Purple Butterfly

2003
6.1| 2h7m| NA| en| More Info
Released: 04 July 2003 Released
Producted By: Lou Yi
Country:
Budget: 0
Revenue: 0
Official Website:
Info

Ding Hui is a member of Purple Butterfly, a powerful resistance group in Japanese occupied Shanghai. An unexpected encounter reunites her with Itami, an ex-lover and officer with a secret police unit tasked with dismantling Purple Butterfly.

Genre

Drama, History, War

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Director

Lou Ye

Production Companies

Lou Yi

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Purple Butterfly Audience Reviews

Dorathen Better Late Then Never
Fairaher The film makes a home in your brain and the only cure is to see it again.
Verity Robins Great movie. Not sure what people expected but I found it highly entertaining.
Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.
Aan While the story might give one an eye sore and a headache having to keep up with the multiple characters in the storyline, there is an air of independent film-making that transcends the film's confusion. One should also note how excellent the camera-work is for those who enjoy the Italian Neo-realist films of the 1940's and 50's.This film is perhaps one of the most interesting of films on Chinese history told from the perspective of the Chinese themselves. The background, actors, crowded train stations and gunfights, would seem difficult to recreate in an independent film. However, the director succeeds in creating 1930's Japanese occupied Shanghai and how war affects those who are involved, both politically & non-politically. For anyone who hasn't seen a film from China other than the heavily laden Kung Fu movies made here in the U.S., Purple Butterfly is both a refresher and an excellent look at Neo-Realism in Chinese Cinema today.
whs5 "Purple Butterfly" puts us in media res in a moment in history--the years leading up to the Second Sino-Japanese War--that may be unfamiliar to some viewers. It links the lives of several people tragically brought together with a time-scrambling plot, a device familiar from "Amores Perros." This combination may account for some of the impatience and confusion some viewers have expressed; but I found the film brilliant. I particularly liked the courageously (for Westerners)slow pace of many scenes--the scene at the railway station, where the protagonist (played by Zhang Ziyi) gradually moves from background to foreground, is especially good. Those looking for Hong Kong-style action will be disappointed. Those open to a humane, thoughtful twist on the intrigue genre will probably like it. Fans of Ms. Zhang from her martial arts films will have the opportunity to see her in a less stylized role.
noralee "Purple Butterfly (Zi hudie)" is a Chinese take on "Charlotte Gray."There are also references to "The Third Man" in how the characters' loyalties and knowledge of each other's motives switch, to "Shanghai Express" for the trains, locales and extensive close-ups of beautiful faces, and to "Casablanca" as if these characters had more dialogue they would probably say something about their personal lives not amounting to a hill of beans amidst war breaking out in the late 1930's. Elaborate period production design and lush cinematography with very slow camera movement substitute for dialogue. I know very little of Sino-Japanese relations at this period so I probably missed important portents as the film first follows what I thought were two sets of star-crossed lovers in Manchuria and then Shanghai, whose lives only gradually obviously intersect. I consequently found some plot points confusing, particularly as I wasn't sure if the characters were spectacularly bad shots at point blank range or if we were seeing flashbacks to the point that I wondered if the projectionist had mixed up reels. I also wasn't sure if I was supposed to have a positive reaction to Tôru Nakamura's character, as the movie is so virulently anti-Japanese, but I found him a very charismatic actor who had terrific chemistry with the very expressive Ziyi Zhang despite the formalized set pieces of their interactions and even though I wasn't really sure about her personal feelings within her Mata Hari activities. It was completely gratuitous to close the movie with newsreel footage of Japanese atrocities in various Chinese cities during the war. Yes, we know this war was hell on civilians but hey I'm watching for the romances.
kurtz-1 Over the last few years, I have seen a great many Chinese films, as well as many other Asian films (Korean films are my personal favorites) and have generally been more than pleased with all aspects of the films. Having recently seen Hero, a revival of Days of Being Wild @ the Film Forum in NYC and Goodbye Dragon Inn I was looking forward to seeing Purple Buttefly. They are usually all well acted, directed and offer interesting and compellign stories. I was also interested in seeing Purple Buttefly since I recently returned from a trip to China that included a visit to Shanghai.Now, the reality: I found this film to be a complete muddle -- highly confusing and very difficult to follow. (wish I had read the other two reviews before I went off to see this film.) I found myself ready to get up and leave several times.... there are these long pauses where nothing takes place ...(more time is spent lighting cigarettes than anything else in the film) and people are forever pulling huge pistols out of drawers....and the violence is almost made ludicrous with all the "ketchup" used to signify bloody encounters... OK, enough said.....