SnoReptilePlenty Memorable, crazy movie

Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

dbborroughs Captain and his crew just returning to England are forced to go back out to take on the villainous Captain Morgan who is based in Tortuga . He once had a deal with the Brits but things have gone sour and he's raiding every British ship he can come across. Add to the mix a stowaway wench who has eyes for the captain and you're in for a rather superficial evening at the movies. Sue me the film never clicked with me. Its not that the action is bad, its not, its just that the plot doesn't really hold your interest. At times it's too much talk and not enough action, especially in the early going. Worse still is the cast who while adequate, are never really engaging and it's not really a wonder that I never really recall seeing any of them in anything else. I never really cared and despite the film looking good I allowed my attention to wander to other things.

Blueghost I saw this film quite a few times growing up on independent TV stations. I didn't think it was anything too spectacular then, but hey, it was a pirate flick, and you can't go too wrong... right? Well, before the days of corporate run focus groups and test market screenings for films, the studio moguls, banking on what they believed would sell, would ride movie trends like the corporates do today. Back then Westerns and Pirate flicks were all the rage, and in 1961, hoping to revitalize a waning market, 20th Century Fox invested in this thing.They must've done it on the cheap. Recycleing old studio props and sets, it looks like they cast bit part players in supporting roles. That and the cinematography is pretty bland, though not too far from b-movie standards at the time.It's a market driven film. No standards or rules are being bent or pushed. There's a few social messages snuck in here and there, but nothing too shocking by contemporary American social standards.There's nothing really innovative or impressive about this film, but it does offer two hours of pirate escapism. Take it for what it is.

JoeytheBrit This is a fairly ordinary boys' pirate adventure memorable only for the over the top performance from Leticia Roman as the reluctant stowaway aboard Ken Scott's galleon embarked for the Caribbean and a battle of wits with Captain Henry Morgan (Robert Stephens) who has returned to his buccaneering ways after briefly working for the King of England.Roman acts as if she's just downed a pint of strong black coffee, and no doubt most self-respecting sailors would have thrown her overboard after having had their way with her. Somehow, though, not only does she make it intact all the way to Jamaica but she also manages to get Scott's insipid Captain Bart to fall in love with her.Robert Stephens as a slightly unhinged Morgan given to smacking the rump of his ever so slightly raddled lady companion is the highlight of the film, although he doesn't receive the amount of screen time he deserves. Curious to see British comedian Dave King appearing as one of Scott's swashbuckling sidekicks too. Other than that there really isn't a lot to say about this flick.

MARIO GAUCI One of the myriad cheapies churned out by independent film producers (here Sam Katzman) under the aegis of a major Hollywood studio (20th Century Fox) and which revolves around the exploits of a notorious pirate figure (Sir Henry Morgan). Despite being fully aware of the film’s non-reputation even among others of its type, I was still taken in by the relatively decent cast (Robert Stephens, Leticia Roman and John Richardson) and the promise of colorful entertainment (brought on by my recent spate of similar superior outings).Unfortunately, PIRATES OF TORTUGA falls far short of earlier movies about Morgan – THE BLACK SWAN (1942) or even the contemporaneous MORGAN, THE PIRATE (1961) – and proves to be a lackluster affair with a poverty of imagination on display that is quite dispiriting. To start with, Morgan (an over-the-top Stephens) himself only appears half-way through with the result that we are left largely in the company of a truly overbearing gypsy of a leading lady (Roman), a listless hero (Ken Jones) and his puerile cronies (Richardson and Dave King). Add to that the intermittent usage of action stock footage lifted from earlier Fox seafaring productions, the uncharacteristic popping up of modern slang in the dialogue and the sheer predictability of the whole venture and it’s small wonder that very little time has elapsed before the film starts to sink…right out of one’s memory! For the record, director Robert D. Webb had much earlier won an Oscar as an assistant director (in one of the few times these awards where handed out) on IN OLD CHICAGO (1937) and had also guided Elvis Presley through his first film LOVE ME TENDER (1956); incidentally, I might get to check out six(!) of his other directorial chores in the future: not just two notable Westerns WHITE FEATHER (1955; with Jeffrey Hunter and Robert Wagner, which I have in my DVD collection) and THE PROUD ONES (1956; with Robert Ryan and Jeffrey Hunter again, which I intend to acquire) but also a few more available at local DVD rental outlets: BENEATH THE 12-MILE REEF (1953; which I haven’t watched in ages), the aforementioned LOVE ME TENDER, THE CAPE TOWN AFFAIR (1967; a remake of Samuel Fuller’s PICKUP ON SOUTH STREET [1953]) and THE JACKALS (1967; featuring Vincent Price and a remake of William A. Wellman’s YELLOW SKY [1948], which I own and intend to watch presently as part of my ongoing Richard Widmark tribute).