GamerTab That was an excellent one.

Bereamic Awesome Movie

Ava-Grace Willis Story: It's very simple but honestly that is fine.

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

ScenicRoute Yes the movie is full of racists, has racist language but I wouldn't call the movie itself racist - the whites are shown no mercy. This movie is worth seeing for its realism, and the way it ends. No spoilers here, but I found the ending eminently satisfying, unlike other reviewers. And Ann Hardy is such a gem - so much better than the stars who held the screen for longer than she (Crawford, Davis etc). Adolph Menjou is a perfect snake. Melvin Douglas captures arrogance - and its consequences perfectly - and the "natives" are brilliant in their forceful presence.Another pre-code movie that is startling contemporary (except for the "racist premise") in its depiction of how the relationship between a man and a woman can be impacted by events beyond their control, especially if they ignore their environment.

MarieGabrielle Is very good as Verlaine, military man assigned to field outpost in Saigon circa 1900's. His wife, Therese Verlaine is portrayed by Ann Harding, whose father is in charge of her husband's assignments.When she first embarks to join her husband, her father issues the speech as quoted on title page. ..."It is their job to uphold higher standards to restore order....to rise up to the upbringing and status of the white man"... . This he says is "prestige" (which today is rather out of context, the word prestige in America has been decimated to a materialistic meaning and has nothing to do with honor or pride in today's America. Sadly, I might add.However, it is an interesting antiquated viewpoint. Verlaine is in charge of a rather ramshackle bamboo prison in the third world country then known as, Annam (later North and South Vietnam). Captain Verlaine tries to rule with an iron fist at first as we see a prisoner is executed for a petty crime in the most brutal fashion. There is some sort of gallows device made of bamboo. The scene is very effective and believable.Then Captain Remy Baudoin arrives as he is friends with Therese and wants to see if she is surviving the jungle and heat. He somewhat cheers her up, to which Verlaine becomes drunk, jealous of his wife's friendship and angry at his overall job requirements. Douglas is believable here, while very young and unless most of us check the credits we would not be sure this was him.The natives eventually revolt, as Therese first visits the prison and is shocked at the conditions. She is disturbed that her husband maintains such a facility, for native peoples whose primary crime is poverty. They eventually revolt but succumb in the end, Captain Verlaine has restored order.While the story is a bit unreal at times, the photography (mostly filmed in Venice, FL) is intriguing and realistic, we can feel the heat and what it must be like to live in a bamboo hut in 104 degree, humid temperatures.Well worth seeing for the era, the dialog and Douglas in an early dramatic role. 9/10.

mukava991 For those interested in prevailing (or at least socially acceptable) American attitudes toward Third World colonial territories and non-white races in 1932, this film is a potent educational tool. Melvyn Douglas plays a French army officer who is assigned to supervise a prison camp in the boonies of Indochina, the inmates of which seem to spend half their time drinking and gambling and the other half lying on their backs in a barracks with their feet manacled. Douglas, whose character disintegrates into alcoholism from the relentless heat, humidity, isolation and boredom of his post, leaps from one emotional state to the next; he hits each note with power and gusto, but there is no gradation between the notes, giving his behavior an unstable, almost schizophrenic effect; one wonders if this was the fault of the script, the director, the editor or Douglas himself. Ann Harding as the sweetheart who follows him to Indochina and Adolphe Menjou as a rival French officer deliver their standard performances. Director Tay Garnett indulges in frequent tracking shots and almost constant dollying and wobbling around furniture, doorways, mirrors or whatever is available. Yet somehow the film has a sluggish feel. The soundtrack of the print I saw on TCM has deteriorated so that some dialogue exchanges are difficult to understand.Early on Ian MacLaren as Harding's father (also an army officer) explains to her that the most important thing to remember while in Indochina is the "prestige" of the white race. This concept echoes throughout the film as Harding repeatedly reminds Douglas to keep his head up, i.e., physically embody his racial prestige. Indochina itself, as represented on what must be the RKO-Pathe back lot, is populated mostly by not only Asians but also by other non-white races. Douglas's personal servant (Clarence Muse) is black. Perhaps the French, for their own reasons, shuffled their non-white subjects from one colony to another or the filmmakers ran out of Asian extras and thought any other non-Caucasians would do as "natives." For tropical atmosphere, there is the inevitable brief shot of crocodiles plopping into a river as well as a shot of a swarm of ants on a table where Harding has left an open box of chocolates (why the candy hadn't melted to syrup in the umpteen hours/days she has been traveling upriver in the tropics is not explained). Toward the end, during a mutiny, Douglas manages to intimidate an armed, seething mob by holding his head up, removing his gun and marching through them, swiping various menacing individuals on the face with his whip, causing them to draw back. For some reason never made clear, there are repeated shots of natives operating a huge water wheel; it's picturesque. All of the characters except Harding and Menjou are seen sweating profusely in every shot. Strange, because these two actors are the most overdressed for the climate.

jotix100 Therese Des Flos, a beautiful young woman, is in love with Andre Verlaine, a captain in the army. She is also pursued by another officer, Remy Baudain. When Andre is assigned to a post in Indochina, Therese's world goes to pieces. Andre has not married her because of his impending stint, but Therese convinces her father, who is in charge of this division, to let her follow Andre.Things aren't exactly easy for Andre, who falls into a despair by the heat and perhaps his boredom at this forsaken place. He doesn't endear himself to the native troops he commands to guard the prisoners at the lock up. When Therese arrives, she is horrified to see the change in Andre, but they go ahead with the plans to marry. Remy, who has come to the compound, is also completely surprised by what's going on and asks Therese to go back to Saigon with him. As she is about to leave, she discovers that Remy has been killed. Everything points to Nham. Ultimately, Andre gets some of his all self back when he is wounded and he and Therese come to the realization they belong to one another."Prestige" is a curiosity film directed by Tay Garnett, a man who always delivered. This RKO-Pathe picture belongs to an era when stories such as this one had no interest in being politically correct, as shown by Andre's attitude toward the natives, who he seems to hate. Even his loyalty toward his servant is put to a test where he shows no compassion either. The film portrays the native men in silly costumes, and even Nahm is black, something that might have been quite a shock for the Indochina of those years. The costume department decided to dress the women in Jantzen swimwear instead of the traditional robes.Ann Harding is appealing as Therese. Adolph Menjou also has some good moments. We didn't care much for the Andre of Melvyn Douglas, but this is only our opinion. Rollo Boyd, Ian McLaren and the great Clarence Muse are seen in key roles."Prestige" is a film to watch by fans of Tay Garnett.