Megamind To all those who have watched it: I hope you enjoyed it as much as I do.

Suman Roberson It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Madilyn Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

meganweinand I say this is not a true lesbian movie-why? Because I as a lesbian I don't think having a lesbian-male relationship is good enough! In addition, the relationship is non-monogamous! If you enjoy watching a movie about a woman who cheats on her lovers (both male and female) while simultaneously claiming to be a lesbian, this is for you! (NOTE the SARCASM). Sure, the movie is funny, but its not really when you realize it's just playing with people's lives. :( On top of that they lie to each other and the comedy does not balance that out! Overall cheeky but not a good movie and not worth it. The chemistry is okay but it's not great. Not recommended for lesbians either-its mainly female-male sex and relationships.

jimmatlock2004 I was a little leery at first when I read the synopsis, but this is one movie I thoroughly enjoyed. The characters were interconnected, well chosen, and delivered good performances. However, I think the magic in this movie is the script and direction. As a gay person who loves gay themed movies, this one really stood out with a bizarre quad love story. People who found something in common with one person, whether they were alike or different. One of the things I liked most about the story had nothing to do with the main characters but the sushi chefs who added comedy at the right moment. I recognized the main male character from TRICK and I'm glad to see him in something else, his character free flowing style and intellect was the perfect counterpart for the main lesbian character to be mesmerized by. But we all too soon learn, she's easily mesmerized. Anyway, I say let's add this to our top 20 list gay movies that hits the A list as far as I'm concerned. Watch it, enjoy it.

plex Don't get the point of this film or if it even makes any point. It just sort of plods around without any foundation or pace. None of the characters are likable, they're all dishonest with themselves and each other, and selfish. You get the idea they will end up alone and you don't care. Poorly acted with very limited emotional reactions covered by a veneer of self- importance, self-cool, self- righteousness, and displaced awe we are supposed to feel because they are bisexual(maybe) AND New Yorkers, AND educated. The film is all too self aware of itself and the writer/director self-gratifies with small genitalia. I watched this film because I have seen most of the players in other things I liked, ironically they were better scripted and directed in TV shows. The film's climax is that it has no climax, you see it coming a mile away and has all the energy and appeal of a televised senior golf tournament. Its billed as a comedy and a romance but neither of those genres were evident to me. How and why sushi chefs would know or care about the intimate details of customers they have no apparent connection with is a complete mystery to me. How & why the character are always bumping into each other, or espying the other in NYC was lamely explained using some old Freud comment about peripheral awareness. Watch only if you like selected players and you are amused by the cliché'd script penned by a lesbian who completely negates men and understands even less about the man-woman dynamic.

gfvaughn To me this is a decently made digitally-recorded film. It looks better than many low budget features. Photography and sound is generally good except for interior lighting that in places seems a little too flat for my taste. Yes, it follows in the "screwball comedy" tradition to some extent. Occasionally, early directorial efforts attempt to bring in more themes than they can successfully integrate fully. The operatic theme and title wanders off and gets lost somewhere about halfway through. Two sushi chef characters are funny and provide more zest and unity end-to-end than the operatic theme. Various other minor characters who speak just a few words all enhance the story as well and keep it moving. Dialog relies on psycho-babble for exposition. This does not necessarily detract if the audience can understand it. But the thought that this might be lifted from Woody Allen never occurred to me while watching the film first without, then with, the commentary. Any resemblance this film may bear to certain W.A. hallmarks as others have suggested is coincidental. This isn't a mere goofy / silly wisecracking comedy, either. It has gender identity issues that inevitably darken the mood for the major part of its potential audience. This core aspect of the narrative reduces the film to a subculture where it needs to succeed within a limited cult following to become commercially successful. Several comments in the narrative reemphasize the writer-director's gender orientation and politics. Given key career and relationship choices that most of the lead female characters make during their arc, it's questionable whether this film is going to engage a lot of general public sympathy. Nevertheless, plentiful relationship dynamics such as basic ability to communicate apply to all romantic relationships. The outcome here is more positive and carries with it greater depth that gives this film its charm.