Catangro After playing with our expectations, this turns out to be a very different sort of film.

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Loui Blair It's a feast for the eyes. But what really makes this dramedy work is the acting.

Josephina Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

calvinnme ...forget about it. This film is completely inaccurate in its portrayal of actual events in Russian history. As for the nature and character of the historical figures involved, the three Barrymores give good renditions. There is Ethel Barrymore looking every inch the empress and giving a convincing portrayal of a woman concerned for the welfare of her very ill son - and I would expect that. What I didn't expect is how weird it would be to watch a film in which John Barrymore is the shining hero and Lionel Barrymore is a truly diabolical villain, and each are spectacularly convincing in their portrayals. Lionel is really the center of attention here as he plays the evil Rasputin whose ability to sidestep assassination attempts is legendary, and here a few logical explanations are given to some of his alleged abilities. However, none can explain what happened at the end of his life - how he was poisoned, bludgeoned, shot, and finally thrown into an icy river and still managed to cling to life for awhile.Although Tsar Nicholas is accurately portrayed as a rather weak willed man and the Romanov marriage is also accurately portrayed as one of the few royal arranged marriages that also turned out to be a love match, there is a mischaracterization of the Tsar as being progressive and wanting a Duma only to have Rasputin defeat that plan. In fact, Nicholas was autocratic in his outlook and distrusted any attempt to give the people more say in their government. This sets up one of the great ironic struggles in the film - that of aristocrat Prince Paul Chegodieff (John Barrymore) wanting more for the peasants in the way of both bread and democracy, and that of peasant mystic Rasputin (Lionel Barrymore) saying that it was God's will that the peasants were poor and powerless. Paul wants to save Russia, Rasputin wants to rule it.Another piece of fiction shown in the movie for dramatic measure are the public proclamations about the illness of Tsaravich Alexai, the heir to the Russian throne. In fact one of the things that turned the Russian people against the royal family - besides the fact that they were starving during WWI - was that the people assumed that Rasputin's hold over the empress was because they were lovers. The Romanovs did not want it to be known that the only son in the family and heir to the throne had a serious disease - in this case hemophilia - that kept him in very delicate health and would likely lead to a greatly shortened lifespan. They felt it would leave them vulnerable to the overthrowing of their rule. Ironically hiding the truth and leaving Rasputin's relationship to the empress unexplained also led to exactly that.Watch this one for the high production values and compelling performances by the members of Hollywood's royal family during its golden age, but as for a Russian history lesson, look elsewhere.

herzogvon By now, everyone - but everyone - has commented on what bad history this movie is. Fine, I won't argue the point. But, what about it as drama? In my opinion, this is one of the most powerful tales of tragedy of it's time. ( This is particularly noteworthy given MGM's later penchant for frivolousness. ) Part of it has do do with the sincerity and conviction of the story. [ Alhough Charles MacArtur and others are given credit for the screenplay, I believe the original story - I have read a copy of the book - was written by a Russian émigré who fled the revolution. Unfortunately, I am presently unable to locate my copy. ] Nonetheless, this would go a long way towards explaining the movie's passion. As for the acting; it features an outstanding cast, including the three Barrymores, as well as an assemblage of first rate supporting actors of the time. ( Anyone notice Edwarld Arnold as Dr. Remezov? ) Of course, much of it seems dated by today's standards. ( This was 1932, after all. ) Keep in mind that this is high melodrama. In that context, Lionel Barrymore exudes pure evil as the scheming, mad monk. He also brings out the crudity and vulgarity of the man, which generally jibes with historical accounts. Just try not to dwell on the fake beard. John is fine and properly earnest as Prince Chegodieff, although his performance does seem a bit old-fashioned next to Lionel's. He really lets it all hang out in the murder scene, however. Ethel seems a trifle stiff, but Ralph Morgan is just right as Nicholas. In fact, sincerity and seriousness of purpose seem to be the hallmarks of the entire ensemble. And through it all, there is this sense of tragic inevitability; of events that, once set in motion, cannot be reversed.One other thing that warrants a mention is the music. The Russian Orthodox liturgical music used in the celebratory scene near the beginning is moving and powerful. It could well put one in mind of the the wedding scene in Michael Cimino's "The Deer Hunter" ( 1978 ). Later, there is a medley of martial music, accompanied by historical footage, as Russia mobilizes for The Great War. Here we hear "God Save the Tsar", a tune which Mikhail Glinka featured in his opera, "A Life for the Tsar", but which was routinely banned during Soviet performances. All in all, exciting stuff. This is a movie well worth watching, historical accuracy notwithstanding.

