Kailansorac Clever, believable, and super fun to watch. It totally has replay value.

ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.

flu1983 The action unfolds in 2010, almost 15 years after the world has blown itself up, Only one missile born nuclear weapon is left, and whatever mutant survivor holds the Keys to its launch controls will have the power of ultimate obliteration. The world is threatened again!, Phillip and Marlowe – two guys trapped in a bomb shelter for more then a decade with nothing else but canned food and 1940's detective books – are the only hope. They've got the keys, they've also got the whole Punk District of Edge City after them! Life after the bomb is just one big blast! Loved the film, and great music Starring John Stockwell from "Christine" also with Michael Dudikoff from "Bachelor Party" , Michele Little From "My Demon Lover" and George Kennedy from "the Naked Gun films", All up I give it 8 out of 10

Kastore Having only been previously exposed to Albert Pyun's 90s-era direct-to-video low-budget action garbage, I picked up "Radioactive Dream" expecting a futuristic crapfest like "Nemesis" or "Omega Doom". I was surprised to discover this movie is not only original, but extremely funny and entertaining.Michael Dudikoff (in an effectively humorous role the same year he kicked off his B-action career with "American Ninja") and John Stockwell ("Christine", "My Science Project", and now a director of motion pictures) play Marlowe Chandler and Phillip Hammer - a couple of real dicks! Having been raised on 50s pulp detective novels (hence their names) while confined to an underground bomb shelter, they emerge 15 years after a nuclear war has turned the world into a post-apocalyptic wasteland. All these guys want is dames and to become the world's biggest private dicks. The first person they meet is a revolutionary rebel by the name of Miles Archer (Lisa Blount, who I also remember from another of my favorite guilty-pleasure 80s flicks, "Nightflyers", as well as "Blind Fury" and "Prince of Darkness"). Purely by accident, our two heroes end up in possession of the two keys that can launch the last nuclear missile in existence, and when this fact is discovered after they reach the last outpost of civilization - Edge City - they find themselves on the run from every mutant gang in town.This movie's pluses include a colorful variety of characters, many based on specific stereotypes from different eras (pulp detectives, disco mutants, greasers) as well as cannibals and giant rats; general goofiness in both the action sequences and the heroes' trying to get acquainted to the changed world; a most excellent 80s soundtrack; and George Kennedy to boot. As expected, the movie is a comedic satire for most of the first hour, but then suddenly turns serious in the last 20 minutes. But this movie does end with the coolest two-man song and dance number ever.In short, don't let the Pyun credit fool you. "Radioactive Dreams" is a good rental for those who wish to see something completely different. (Especially suggest a double billing of this with "Six-String Samurai") 7/10

DevastationBob-3 I've been hurt by movies before. Supernova, Ninth Gate,...Meet the Feebles pushed me down ten flights of stairs and then savagely kicked me in the groin. But all this pales before Radioactive Dreams. Where to begin...where to vent the HATE. The concept of this...for lack of a better word, Film is the story of two guys raised in a bomb shelter after being kidnapped by bank robbers Fat Guy from Cool Hand Luke, and Other Guy not in Cool Hand Luke. The kids are raised on detective novels and blah blah blah. If you're gonna try and do a take off on Film Noir, try and learn what Film Noir is. Don't just watch Guys and Dolls, sniff paint fumes, and decide to make a movie.So these guys run around...and...ARRGHHHH...pains me...to...remember this film...must...struggle on...must warn society...The story isn't the only thing holding this flick back...it's a technical nightmare. Often times the camera is filming NOTHING...for several minutes, apparently while the director lights up another Doob and the cast and crew are flogging themselves for their involvement in this wretched wretched film. I was actually screaming out loud as this film dragged on. Like a traffic accident, I found I couldn't just turn away...as I was in the middle of it with a steering column through my chest. (author pauses for muted sobbing)Fortunately, this movie is NOT available for sale on either video or DVD. However, much to my horror, I have seen it in several local video stores, and I can only assume this atrocity is repeated elsewhere in our fine nation. Do NOT watch this movie, do not ASSOCIATE with people who recommend this movie for anything other than to induce vomiting. It's bad, it'll hurt you. I know. Peace.

Bin-2 This is that rarity amongst post-apocalyptic cinema - a film that dares to show people trying to enjoy life in the ruins of civilization. Although it's eighties heritage shows through in an overzealous use of neon, tacky dance-rock and the frankly dodgy nightclub scenes, any film that can combine a nuclear war with disco has to be applauded.Our heroes emerge after a childhood in a bomb shelter. Their only guide to the 'real' world has been the work of crime writers such as Raymond Chandler. Convinced, therefore, that everyone wears sharp suits, talks like a hipster and goes down after one swift punch to the jaw, they embark on their journey back to civilization.Although the film starts by gently mocking the conventions of post-apocalyptic cinema (disco dancing midgets in white suits for instance (no, I'm not making this up!)), the bravery of the script dwindles, and about half way through it degenerates into the very generic twaddle that it sets out to mock. Still, as generic twaddle goes, it is enjoyable and entertaining, and hey, love that disco dancing...