Pompeii: Life and Death in a Roman Town

2010
7.4| 0h59m| NA| en| More Info
Released: 14 December 2010 Released
Producted By: Lion Television
Country:
Budget: 0
Revenue: 0
Official Website: http://www.bbc.co.uk/programmes/b00wqfcx
Info

The volcanic eruption that ravaged Pompeii in year 79 is one of the most famous in history. It is known how its victims died, but how did they live? A new insight into the lives of the people who lived in the shadow of Mount Vesuvius before its cataclysmic eruption.

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Cast

Mary Beard

Director

Paul Elston

Production Companies

Lion Television

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Pompeii: Life and Death in a Roman Town Audience Reviews

SpuffyWeb Sadly Over-hyped
Listonixio Fresh and Exciting
Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
l_rawjalaurence Aided by fellow-archaeologist Andrew Wallace-Hadrill and bone specialist Fabian Kanz, Mary Beard trawls through some of the remains of the people buried alive in the volcanic eruption to discover something about their lives. Some of the conclusions are fascinating: rich and poor lived cheek-by-jowl to one another, eating similar diets of fish, chicken and eggs, and using the same public facilities such as baths. Their lifestyles might have been very different (the rich were especially fond of taking exotic baths attended by slaves), but there was a sense of community conspicuously absent from modern cities. Together with Wallace-Hadrill, Beard enters the ancient sewers underneath Pompeii to discover the Cass-pits: from the excreta left by the citizens (which has remained perfectly preserved for two thousand years) it is possible to discover more about their diets and lifestyles. Never has a load of dung been put to better use.Beard is an entertaining guide through ancient history; she knows a lot about her subject, and takes great pleasure in translating the ancient inscriptions on various tablets into English. On the other hand this program gives her license to use language not normally characteristic of historical documentaries, especially that relating to human waste products. She delivers her script with relish and encourages scholars like Wallace-Hadrill to do the same. We get the sense that whereas this program is offering genuine historical investigation into the ancient past, it is also great fun for program-makers and presenters alike.