jtyroler Rasputin and the Empress shouldn't be used as a lesson of pre-Soviet Russia. Names have been changed (and that didn't prevent MGM from law suits) and a lot of the information we now know about this period of Russian history - was not known in 1932.As other people have commented about this being the only film that Ethel, John, and Lionel Barrymore appeared together, this movie doesn't show why the Barrymores have the reputation that they have. John Barrymore's career started going downhill after the introduction of sound. Lionel Barrymore, wearing one of the phoniest fake beards, tries to capture the charisma and sense of control that Rasputin had over Czarina Alexandra and the Czarevitch. Ethel Barrymore gives an understated performance - too understated at times. When her only son seems to be close to possible death, she doesn't seem all that bothered.C. Henry Gordon is a great Grand Duke Igor, Ralph Morgan is a convincing Czar Nicholas II, but they don't appear that frequently. Don't expect anyone to speak with a Russian accent or even attempting and accent.Rasputin is one of the most interesting people in the world during the early 20th Century. He was also one of the most enigmatic and contradictory. A holy man who was accused of raping a nun, excessive drinking, and being power hungry. Barrymore's portrayal of Rasputin plays this up, plus making claims that he will be Russia. He seems almost like Charles Manson at times in the way he can make someone, especially the Czarevitch, behave like they are totally different people compared to the way they acted before meeting Rasputin.It is best to watch this movie as just that - a fictional representation of various accounts of what happened in the royal court of Russia in its final days. The writers included Charles MacArthur, Ben Hecht, Robert Sherwood, Mercedes de Acosta, and Lenore Coffee - some of the best writers of the period.It's worth a view - don't expect historical accuracy, but it is an interesting film that tries to show a much different world than what Americans would have known.

bkoganbing In Margot Peters excellent book The House of Barrymore she characterized what MGM had to deal with in the only time the three Barrymore siblings were in a film together, John on drink, Lionel on drugs, and Ethel on her high horse. More truth than humor there.John's drinking and self destruction from same are well known. Lionel was on all kinds of pain killing medication which Louis B. Mayer kept him supplied with in return for being the fifth column of management whenever his contract players started getting ideas. For Ethel however this was her first venture into sound films and she was one who took the title of First Lady of the American Theater quite seriously with all the royal prerogatives of same.Somehow this retelling of the last days of the Romanovs did get made and in it Lionel Barrymore who had the most colorful part of the film, takes the acting honors. His Rasputin, the malevolent monk who held sway over the Tsar and Tsarina because of his ability to control the symptoms of the Tsaretch's hemophilia is a classic study in evil. Ethel is properly regal and John is the noble prince who eventually does something about the curse over the Romanovs, though too late.Rasputin was bad enough in history though here the writers went a bit overboard. There's no accusation against him of having designs on the royal princesses, yet we see Lionel casting a lascivious eye on the Princess Anastasia.Though the name was changed for the film, the real assassin of Rasputin, Prince Felix Yousapov did sue MGM and collect a bundle from them. Personally I think he robbed the lion studio because if anything John Barrymore's portrayal was far more noble than Yousapov was in real life. To add insult to injury though another guy with the name of Chegodieff which was John's name in the film also sued MGM and claimed he was defamed and won.The biggest historical error I find though was the fact that Rasputin was urging Tsar Nicholas to enter World War I. In fact the opposite was the case. Speaking of the Tsar, he's played here as the nebbish he was in real life by Ralph Morgan.For reasons I don't understand the film did not end with Rasputin's demise. Dramatically speaking it should have. But the film continued on until the execution of the royal family by the Bolsheviks. No proper dramatic foundation was laid for that event. There is some mention of revolution in the air, but nothing in the story suggests what will take place.Rasputin and the Empress is bad history and mediocre drama. But it is a chance to see the Barrymore siblings all in the same film and shouldn't be missed for that.