but i never do that.
Lucretius
Okay, so I love a good horror movie. And I don't mind a few clichés. But what I hate more than death or taxes is goofiness. American horror too often goes for the goofy or the gross-out, and a lot of whatever genuine creepy you might get out of the concept is dissipated by the Beavis & Butthead-level jokes.Reverb has none of that in it. What it does have is a somewhat standard horror trope--think _Cigarette_Burns_, if you've seen it--played absolutely straight for all the chills it can muster. There's a good performance by the female lead, who I hope to see more of. There's also some fine camera work (the lighting of the studio is a natural) and a nuanced bunch of cheap audio jump-thrills.Now there are some plot holes. For instance, who might have been holding the camera in a pivotal bit of video (nobody mentioned could). There's also an awful lot of yelling at the screen, 'Just get out! No, dude. Just get out!' But I'll forgive a lot for a genuine chill or two, and I got them.I don't know what movie the last reviewer saw, but this one's a pretty effective and moderately original bit of Brit-horror. 8/10, because frankly, low-budget horror has a pretty low bar.
wandersoul73
Wow,this movie really blew me away. I had never heard of it upon viewing it. But I was rather happy with the way it turned out. I was not at all familiar with its director Eitan Arrusi either,but now I shall keep my eyes peeled for anything new from him in the future.There was a pretty steady feeling of eerie chills through-out this film. Not to so that it is a masterpiece or anything. But it was worth 84 minutes of my Saturday.And I really enjoyed the pitch look to everything. But what else would you expect from a horror flick. And you never know this guy might even be the next Master of Horror,or something.
