Karry Best movie of this year hands down!

Hellen I like the storyline of this show,it attract me so much

Beanbioca As Good As It Gets

Mathilde the Guild Although I seem to have had higher expectations than I thought, the movie is super entertaining.

jjnxn-1 Even with big stars and an expensive production with songs by Jerome Kern and Oscar Hammerstein this is a minor film reworking of the Libby Holman tragedy. Powell is fine but in the background as is Rosalind in an early film where she is still in her grand lady phase. Ever the trouper Jean does what she can in a part for which she is hopelessly ill suited. She was aware of her limitations as much as anyone but went ahead with this even after expressing her doubts because it provided an opportunity for her to work with Bill Powell with whom she was personally involved. She does fine in the dramatic portions and is snappy at the beginning but she was no singer and is obviously dubbed. As a dancer well...she was a fine comedienne.

krdement If you enjoy identifying actors in cameo roles, this movie might interest you. Spotting the likes of Mickey Rooney, Leon Ames, Allan Jones, Margaret Dumont and Paul Fix saved this movie for me. If it weren't for that little game, I'd have regarded this film as a total waste - of both my time and a deep, talented cast.The film slowly develops a plot that never seems to gel, and the characters are all very one-dimensional, except Franchot Tone, who delivers a reasonable performance. However, his character's fate comes out of the blue, and is the point at which the tone of the story veers sharply in a bizarre way.The early, light comedy part of this movie is pretty aimless, and it jumps around a lot. The second half of the movie is like a completely different film spliced onto the first half. It, too, meanders; but unlike the first half, it is maudlin and melodramatic.The final scene is preposterous. The supposed-to-be climactic speech by Harlow would not come close to turning a hostile audience in her favor. She repeats a few generalized statements that, no doubt, everybody had read many times in the press coverage of the scandal. Talk about rehash!Oh yeah, there are quite a few discontinuities, too, for those of you who can entertain yourselves by spotting them. There is a shot of Tone's yacht in broad daylight, an intervening interior scene, and then Harlow and Tone go out onto the deck in darkest night, without the slightest suggestion of any time having passed.I was drawn to this film when I saw the incredible cast. How did Victor Fleming and this impressive cast deliver such a malaise of a film? Chalk it up to the writers, I guess.

we2 Laughs, cheers and tearsThis 1936 MGM production has much going for it. Again Harlow rules. Harlow’s performance featuring her unparalleled comedic timing, dancing, and most of all pathos sets the pace for excellent support from the ever smooth Bill Powell. This winner was directed by Victor Fleming (Wizard of Oz, Gone With The Wind etc), and written by David O Selznick (Portrait of Jenny, Duel in the Sun etc). A very young 15 year old Mickey Rooney has an unbilled 2 walk-ons and shows what will come as he progresses up his ladder to stardom. Supporting these are a glib Nat Pendleton, and Ted Healy as Powell’s pals. Healy by the way gave a start to the 3 Stooges in his vaudeville act. But that’s another story. Allan Jones has a singing number here. MGM thought well enough of him to give him a staring roll to Irene Dunne in the following years great production of Show Boat, another must see extravaganza. This film is not a comedy though it starts out as one. Developing quickly into a drama, and eventually a tragedy. Reckless is lavish and is not to be missed. Bring some Kleenex. Again Harlow rules.

kyle_furr A pretty forgettable movie starring William Powell and Jean Harlow. The plot really doesn't really come together and seems to be just thrown together. There are a few musicals numbers but they are pretty bad and don't compare to The Great Ziegfeld. Harlow looks like she's mouthing the words and her dance scene will only shows her legs and nothing else. The plot has something to do with Powell and Harlow being in love with each other but Franchot Tone comes in and steals Harlow away before Powell makes his move. Rosalind Russell is in love with Tone but she winds up getting married to someone else. The movie just doesn't work and this was directed by the same guy who directed The Wizard of Oz and Gone with the Wind.