Noutions Good movie, but best of all time? Hardly . . .

HeadlinesExotic Boring

Fairaher The film makes a home in your brain and the only cure is to see it again.

Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.

Leofwine_draca PENNY GOLD is a murder mystery thriller of the 1970s that feels very much like a TV movie, even though it isn't. The soundtrack is quite unappealing and dates this film considerably and not in a good way. There's an opening shower murder before the rest of the story follows around a weary middle-aged detective and his sidekick as they try to solve the crime.Their crime-solving skills include a lot of questioning and the occasional car chase. Scenery-spotting accounts for much of the fun when watching, that and the appearances by future famous folk. John Rhys-Davies is a rugby player early on, and Penelope Keith brings her plummy tones to a one-scene cameo. John Savident, best known for playing Fred Elliott in CORONATION STREET, has a youthful turn, and Una Stubbs is amusing in support. Watch out for Marianne Stone, Britain's most prolific actress, and Joss Ackland to boot.Unfortunately James Booth's detective isn't a very interesting character and I found him quite unappealing. Nicky Henson, as his sidekick, acts like Robin Askwith. Francesca Annis is a highlight playing the role of twins, even though one of them is only seen in flashback, and very appealing she is too. A shame the rest of the movie is only middling rather than engaging, although it does have a nice twist ending.

wilvram This particular type of Detective mystery, set in the world of the professional and the prosperous, was a most unusual theme for what passed for the British film industry in the 1970s. The genre had gone out of fashion about a decade earlier, a situation that was to remain until the advent of the Morse TV movies in 1986. Nowadays, a format that may have seemed outmoded in 1973 can be seen replicated on channels such as ITV3 on most nights of the year. Too bad then that PENNY GOLD provides such a tame example.Fittingly, for a Jack Cardiff film, the photography is superb, as is the art direction. But in general, the director and his cast are unable to bring the characters or the uninspired story to life. James Booth is good as the Inspector though, with Nicky Henson as his faithful sidekick and there are all too fleeting appearances from Penelope Keith and Sue Lloyd. A crime story revolving around stamp collectors hardly sounds exciting to begin with, although there had been at least one thriller on the same theme before, BARBADOS QUEST, with Tom Conway in 1955. Then fairly early on we learn that the murdered woman, whose face had been damaged beyond recognition, is one of twins, one good, the other evil. You hardly need to be Hercule Poirot to see where this is going. The film's at its worst when the murder of a typically tedious character is announced, which we're then shown in a slow-moving flashback. I could hardly wait. The location shooting and reminders that the Britain of forty years ago was not the nanny state it is today hardly compensate for moments such as this.

malcolmgsw The British film industry was dying on its feet when this film was made in the early seventies.The fact that it was directed by Jack Cardiff speaks volumes.Anyone can see the basic premise of the plot after only about 10 minutes.So there isn't a lot of suspense merely an interest as to how the plot unravels.Booth seems to be doing an imitation of Jack Regan but despite the car chase and the rough handling of suspects this is no "Sweeny".Penelope Keith is seen in a small role before her rise to fame.This is the sort of film that was far more at home on the TV screens than on the cinema screen.At the end of the day this is little more than a potboiler.

Schwenkstar Jack Cardiff is an academy award winning cinematographer (for 1947's "Black Narcissus") but is an uneven director (Though his 1960 film "Sons and Lovers" garnered him an Oscar nomination). In this film, he moves away from the viewfinder of the camera and into the seat of the director's chair.The DVD Cover provides this synopsis for the film: This dramatic indie thriller, set in the intriguing world of high-stakes stamp collectors, is directed by acclaimed British cinematographer Jack Cardiff. A detective (James Booth) is assigned to investigate the murder of a young woman, whose body is found in the shadow of Windsor castle. In the course of his inquiry, he stumbles onto a plot to steal a rare and valuable stamp called the Penny Gold--and encounters a woman who appears to be the dead girl's lovely but dangerous evil twin (Francesca Annis).This description paints the film in a better light than it actually is, which is obvious since it comes from those trying to market the picture on DVD.The film's narrative has the quality of something one may see on a made-for-TV program rather than something one would consider "theatrical." While the set up and initially beginnings of the mystery are captivating, the rest of the film is dreadfully dull and uninteresting. The story is totally unfocused as we are presented with scenes, such as random flashbacks, that seem totally out of place and irrelevant.The mystery itself is not at all that mysterious as the audience can predict its outcome from the very beginning and thus makes the film a big build up to nothing.There are a few good traits, such as the wonderful location shots of Windsor Castle and the surrounding rural areas (courtesy of Mr. Cardiff), and a well-photographed car chase (which, unfortunately, seems out of place).The DVD was a blind buy given its cheap price of merely $4 (most online DVD stores carry it between $4-$6), but I certainly wouldn't pay a cent more. The film, admittedly, is attractive at that price but it is suggested you save up your money for more quality films.Not recommended except those who are fans of Jack Cardiff or those who don't mind squandering $5 to add a title to your collection.